Education — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 22 September 2026 and assigned it the closest of 31 fixed categories, at 93% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
5 measurements spanning 22 days, net -2. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 396–399 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)
Subscribers
Change
29 Aug 2026, 13:17
397
+1
23 Aug 2026, 04:58
396
-2
15 Aug 2026, 19:52
398
-1
8 Aug 2026, 05:49
399
no change
7 Aug 2026, 12:24
399
first reading
Engagement
14 posts held, back to 27 January 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 14 posts for this entry, the most recent from 29 October 2025. An engagement rate over an empty window would be a number about nothing.
What this channel posts
Video runtime
45s
Average length
45s
Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Reaction mix
138 reactions across 14 posts, in 7 distinct kinds. The most used accounts for 73.2% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
❤
101
73.2%
👏
16
11.6%
👌
14
10.1%
🕊
3
2.17%
🤩
2
1.45%
👀
1
0.725%
💯
1
0.725%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 14 of the 14 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 138 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 14 most recent posts we hold, published 27 January 2025 to 29 October 2025, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
🔶 تصویرهای شاعرانه؛ شعرهای مجسم
گاه در ستایش اثری بصری شنیدهایم که «شعر است» و یا در ستایش شعری شنیدهایم که «نقاشیست». چنین ستایشهایی را استعارههایی خلاقانه میپنداشتم تا اینکه در دورۀ شعر شاهین کلانتری با یکی از بهترین مقالههایی که تا به حال خواندهام آشنا شدم. مقالهای از میرزا آقا عسگری به نام «تصویر؛ کارپایۀ شعر امروز» که بنیان هر اثر هنری را تصویر(نگاره) میداند و تصویر را گرهگاه خیال و اندیشه، آمیزۀ ذه…
👇🏻 «کانون نگارش ایران» برگزار میکند:
✍🏻 وبینارِ «بهزبان ویراستار»
⚜️ بسیاری از نویسندگان برای اینکه کتابشان و در کل متنشان ویرایش شود، به ویراستاران رجوع میکنند؛ ولی در اغلب موارد، نه میدانند دقیقاً کِی این کار را بکنند، نه میدانند از ویراستار چه بخواهند؛ حتی ممکن است اصلاً ندانند ویرایش دقیقاً چیست و چرا باید متنشان را به ویراستار بسپارند.
نمونۀ مکاتبهها و تحلیل هر کدام
⚜️ در این وبینار، مواردی که باید در…
👇🏻 نقدی کلی و موردی دربارۀ
ترویج و تبلیغ کتاب در نشر ایران:
✍🏻 صنعت نشر ایران؟!
«صنعت» نشر ایران؟!
صنعت «نشر» ایران؟!
⚜️ «صنعت» اگرچه در لغت بهمعنای «ساختن» است، ولی معنای مدرنش بسیار گستردهتر است: «مجموعهای از بنگاههای اقتصادی که نیازهای بازار مشخصی را تأمین میکنند.»
معلوم است که «تأمین میکنند» یعنی «تولید و ارائه میکنند»؛ ولی بحث من آن «نیازهای بازار» است.
⚜️ صنعت نشر ایران از نظر من صنعت نیست؛ چو…
📚 دیدن چیزهای نادیدنی ـ آرزو ارجمند
بعضیها تازه در جنگ فهمیدند زندگی چقدر ارزشمند است…
اما من سالهاست زیستن را تجربه میکنم.
📖 کتابچهای از عکسها و تجربههایم؛ دعوتی برای دیدن زندگی از نزدیکتر. 🌿💛
@MrsOverthinkerr
💬 حالا نوبت کیه حرف بزنه؟
این نوکتاب شامل ۵۰ تکگویهی یک صفحهییست. بعضی آدمها در چند تکگویه نقش گرفتهاند. باقیشان یکبار با ماجرایی پیدا شدهاند و نوبت بعدیشان بسته به نظر شماست. این کتاب مجالیست برای بلندبلند خواندن در خلوت و اتودی برای علاقهمندان دور و نزدیک تئاتر.
نویسنده در پیام سپاسمندیاش مینویسد:
🟣ممنون و قدردانم از استاد کلانتری که چه خون دلی خوردند تا کار در آید.
