Channel
@transfurism
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
188subscribers
+0 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001689852948 |
|---|---|
| Type | Channel |
| Username | @transfurism |
| Description | великое транспонирование :: всё о трансфуристах и трансфуризме для связи : @dadaria020 |
| Created | Between 1 December 2021 and 31 March 2023— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 7 August 2026 |
| Last confirmed live | 7 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/transfurism |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 7 Aug 2026, 07:16 | 188 | no change |
| 6 Aug 2026, 13:06 | 188 | first reading |
10 posts held, back to 6 March 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 30 July 2026 |
|---|---|
| Posts held | 10 (6 March 2026 – 30 July 2026) |
| Views total | 44 |
| Reactions total | 10 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 7 Aug 2026, 07:16 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Lifetime counters from Telegram’s own channel header, read 7 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
74 reactions across 10 posts, in 6 distinct kinds. The most used accounts for 66.2% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 49 | 66.2% | |
| ⚡ | 10 | 13.5% | |
| ✍ | 7 | 9.46% | |
| 🌚 | 4 | 5.41% | |
| 👀 | 2 | 2.70% | |
| 💔 | 2 | 2.70% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 10 of the 10 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 74reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 10 most recent posts we hold, published 6 March 2026 to 30 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Издательство «Носорог» выпустило «Песни принца, владеющего ключами» — тетралогию из четырех коротких романов Анны Таршис, позднее взявшей псевдоним Ры Никонова. Евгения Овчинникова рассказывает, как в этих текстах театр абсурда соединяется с ритмизованной прозой, а сюжет уступает место языку. https://gorky.media/reviews/kaleidoskop-yazyka
❤5⚡2💔2✍1
очень важная история [на чем построился трансфуризм] :
❤2
19 июня в Арт-галерее начинает работать новая выставка – «Быть рядом, но не там. 60 лет Уктусской школе». Она обобщает путь независимого сообщества неоавангардных художников и поэтов «Уктусская школа», которая стала значительным явлением андеграунда Урала и СССР 60-80-х. Участниками группы были Анна Таршис, Валерий Дьяченко, Сергей Сигов, Евгений Арбенев, Александр Галамага, Виктор Кикин и другие. В самом начале сов…
❤4✍1
Сегодня в «Гараже» переоткрывается «Татуировка пустотой» — мы сделали ротацию некоторых объектов, и, например, запланированная ещё для первой итерации кубопоэма Риммы Герловиной «Родина» (1975) наконец на своём месте, между западом и востоком. Мы показываем оригинал, значит кубик с родиной — за стеклом и навсегда посередине, но на самом деле его нужно перемещать то вправо, то влево — в зависимости от вашего местополо…
❤5⚡2
Новый выпуск* подкаста «Облако речи». Руслан Комадей говорит с исследователем неофициальной советской литературы и специалистом по трансфуризму Ильей Кукуем о трансмутациях в жизни и текстах Анны Ры Никоновой-Таршис, ее романной тетралогии «Песни принца, владеющего ключами», превращении всего в архив и гендерных инверсиях в прозе. ...а также плюгмах, транспонировании и другом. *послушать выпуск можно также и в тг —…
❤8✍2⚡1
Зачем я Зачем ты Зачем пты Ры Никонова, 1968-1970 год
❤7🌚4⚡1
Пора рассказывать. С прошлого лета я работала над большим проектом для музея «Гараж» — впервые в жизни как куратор. 17 марта он/она — «Книга художницы. Татуировка пустотой» — наконец открывается. По ссылке на сайте музея все подробнее, тут расскажу в трех абзацах. Это экспозиция-эссе, препарирующая жанр книги художника, который обычно ускользает от единственного определения. (В каком пространстве мы находимся — лите…
❤6⚡4👀2
Вспомнил поэтессу Кари Унксову, участвовавшую в в первом самиздатском феминистском журнале «Женщина и Россия» в СССР, вышедшем в Ленинграде в 1979 году. Она погибла при невыясненных обстоятельствах в 1983 году. Это шокировало А.-Р. Никонову-Таршис, о чем она позднее напишет в воспоминаниях. Публикую текст ее памяти из 16-го Транспонанса: В Ленинграде в результате несчастного случая скончалась Кари Унксова /1941-198…
❤2
Танцуя на границе. Танец первый В среду в Новой Голландии стартует серия ридинг-групп по текстам художников. Сотрудники музея современного искусства «Гараж» и приглашенные эксперты предлагают вместе почитать рассказы, романы и эссе, написанные художниками и художницами, и обсудить, насколько опыт работы в другом искусстве влияет на словесное творчество. Первый семинар - по книге королевы трансфуризма Ры Никоновой …
❤4✍1
Пытаясь разобраться, почему для Анны Таршис так было важно раскрашивание, переделывание исходного, вспомнил и про культуру детских раскрасок. Выяснил, что примерно до Второй мировой войны стандартом было просто тупо воспроизводить форму и цветовую гамму. Только после ВМВ стали появляться творческие развивающие раскраски и взрослые (возможно, в том числе после того, как методы психоанализа и сюрреализм стали мейнстрим…
❤6✍2
Showing the 10 most recent of 10 posts we hold for @transfurism. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 307,862 of 1,169,250entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 7 August 2026 — this entry's latest reading, not the date you are reading this.
“Трансфуризм” (@transfurism), 188 subscribers as measured 7 August 2026. Telegram Register, tgregister.com/channel/transfurism.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.