ـ مِیبل دیوونه نیست. فقط متفاوت و غیرعادیه. فیلم: زنی تحتتأثیر، #جان_کاساوتیس، ۱۹۷۴ 🎬 A Woman Under the Influence, John Cassavetes, 1974 @gooshe درباره این فیلم و درباره کارگردانش که #سینمای_مستقل_آمربکا، به نام اوست. @gooshe
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Channel
@gooshe
On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Posts · Posts edited after publishing · Citations · Telegram's recommendations · Cite this entry
15,794subscribers
-207 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 10,000–31,623.
| Telegram ID | -1001007563267 |
|---|---|
| Type | Channel |
| Username | @gooshe |
| Description | گوشه وبسایتیست که از سال ۱۳۹۱ چند نفر در آن از موسیقی، فیلم، کتاب، نقاشی و شکم مینویسند و «پادکست هنر با گوشه» را (در یوتیوب) میسازند. ©بازنشر مطالب فقط با ذکر و تگ منبع: @gooshe https://linktr.ee/gooshe تماس با گوشه: ✉ gooshe.net[at]gmail[dot]com |
| Created | Between 1 September 2015 and 31 December 2015 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 10 November 2026 |
| Measurements held | 58 |
| Confirmed unchanged | 1 time, most recently 10 November 2026 |
| On Telegram | t.me/gooshe |
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 10 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and the other topics.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 10 Nov 2026, 14:40 | 15,794 | -14 |
| 7 Nov 2026, 19:21 | 15,808 | -6 |
| 6 Nov 2026, 16:21 | 15,814 | -8 |
| 5 Nov 2026, 13:09 | 15,822 | -11 |
| 4 Nov 2026, 10:16 | 15,833 | +3 |
| 3 Nov 2026, 13:16 | 15,830 | -9 |
| 2 Nov 2026, 13:49 | 15,839 | +1 |
| 1 Nov 2026, 11:47 | 15,838 | -1 |
| 31 Oct 2026, 10:00 | 15,839 | -1 |
| 30 Oct 2026, 12:09 | 15,840 | -5 |
| 28 Oct 2026, 04:21 | 15,845 | -1 |
| 27 Oct 2026, 02:27 | 15,846 | -2 |
| 26 Oct 2026, 05:29 | 15,848 | -3 |
| 25 Oct 2026, 02:59 | 15,851 | -7 |
| 24 Oct 2026, 02:38 | 15,858 | -3 |
| 22 Oct 2026, 23:40 | 15,861 | -3 |
| 21 Oct 2026, 23:49 | 15,864 | -2 |
| 19 Oct 2026, 18:19 | 15,866 | -3 |
| 18 Oct 2026, 14:46 | 15,869 | -2 |
| 17 Oct 2026, 11:40 | 15,871 | first reading |
42 posts held, back to 26 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 71 pages of Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views — note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 11 November 2026 |
|---|---|
| Posts held | 42 (26 June 2026 – 11 November 2026) |
| Views total | 47,579 |
| Reactions total | 661 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 11 Nov 2026, 06:39 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Lifetime counters from Telegram’s own channel header, read 11 November 2026 — not the date at the top of this page, which is when the subscriber count was last read. A count marked ≈ was rounded by Telegram before we ever saw it — t.me prints these counters in full below 1,000 and to three significant figures above, so ≈142,000 means somewhere between 141,500 and 142,499.
Measured directly from 14 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
1,592 reactions across 42 posts, in 16 distinct kinds. The most used accounts for 44.7% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 712 | 44.7% | |
| 💔 | 296 | 18.6% | |
| 👍 | 256 | 16.1% | |
| ❤🔥 | 238 | 14.9% | |
| 😢 | 18 | 1.13% | |
| 👏 | 17 | 1.07% | |
| 🕊 | 14 | 0.879% | |
| 😭 | 12 | 0.754% | |
| 👎 | 10 | 0.628% | |
| 👌 | 7 | 0.44% | |
| 🔥 | 5 | 0.314% | |
| 🙏 | 2 | 0.126% | |
| 🥴 | 2 | 0.126% | |
| ⚡ | 1 | 0.063% | |
| 💯 | 1 | 0.063% | |
| 🤷♂ | 1 | 0.063% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 42 of the 42 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 1,592 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 42 most recent posts we hold, published 26 June 2026 to 11 November 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Telegram’s own ‘edited’ marker: 7 of 18 posts held from the last 30 days (38.9%) carried it when this register last read them. The marker says a post was changed after publishing, not what it said before — this register holds the earlier wording only where an edit fell between two of its own reads (see the edit ledger and how it is measured).
