Сможете угадать, кто автор этих замечательных рисунков? 🎨✨
❤8👍2
Signed italcinema

Channel
@italcinema
On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Posts · Posts edited after publishing · Citations · Telegram's recommendations · Cite this entry
6,654subscribers
+182 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
| Telegram ID | -1001429271250 |
|---|---|
| Type | Channel |
| Username | @italcinema |
| Description | Мы привозим и показываем итальянское кино в России 🤌🇮🇹 @italcinema Расписание показов на сайте https://itcinema.ru Вопросы и предложения: [email protected] Для связи: @LeKristy |
| Created | 16 January 2020 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 10 November 2026 |
| Measurements held | 28 |
| Confirmed unchanged | 1 time, most recently 10 November 2026 |
| On Telegram | t.me/italcinema |
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 12 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and the other topics.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 10 Nov 2026, 23:34 | 6,654 | -18 |
| 7 Nov 2026, 10:07 | 6,672 | +3 |
| 4 Nov 2026, 13:35 | 6,669 | +37 |
| 1 Nov 2026, 09:31 | 6,632 | -3 |
| 29 Oct 2026, 12:57 | 6,635 | -16 |
| 26 Oct 2026, 05:46 | 6,651 | -5 |
| 23 Oct 2026, 03:06 | 6,656 | -5 |
| 20 Oct 2026, 12:21 | 6,661 | -11 |
| 17 Oct 2026, 20:20 | 6,672 | -17 |
| 14 Oct 2026, 19:31 | 6,689 | -16 |
| 11 Oct 2026, 06:57 | 6,705 | +32 |
| 5 Oct 2026, 02:16 | 6,673 | +97 |
| 26 Sept 2026, 08:18 | 6,576 | +48 |
| 17 Sept 2026, 12:40 | 6,528 | +7 |
| 13 Sept 2026, 04:57 | 6,521 | -5 |
| 9 Sept 2026, 09:41 | 6,526 | -8 |
| 3 Sept 2026, 23:17 | 6,534 | -3 |
| 31 Aug 2026, 06:16 | 6,537 | -6 |
| 28 Aug 2026, 12:34 | 6,543 | +18 |
| 25 Aug 2026, 05:16 | 6,525 | first reading |
34 posts held, back to 30 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 19 pages of Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views — note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 14 November 2026 |
|---|---|
| Posts held | 34 (30 July 2026 – 14 November 2026) |
| Views total | 12,201 |
| Reactions total | 573 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 14 Nov 2026, 14:43 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Lifetime counters from Telegram’s own channel header, read 14 November 2026 — not the date at the top of this page, which is when the subscriber count was last read. A count marked ≈ was rounded by Telegram before we ever saw it — t.me prints these counters in full below 1,000 and to three significant figures above, so ≈142,000 means somewhere between 141,500 and 142,499.
Measured directly from 4 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
960 reactions across 29 posts, in 9 distinct kinds. The most used accounts for 65.7% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 631 | 65.7% | |
| 👍 | 132 | 13.8% | |
| 🔥 | 73 | 7.60% | |
| 😢 | 37 | 3.85% | |
| 🥰 | 33 | 3.44% | |
| 👏 | 28 | 2.92% | |
| 🎉 | 12 | 1.25% | |
| 🤩 | 11 | 1.15% | |
| 😁 | 3 | 0.313% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 31 of the 34 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 1,008 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 34 most recent posts we hold, published 30 July 2026 to 14 November 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Telegram’s own ‘edited’ marker: 1 of 18 posts held from the last 30 days (5.56%) carried it when this register last read them. The marker says a post was changed after publishing, not what it said before — this register holds the earlier wording only where an edit fell between two of its own reads (see the edit ledger and how it is measured).