🟡 دنیایی مدیون صبر و سلیقهی مر…
«تهرانی از دلایل انکارناپذیر»
برای تهرانِ ایران
«شهری که در تلاطمِ دودِ رقیق
در شستوشوی باد
نمایان است.»*
محمدعلی سپانلو در نوشتهای به نام «تهران بانو»، تهران را به استعاره، زنی با سرگذشتی چند قرنه توصیف میکند که سالها و سدهها فرزندان بسیار زایید و اطفال سرگردان بسیاری را به فرزندی پذیرفت، با صبر خدایی آنان را بزرگ کرد و به عرصه رساند؛ از شاه و گدا، خدایگان و بنده، وزیر و دبیر، مبتکر و مقلد، رند و کلاش، متفکر…
کمی بعد از آنکه پنج قرن پیش، میکلآنژ در کلیسای سیستین آفرینش را باز میآفرید، در تبریز، جوهر دستوپنجۀ دستکم پانزده هنرمند شناخته و ناشناختۀ صفوی، که دو دهه برای نسخهای پرشکوه از شاهنامه چشم سوزاندند، چهار سده بعد، ورقورق شد و دور جهان پر کشید و آرام گرفت به چشمخانههای چشمانی در تهران و نیویورک و کپنهاک و تورنتو و لندن و دوحه.
شاهنامۀ ۷۵۹ صفحهایِ تهماسبی یادگار هنرمندانی است که به قول رمان نام من سرخ «زیر قلم…
☝️دانلود رایگان نسخهی الکترونیکی کتاب «نویسندهساز» نوشتهی شاهین کلانتری
⭐️اگر مشتاق تهیهی نسخهی چاپی هم هستید، از راه پیوند زیر اقدام کنید:
🔽
https://t.me/shahinkalantari/12806
@nevisandehsaz
@shahinkalantari
این قلمفرساییهای ناکام
اگه از من انتظار دارین که این داستان رو با جملات خلاقانهای آغاز کنم، باید بگم متأسفم که نمیتونم انتظارتون رو برآورده کنم. من اگه نویسندۀ خوبی بودم در جملۀ قبلیام «از من» رو حذف میکردم و مفهوم «جملات آغازین» و «شروع کردن» رو یککاسه میکردم و به تکرار نمیافتادم. و باز همین جملۀ قبلی رو هم با ساختار بهتری سر و سامون میدادم. و در جملۀ قبلی و جملات قبلی نقصهایی میدیدم که الان حتا از وجود…
📚
دیزاین کتاب «چکلیست نوشتن کتاب برای معلمان» کار تیم دیزاین کتاب استودیو چشمخانه است. من و محسن شیرسوار. جلد، کار محسن است و آراستن صفحات کار من. لحن جلد پیامد همکنشی هنر محسن با خاستهٔ نویسنده است. تختهسیاه و نوشتۀ گچی هم نشانۀ نوشتن است و هم نشانۀ تدریس. نوعی نشانگی میانِ نمایه و نماد.
کتاب، «دو رنگ» طراحی شده است و سر و پای و زمینۀ صفحات و عناوین اصلی و بولتها و قاب گزینگویهها، زرد است که با تجربه و تعامل…
❤7👏3
Showing the 12 most recent of 14 posts we hold for @Morteza_Abbasi_g. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Handles this channel named that no longer answer
Dead references
1
handles named in this channel’s posts, vacant today
Evidenced gone
0
we ourselves saw one of these resolve, at some point
Never seen alive
1
vacant every time we have ever looked
@Morteza_Abbasi_g named 1 handle that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all. A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
Never seen alive
References a handle that is not a live channel — we have no record it ever was one.
@mrsoverthinkerr named in 1 post, 9 August 2026 – 9 August 2026
Appears in Telegram’s recommendations for other channels
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
نویسندگی @ErnestMillerHemingway · 29,851 Telegram ranks this channel #31 of 87 here — alongside 86 others — read 8 September 2026
هر روز یک صفحه با قرآن @Yahooo_Daroon · 24,484 Telegram ranks this channel #46 of 59 here — alongside 58 others — read 16 September 2026
پریا اخواص @Akhavass · 31,230 Telegram ranks this channel #47 of 59 here — alongside 58 others — read 6 September 2026
کتابخونه صوتی @audiopersianlibrary · 39,751 Telegram ranks this channel #61 of 76 here — alongside 75 others — read 30 August 2026
This channel appears in 4 seed channels' Telegram-generated recommendation lists in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 29 August 2026 — this
entry's latest reading, not the date you are reading this.
“مرتضی عباسی | استودیو چشمخانه” (@Morteza_Abbasi_g), 397 subscribers as measured 29 August 2026. Telegram Register, tgregister.com/channel/Morteza_Abbasi_g.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.