Channel
@DocsOnMusic
On this record: Growth · Engagement · What this channel posts · Posts · Citations · Cite this entry
399subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001961277202 |
|---|---|
| Type | Channel |
| Username | @DocsOnMusic |
| Description | Docs on Music and Musicians... چیدمان مستندها در این کانال بر طبقِ سالِ شروع فعالیت موزیسینها - یا تاریخی که ژانرِ موزیکِ خاصی آغاز شده - خواهد بود. (*اطلاعاتِ بیشتر در پین) Maani Petgar |
| Created | Between 1 April 2023 and 31 October 2023— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 8 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/DocsOnMusic |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 8 Aug 2026, 05:49 | 399 | no change |
| 7 Aug 2026, 09:46 | 399 | first reading |
15 posts held, back to 19 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 24 July 2026 |
|---|---|
| Posts held | 15 (19 June 2026 – 24 July 2026) |
| Views total | 386 |
| Reactions total | — |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 8 Aug 2026, 05:49 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Lifetime counters from Telegram’s own channel header, read 8 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 2 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
اختصاصی ناسینما مستند: امین 2015 🎥 شاهین پرهامی این مستند، داستان امین آقایی، موسیقیدان قشقایی را که یک کوچنشین جوان است بهمراه خانوادهاش به تصویر میکشد. امین با وجود مواجهه با موانع مالی، فرهنگی و سیاسی شدید، به هنر و فرهنگ خود متعهد است. امین به شهرها و روستاهای دورافتاده سفر میکند تا موسیقی استادان بازمانده را که تعدادشان هر ساله کاهش مییابد، ضبط کند. خانواده ی کوچنشین او داراییهای ناچیز خود را میفروشند…
Amin (Shahin Parhami, 2010) اختصاصی ناسینما برای نخستین بار انکود اختصاصی کیفیت 720 دارای هاردساب انگلیسی @Naacinema
⏳👇 Temporary Posts
David Gilmour’s 12 favourite guitarists of all time: “They taught me how to play guitar” “I copied – don’t be afraid to copy – and eventually something that I suppose that I would call my own appeared.” When Pink Floyd’s enigmatic guitarist David Gilmour was voted the greatest Fender guitar player of all time some years ago, beating out Eric Clapton and Jimi Hendrix, he responded with the wry wisdom of a rock star …
🎼📼 DoCs on Pink Floyd: (1/2) (Updated) Have You Got It Yet? The Story of Syd Barrett and Pink Floyd (2023 Eng Audio) "هنوز (ماجرا رو) نگرفتی؟" بررسی داستان سید برت و پینک فلوید: مستندی ضروری درباره پینک فلوید اولیه. سید برت در شروع (با اولین و دومین آلبوم در سالهای ۱۹۶۷ و ۶۸) چراغ راهنمای پینک فلوید بود - خواننده، ترانه سرا و گیتاریست اصلی گروه، از روز اول تا اولین آلبوم آن ها، "Piper at the Gates of Dawn". ht…
🎼📼 DoCs on Pink Floyd: (2/2) (Updated) Pink Floyd: The Story of Wish You Were Here Eng Audio The Story of Wish You Were Here gives an extensive insight of concept, recording the songs and designing the album cover. It includes exclusive interviews with almost every key person, who participated in producing the album. https://t.me/DocsOnMusic/975 +++++++++++++++++++++++ پرونده آلبوم حیوانات پینک فلوید ۳۶ پست: مف…
Photo, posted without a caption
زیرنویس اختصاصی ناسینما مستند پینک فلوید: داستانِ آلبومِ (ای کاش اینجا بودی) 2012 🎥 جان ادینگتون این مستندی است که نه با هیجان و افشاگری، بلکه با صداقت، سکوت و خاطرهگویی تأثیر میگذارد. این فیلم یادآوری میکند که پشت یکی از ماندگارترین آلبومهای تاریخ موسیقی، داستانی از فقدان، دوستی و انسانهایی قرار دارد که هرگز نتوانستند کاملن از گذشته ی خود عبور کنند. برخی مستندهای موسیقی تنها به بازگویی تاریخچه ی یک آلبو…
@Naacinema.Pink Floyd The Story of Wish You Were Here (2012) 720 کیفیت 720 انکود اختصاصی ناسینما دارای زیرنویس فارسی اختصاصی ناسینما، سافت ساب مترجم: مزدُشت میتوانید فایل زیرنویس را بطور جداگانه نیز از این آدرس دانلود نمائید. @Naacinema
@Naacinema.Pink Floyd The Story of Wish You Were Here (2012) 1080p کیفیت 1080 انکود اختصاصی ناسینما دارای زیرنویس فارسی اختصاصی ناسینما، سافت ساب مترجم: مزدُشت میتوانید فایل زیرنویس را بطور جداگانه نیز از این آدرس دانلود نمائید. @Naacinema
🎼📼 «راجر واترز»، بنیانگذار و نوازندهٔ باس گروه Pink Floyd، با خوانندهٔ فلسطینی-آمریکایی، Mona Miari، همکاری کرده است تا ترانهٔ مشهور «Comfortably Numb» را در ادای احترام به مردم فلسطین و مبارزهٔ آنان برای آزادی، باز آفرینی کند. ویدیوی این اثر که روز چهارشنبه منتشر شد، بهطور کامل سیاهوسفید فیلمبرداری شده و میان تصاویری از غزه و نما هایی از دو خواننده در استودیو در رفتوآمد است. این ویدیو ویرانی و اندوهِ غزه را …
واترز، اکنون سالخوردهتر و آکنده از اندوه، بند آغازین ترانهٔ اصلی را میخواند و سپس Miari در پاسخ به زبان عربی میخواند: «پس از آنچه رخ داد، دیگر کسی باقی نماند. هیچ کلمهای باقی نماند؛ پرسیدن چه سودی دارد؟ همهچیز از دست رفته است... خانه، ای خانهٔ عزیز. شب در سکوت فروریخت. ای خانهٔ عزیز، به او بگو.» نکتهٔ جالب این بازخوانی آن است که «Comfortably Numb» در نسخهٔ اصلی دربارهٔ نوعی بیحسی و گسست عاطفی بود؛ اما در این ن…
Showing the 12 most recent of 15 posts we hold for @DocsOnMusic. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 76,223 of 1,183,361entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 3 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this entry's latest reading, not the date you are reading this.
“DoCs on MusiC” (@DocsOnMusic), 399 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/DocsOnMusic.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.