ـ مِیبل دیوونه نیست. فقط متفاوت و غیرعادیه. فیلم: زنی تحتتأثیر، #جان_کاساوتیس، ۱۹۷۴ 🎬 A Woman Under the Influence, John Cassavetes, 1974 @gooshe درباره این فیلم و درباره کارگردانش که #سینمای_مستقل_آمربکا، به نام اوست. @gooshe
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«قبل از فیلمسازشدن، باید زندگی رو زیر و رو کرده باشید. فیلم باید از تجربه زندگی شخصی بیاید.، وگرنه تکنیک یادگرفتنیست و ایدهها از احساسها شکل میگیرند.» #سباستین_للیو (۲۰۲۶-۱۹۷۴) کارگردان، فیلمنامهنویس، تدوینگر و تهیهکننده شیلیایی فیلم: #گلوریا، سباستین لِلیو، ۲۰۱۳ - Gloria, Written and directed by Sebastián Lelio, 2013 * Sebastián Lelio (1974–2026), Chilean director, screenwriter, editor and producer. @goosh…
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«امروز عینک تیره به چشم زدم چون دارم آینده رو میبینم؛ آیندهای که به شدت روشن و درخشانه.» #دیوید_لینچ (۲۰۲۵_۱۹۴۶) کارگردان، فیلمنامهنویس، بازیگر، نقاش و آهنگساز آمریکایی @gooshe
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«نمیدانم مردم چطور میتوانند به صحنههایی از «در انتظار گودو» بخندند. این نمایشنامه سرتاسر بدبختی و بیچارگی انسان است.» پَتریک استوارت، بازیگر تئاتر و سینما (۲۰۲۶_۱۹۴۰) #پاتریک_استوارت و ایان مککلن در یکی از بهترین اجراهای #در_انتظار_گودو، #ساموئل_بکت، ۲۰۱۳، برادوی • Sir Ian McKellen and Sir Patrick Stewart, Samuel Beckett's Waiting for Godot, 2013, New York @gooshe Sir Patrick Stewart (1940_2026)
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«همسر فقیدم، فِرِد سونیک در سال ۱۹۸۸ میلادی از من خواست بر اساس جمله یا تیتر و عنوان «قدرت در دست مردم است» ترانهای بنویسم. عبارت تکاندهندهای بود. ترانه را نوشتم و او که گیتاریست گروه بود، آهنگش را ساخت. حالا میبینم مردم بسیاری از کشورهای جهان، آن را با ایمان به قدرت جمعی، از حفظ میخوانند و از من پیشی می گیرند. مردم میدانند با هم میتوانند نظم موجود را تغییر دهند؛ نه با انتظار برای ظهور رهبری نجاتبخش.» #پتی_اس…
❤20👍8
«ایران را به ایرانیان واگذار کنید» چرا در بسیاری از روایتها، حتی وقتی ایرانیان باستان از نظر نظامی، قدرت سیاسی و فرهنگ و تمدن دست بالا را داشتهاند، باز هم داستاننویس، تاریخساز، فیلمساز، راوی یا حتی سیاستمدار، ایران و ایرانی را از نظر اخلاقی، انسانی و شأن و اقتدار پایینتر از قهرمان یونانی تصویر و تصور میکند؟ چرا معمولا در روایتهای غرب، قهرمان غربی شجاع و مستقل است و منطقی و خویشتندار و مدافع آزادی و دشمن شرق…
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از فیلمهای خوب و عمیق درباره رابطه پدر و دختر و فقدان پدر... سوفی پترسونِ ۱۱ ساله، دختری اسکاتلندی، همراه با پدر ۳۰ سالهاش به اقامتگاه تفریحی در ترکیه سفر میکند. رابطه پدر و دختر، مکالمههای کوتاه و به جا، عمق کلمات، درگیری با رابطه، راحت گذاشتن دخترک، احساس پدر خوب و کافی بودن، افسردگی، مراقبت از حسهای یکدیگر، قدر لحظه با هم بودن را دانستن، حس رهایی در کنار یکدیگر و... چیزهایی که بعدها خاطرات دخترک را به عنوان …
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. «من فقط فوتبال بازی نمیکردم. من عاشق موسیقی و ادبیات و سینما و هنر بودم. وقتی میگویم عاشق موسیقی هستم، فقط یک کلمه نیست. من سالیان سال چهار-پنجساعت فقط به دیوار نگاه کردم و موسیقی گوش کردم. من آدم خوشبختی هستم که شیفته هنر بودم در کنار فوتبال، وقتی میبینم چقدر موسیقی و کتاب و سینما میتواند حجم دانایی و عشق را گسترش دهد. چه حجم و غلظت و کیفیت عظیمی از زندگی به من رو کرد وقتی وارد دنیای مطالعه کتاب شدم. اصلا ن…
