Channel
@creativeresearch
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
748subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002033815710 |
|---|---|
| Type | Channel |
| Username | @creativeresearch |
| Created | Between 1 November 2023 and 31 May 2024— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 7 August 2026 |
| Last confirmed live | 7 August 2026 |
| Measurements held | 2 |
| Confirmed unchanged | 1 time, most recently 7 August 2026 |
| On Telegram | t.me/creativeresearch |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 7 Aug 2026, 12:26 | 748 | no change |
| 7 Aug 2026, 02:30 | 748 | first reading |
11 posts held, back to 20 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 5 August 2026 |
|---|---|
| Posts held | 11 (20 July 2026 – 5 August 2026) |
| Views total | 2,513 |
| Reactions total | 61 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 7 Aug 2026, 02:30 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
61 reactions across 11 posts, in 5 distinct kinds. The most used accounts for 45.9% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 28 | 45.9% | |
| 🔥 | 22 | 36.1% | |
| 👍 | 6 | 9.84% | |
| 🤝 | 3 | 4.92% | |
| 👏 | 2 | 3.28% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 11 of the 11 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 61reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 11 most recent posts we hold, published 20 July 2026 to 5 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Платформа Lyst выпустила новый рейтинг самых популярных модных брендов мира. В прошлом квартале Lyst обновила методологию составления рейтинга, объединив данные о спросе на платформе, полученные от 160 миллионов покупателей в год, с данными в соцсетях, поисковых системах, редакционных колонок и ИИ-исследований. Во втором квартале 2026 года Chanel сохранил позицию лидера, Massimo Dutti поднялся сразу на восемь строче…
👍2❤1
Аналитический центр ВЦИОМ выпустил доклад «От грантов — к инвестициям: капитал для креативных индустрий». Главный вопрос, которым задаются авторы: почему креативная экономика официально признана драйвером роста, а конкретные проекты внутри неё регулярно остаются без денег. Пересказываем основные выводы, а полный документ можно найти тут. Отрасль растёт, но остаётся невидимой По итогам 2025 года вклад креативной экон…
❤3🔥3👍1
🖤@creativeresearch
👏2❤1
Издание Business of Fashion опубликовало отчёт BoF Careers о том, как рынок труда в индустриях моды и красоты изменяется под влиянием ИИ и социальных сдвигов. Исследование основано на опросе 2 926 респондентов из 98 стран. Пересказываем основные выводы: 🖤Сотрудники хотят учиться работать с ИИ, но обучения не хватает. 53% работников индустрии моды и 61% в индустрии красоты положительно оценивают рост применения ИИ, …
🔥3❤2
Времена, когда диплома было достаточно, чтобы получить работу, прошли. В сжимающемся рынке труда новичкам придётся работать усерднее, чем когда-либо, чтобы стартовать в профессии. Но мы нашли довольно обнадеживающий список требований к начинающим креативным от редакции Creative Review — команда составила его на основе бесед с рекрутерами и руководителями креативных студий и агентств. Основные выводы: 🖤Умение объяс…
❤5🔥1
Хорошие новости для потребителей креативных продуктов и услуг. Регулярные походы в музеи, кинотеатры, театры и на концерты могут замедлить старение организма — такой вывод сделали японские исследователи в статье для Journal of Epidemiology and Community Health. О результатах работы написало издание Science Daily. Специалисты изучили данные 1899 жителей Англии в возрасте от 50 лет, собранные в рамках долгосрочного ис…
❤2🔥2
Подготовили свежий дайджест событий и материалов, которые привлекли наше внимание за прошедшие две недели. Следим за новыми скандалами вокруг ИИ и авторского права, отправляем отклики на вакансии арт-директоров и ищем винтажную технику. В России Арт-директоры возглавили рейтинг самых высокооплачиваемых креативных специалистов. Brand Analytics представила очередной рейтинг самых популярных мемов в рунете за период …
🔥3❤2
🖤@creativeresearch
❤3
WARC совместно с TikTok выпустили исследование The New Creative Advantage: How Community Signals Are Reshaping Creative Success in the Age of AI, посвященное тому, как генеративный искусственный интеллект меняет процессы создания креатива и что станет новым источником конкурентного преимущества в условиях массового распространения ИИ. Авторы опросили 400 маркетологов из разных стран и провели интервью с ведущими эксп…
❤2🔥2👍1
Институт статистических исследований и экономики знаний (ИСИЭЗ) НИУ ВШЭ подготовил обзор развития креативных индустрий за 2025 год. Основа исследования — данные базы «СПАРК-Интерфакс» о действующих и ликвидированных организациях креативных индустрий за 2019–2025 годы. В обзоре анализируются 16 индустрий — от гастрономии и видеоигр до архитектуры и книжного дела. Число организаций впервые за два года сократилось. В 2…
❤3🤝3🔥2
Минэкономразвития России запустило процедуру введения 27 новых кодов ОКВЭД 2 для организаций и специалистов, работающих в сфере креативных индустрий. Актуальный российский классификатор профессий не включает более пятидесяти видов деятельности, которые считаются креативными в классификаторах ЮНЕСКО и ЮНКТАД. Это приводит к тому, что многие профессии и направления остаются без должного внимания и поддержки. Инициатив…
🔥6❤4👍2
Showing the 11 most recent of 11 posts we hold for @creativeresearch. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 324,372 of 1,169,250entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 3 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 7 August 2026 — this entry's latest reading, not the date you are reading this.
“Горизонты: будущее креативных индустрий” (@creativeresearch), 748 subscribers as measured 7 August 2026. Telegram Register, tgregister.com/channel/creativeresearch.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.