Channel
@DocsOnArtAndArtists
On this record: Topic · Growth · Engagement · Posts · Citations · Cite this entry
976subscribers
+70 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001637785421 |
|---|---|
| Type | Channel |
| Username | @DocsOnArtAndArtists |
| Created | Between 1 December 2021 and 30 April 2023 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 18 September 2026 |
| Measurements held | 6 |
| Confirmed unchanged | 2 times, most recently 18 September 2026 |
| On Telegram | t.me/DocsOnArtAndArtists |
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 19 September 2026 and assigned it the closest of 31 fixed categories, at 90% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 8 Sept 2026, 22:16 | 976 | +11 |
| 29 Aug 2026, 15:15 | 965 | +5 |
| 23 Aug 2026, 04:58 | 960 | +6 |
| 15 Aug 2026, 16:54 | 954 | +48 |
| 8 Aug 2026, 01:03 | 906 | no change |
| 7 Aug 2026, 17:43 | 906 | first reading |
18 posts held, back to 6 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 18 posts for this entry, the most recent from 7 August 2026. An engagement rate over an empty window would be a number about nothing.
📎 "مستند در موردِ هنر و هنرمندان" به ترتیبِ تعدادِ مستند در هر رشته: (در حالِ تکمیل) @DocsOnMusic #DocsOnPhotography #DocsOnPainting #DocsOnLiterature #DocsOnArchitecture #ArtVenues مستندهایی در موردِ محلهای نمایش هنرهای متفاوت #DocsOnArt مستندهایی که شاملِ چند رشته هنری میباشند #DocsOnSculpture #DocsOnDance ++++++++++++++ #DocsOnCinema و این دو هشتگ، در ارتباط با ژانرِ فیلم: #Experimental #Animation…
هایلایتِ مستند Liv & Ingmar این مستند نگاهی دارد به 42 سال رابطه بین اینگمار برگمن و لیو اولمان. لیو و اینگمار در سال ۱۹۶۵ در جریان فیلمبرداری 'پرسونا' با هم آشنا شدند. https://t.me/DocsOnArtAndArtists/206 مصاحبه معروف اینگمار برگمان با BBC 4 با زیرنویس فارسی https://t.me/DocsOnArtAndArtists/235 'اینگمار برگمن در جزیره فارو، سینما و زندگی' https://t.me/DocsOnArtAndArtists/444 https://t.me/DocsOnArtAndArtists/4…
مرا اتفاقی پیر کرد، که هرگز رخ نداد. ﻣﺎﺗﺴﻮﺋﻮ ﺑﺎﺷﻮ #Observation #Death #مشاهده #مرگ
@DoCsOnNature
David Gilmour’s 12 favourite guitarists of all time: “They taught me how to play guitar” “I copied – don’t be afraid to copy – and eventually something that I suppose that I would call my own appeared.” When Pink Floyd’s enigmatic guitarist David Gilmour was voted the greatest Fender guitar player of all time some years ago, beating out Eric Clapton and Jimi Hendrix, he responded with the wry wisdom of a rock star …
📼 مقاله سینمایی "صدا، تصویر و هر کسی برای - نجات - خودش" ساخته کالین مک کاب، تاریخدانِ سینمای بریتانیایی، در موردِ نحوه استفاده گدار از تصویر و صدا در فیلمهایش میباشد، ولی با تمرکز روی فیلمِ 'هر کسی برای - نجات - خودش' (۱۹۸۰). https://t.me/DocsOnArtAndArtists/178 ============================= "چطور گدار سینما را آزاد کرد؟" مقاله ویدیویی از The Discarded Image این ویدیو #زیرنویس_فارسی دارد... https://t.me/…
📎 بعد از توقف فعالیت این کانال، هر ماه چند فیلم مهم تر و جذاب تر در اینجا هایلایت خواهند شد. چون در طی فعالیت ما همیشه منابع اصلی فیلمها حفظ شده، در این پروسه مستندهای انتخابی هشتگهای جدیدی در کنار فیلمها ذکر خواهند شد. @DocsOnArtAndArtists
⏳👇 Temporary Posts
نتفلیکس بهتازگی ۵۸۷ میلیون دلار نقد برای استارتاپ هوش مصنوعی بن افلک پرداخت کرده؛ شرکتی که فقط ۱۶ نفر نیرو داره و از سال ۲۰۲۲ بهصورت کاملاً مخفیانه روش کار میشده. اما این شرکت دقیقاً چه کاری انجام میده؟ اسم این شرکت InterPositive هست و برخلاف چیزی که خیلیها از «هوش مصنوعی در هالیوود» تصور میکنن، قرار نیست با چند خط دستور متنی، فیلم و صحنههای جدید بسازه. این هوش مصنوعی روی فیلمهای واقعی آموزش میبینه؛ یعنی ت…
📎 فیلم های هایلایت شده فقط در زمینه مستند های "تاریخی، اجتماعی، سیاسی" می باشند.
📎َ بعد از توقف فعالیت گروه @DoCumentariesTake2 و کانال @docs_archive_mp هر ماه چند فیلم مهم تر و جذاب تر در گروه DoCs, TakE II (مستند، برداشت ۲) هایلایت خواهند شد. چون در طی فعالیت ما همیشه منابع اصلی فیلم ها حفظ شده، در این پروسه مستند های انتخابی هشتگ های جدیدی در کنار فیلم ها ذکر خواهند شد.
📎 برای مشاهده لیست فیلم های هایلایت شده لطفا به گروه @DoCumentariesTake2مراجعه فرمایید.
Showing the 12 most recent of 18 posts we hold for @DocsOnArtAndArtists. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 3 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 September 2026 — this entry's latest reading, not the date you are reading this.
“DoCs on ArT & ArTists (هنر و هنرمند)” (@DocsOnArtAndArtists), 976 subscribers as measured 8 September 2026. Telegram Register, tgregister.com/channel/DocsOnArtAndArtists.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.