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«مطالعهکردن، احساس و انرژی عجیبی به من میدهد. نه احساس روشنفکری دارم و نه چیز خاصی منظورم هست ولی دلم میخواهد شوق و وجد و شعفی را که از مطالعه یک کتاب میگیریم با معرفی یا هدیهدادن آن با دیگران شریک شوم. برای همین همیشه در کنار بازی در زمین فوتبال، با معرفی موسیقی، فیلم و هنر به دیگران دلم میخواسته این عشق و شیفتگی را تقسیم کنم.» حمید علیدوستی، بازیکن پیشین تیم ملی فوتبال، مربی فوتبال، اهل موسیقی، هنر، ادبیات و…
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مرگ هر سال در نیمهشبِ #هالووین حاضر میشود و با ویولن، قطعهای را اجرا میکند و مردگان را از قبر فرا میخواند تا بیدار شوند و برقصند. اسکلت مردگان تا طلوع خورشید با قطعه «مرگ» میرقصند و بعد به قبرهایشان بازمیگردند تا سال بعد باز «مرگ» به سراغ شان برود. قطعه #رقص_مردگان اثر آهنگساز فرانسوی، کامی سن-سانس، یکی از مشهورترین آثار موسیقی کلاسیک با الهام از این افسانه قرون وسطایی اروپایی و شعر هانری کازالیس است. @gooshe…
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بخش بیشتری از اجرای #رقص مرتد، #مارتا_گراهام. مارتا گراهام، زبان و فرهنگ و تکنیک جدیدی در رقص به وجود آورد و دوران عجیبی را از دهه ۳۰ میلادی به بعد در رقص خلق کرد. او نخستین رقصنده ای بود که در کاخ سفید و مرکزهای فرهنگی و سیاسی آن دوران برنامه اجرا کرد. همینطور تنها رقصنده ای بود که به خاطر دیدگاههای سیاسی و اجتماعی و هنری شخصیاش، آهنگسازان مطرح برایش به صورت اختصاصی آهنگسازی میکردند. @gooshe
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مارتا گراهام (۱۹۹۱_۱۸۹۴) در اجرایی به نام «مرتد» (Heretic) سال ۱۹۳۱. #مارتا_گراهام، از پیشگامان رقص مدرن در آمریکا به آهنگسازان مختلف برای ساخت موسیقی آثارش سفارش میداد. نامههای او به آهنگسازان نشان میدهد موسیقی تا چه اندازه برای فرایند خلاقانه او اهمیت داشت. ■ Martha Graham (1894_1991) @gooshe ☆نخستین اجرای این رقص سال ۱۹۲۹ بود و دوسال بعد با اجرا در مکانهای مختلف، در جهان معروف شد.
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Showing the 12 most recent of 42 posts we hold for @gooshe. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
@gooshe edited 1 post after it first published — the same permalink now carries different wording than the one this register originally read, caught because our own crawl held a copy of the earlier text.
An edit is not deception. Typo fixes, price updates and corrections look exactly like this too — this register can tell you the wording changed and when, not why. How this is measured.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 14 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
This channel appears in 7 seed channels' Telegram-generated recommendation lists in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 10 November 2026 — this entry's latest reading, not the date you are reading this.
“Gooshe” (@gooshe), 15,794 subscribers as measured 10 November 2026. Telegram Register, tgregister.com/channel/gooshe.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.