Сможете угадать, кто автор этих замечательных рисунков? 🎨✨
❤8👍2
Signed italcinema
Поздравляем с днём рождения Риккардо Скамарчо! 🤎✨ Один из самых востребованных итальянских актёров своего поколения, который одинаково уверенно чувствует себя и в авторском кино, и в голливудских лидерах кинопроката. Сделали для вас подборку самых интересных фильмов с его участием: 🎞️ «Три метра над уровнем неба» (2004, реж. Лука Лукини) — первая экранизация одноимённого романа Федерико Мокчиа. Эта роль принесла Ск…
❤16
Signed italcinema
Photo, posted without a caption
❤12
Signed italcinema
«Любовь и ярость» — премьера уже скоро 🤍 Друзья, у нас отличная новость! 26 ноября в прокат выходит психологический триллер «Любовь и ярость» со Стефано Аккорси в главной роли. Это напряженная история о том, как хрупкое семейное равновесие может рухнуть за один вечер. Приглашаем вас на московскую премьеру фильма, которая состоится 25 ноября в 19:00 в киноцентре «ДомЖур»! ✨ Перед показом — мини-лекция преподавател…
❤26👍1
Signed italcinema
Сегодня в Италии отмечается Национальный день исторического костюма 🌹 Несмотря на то, что сам праздник приходится на 11 ноября, многие мероприятия растягиваются на целый месяц: парады и шествия в традиционных костюмах разных эпох, экскурсии, лекции, мастер-классы по созданию одежды и многочисленные выставки. В этом году праздник стал общим для всей Италии: разрозненные местные фестивали исторического костюма объеди…
❤33👍10🔥2
Signed italcinema
Осенний Турин ✨🍂
❤44🤩6🥰1😢1
Signed italcinema
Сегодня Алену Делону исполнился бы 91 год 🤍💫
👍18❤15🎉7
Signed italcinema
Вспоминаем фильм «Брак по-итальянски» Витторио Де Сики с Софи Лорен и Марчелло Мастроянни в главных ролях ✨ Хороших выходных!
❤24🔥10👍3😁1
Signed italcinema
Взгляд Джованны Меццоджорно ❤️ Джованна Меццоджорно выросла в актёрской семье — её родители Витторио Меццоджорно и Чечилия Сакки оба играли на сцене. Первой серьёзной работой для неё стала Офелия в «Гамлете» на парижской сцене театра «Кто там», а в кино она дебютировала главной ролью в «Путешествии невесты» Серджо Рубини. Широкую известность Джованне принесли «Последний поцелуй», «Окно напротив», «Зверь в сердце» и…
❤16👍3
Signed italcinema
Итальянский киноклуб в «Домжуре»: «Софи Лорен. Жить, сниматься, любить»❣️ 🎬 Документальный фильм о жизни Софи Лорен, основанный на редких съемках из ее домашнего архива и интервью, отреставрированных культовой киностудией Cinecittà специально к 90-летию актрисы в 2024 году. Отношения с Марчелло Мастроянни, завоевание Голливуда, неизвестные факты биографии — в откровенных рассказах мужа, сыновей, друзей и самой Софи…
❤17👏5🥰2🎉1🤩1
Signed italcinema
Ушел из жизни режиссер Тинто Брасс 4 ноября стало известно, что на 93 году жизни умер итальянский кинорежиссер и сценарист Тинто Брасс. В 1960-х и 1970-х годах Тинто Брасс снимал авангардные фильмы, получившие признание критиков. Сегодня он известен прежде всего своими более поздними работами в эротическом жанре — такими картинами, как «Калигула» (1979), «Ключ» (1983), «Паприка» (1990), «Шалунья» (1998) и «Нарушая …
😢29
Милан в разные годы ✨
❤30🔥9👍6
Signed italcinema
Showing the 12 most recent of 34 posts we hold for @italcinema. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
@italcinema edited 1 post after it first published — the same permalink now carries different wording than the one this register originally read, caught because our own crawl held a copy of the earlier text.
An edit is not deception. Typo fixes, price updates and corrections look exactly like this too — this register can tell you the wording changed and when, not why. How this is measured.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 10 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
This channel appears in 3 seed channels' Telegram-generated recommendation lists in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 10 November 2026 — this entry's latest reading, not the date you are reading this.
“Итальянское кино” (@italcinema), 6,654 subscribers as measured 10 November 2026. Telegram Register, tgregister.com/channel/italcinema.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.