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Channel

Anton Izgagin - Music Performance & Composition

@AntonIzgagin

On this record: Topic · Growth · Engagement · Reactions · Posts · Citations · Cite this entry

264subscribers

+4 since we began measuring on 6 August 2026

Risers and fallers across the register · movement among entries of Under 1,000.

Register entry

Telegram ID-1002049812477
TypeChannel
Username@AntonIzgagin
CreatedBetween 1 November 2023 and 31 May 2024 — estimated from Telegram’s id allocation, not measured. How this range is calculated.
First recorded7 August 2026
Last confirmed live12 September 2026
Measurements held4
Confirmed unchanged1 time, most recently 12 September 2026
On Telegramt.me/AntonIzgagin

Topic

Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 23 September 2026 and assigned it the closest of 31 fixed categories, at 90% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.

Growth

2602642626 August 2026 — 260 subscribers7 August 2026 — 260 subscribers4 September 2026 — 262 subscribers12 September 2026 — 264 subscribers6 August 202612 September 2026
4 measurements spanning 38 days, net +4. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 259–265 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
12 Sept 2026, 16:39264+2
4 Sept 2026, 13:38262+2
7 Aug 2026, 01:33260no change
6 Aug 2026, 03:08260first reading

Engagement

20 posts held, back to 14 June 2026the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 1 August 2026. An engagement rate over an empty window would be a number about nothing.

Reaction mix

198 reactions across 20 posts, in 8 distinct kinds. The most used accounts for 58.1% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
11558.1%
🔥3618.2%
👍199.60%
❤‍🔥126.06%
🥰115.56%
🎉21.01%
👏21.01%
🤣10.505%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 198 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 20 most recent posts we hold, published 14 June 2026 to 1 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

1 Aug 2026, 10:31 UTC72 views11 reactionsread 7 August 2026
Forwarded from @toncentermoscow

⏳ Сегодня заключительный день акустического марафона «Диалог с пространством». Впереди финальная программа, живая музыка, встречи и импровизация. Если вы еще не успели присоединиться — сегодня отличный повод. 〰 Программа выступлений: 12:00–12:50 Виктория Яровая 13:30–14:30 Большой вокальный перформанс. Екатерина Палагина, Евгения Фомина, Петр Юдкин, Алия Кусепгалиева и перформеры 15:00-15:30 Влад Шкуренко 15:45

7🔥4

31 Jul 2026, 11:54 UTC72 views4 reactionsread 7 August 2026
Forwarded from @insonicspaceVideo

А мы тут в ДК Рассвет кино смотрим

🔥3🥰1

31 Jul 2026, 07:32 UTC78 views13 reactionsread 7 August 2026
Forwarded from @insonicspace

"Множество возможных миров, потому что считаю, что a priori легитимно мыслить возможное как Всё". Квентин Мейясу, "После конечного" Мне кажется эта цитата как нельзя лучше подходит ко вчерашнему фестивалю-концерту ко дню рождения Арнольда Шварценеггера. Под клавесинную музыку времён Моцарта на сцене появляются полуобнаженные бодибилдеры, в соседнем баре по промокоду "Вспомнить всё" наливают вино, набор шумов из филь

👍8🔥3🥰2

26 Jul 2026, 18:45 UTC97 views12 reactionsread 7 August 2026
Forwarded from @sobolevmusic000Photo

Hauntology «Вспомнить всё». Фестиваль современной музыки имени Арнольда Шварценеггера 30 июля, ДК «Рассвет», 19:30 БИЛЕТЫ Москвичи и гости столицы! В мире академической музыки межсезонье — но проект Hauntology не дремлет и не спит. Это во время концертного сезона они делали программные вещи — каким был, скажем, апрельский концерт в Соборе Петра и Павла, на музыкальный и программный размах которого пока способны ещё

8👏2🤣1🥰1

26 Jul 2026, 09:08 UTC97 views15 reactionsread 7 August 2026
Forwarded from @komoltsev_musicVideo

там ребята гуляли там хороводы завели больши Москва, ДК Рассвет - уже послезавтра!

❤‍🔥95🥰1

20 Jul 2026, 11:39 UTC371 views5 reactionsread 7 August 2026

На сайте музея по промокоду НАШКРУГ действует скидка 50% на концерт

5

17 Jul 2026, 18:08 UTC175 views16 reactionsread 7 August 2026
Forwarded from @sobolevmusic000Photo

И ещё одна важная история для москвичей и гостей столицы. В следующую пятницу, 24 июля, у Антона Изгагина состоится новый концерт — вместе с Юрием Посыпановым. Называется «Драм’н’Бас» и пройдёт в музее AZ. Про Антона Изгагина в этом канале говорилось много, но я напомню. Он сооснователь Kymatic — ансамбля, давшего один из пяти лучших концертов в моей жизни; ансамбля, с которого началась новая эпоха организации конц

🔥115

16 Jul 2026, 20:38 UTC181 views13 reactionsread 7 August 2026

А для подписчиков канала здесь скоро появится промокод -50%!

13

16 Jul 2026, 20:30 UTC≈1,100 views19 reactionsread 7 August 2026

24 июля 20:00 - Музей AZ - концерт ДРАМ’Н’БАС Наш ответ Angine de Poitrine от академических музыкантов. Только мировые премьеры. Только бас-гитара и ударная установка! В основе произведений — два мотива: монолитность, стремление к абсолютному единству тембра и ритма, и полифония, где элементы популярной и академической музыки переплетаются в единое целое. Композиторы: Дмитрий Баженов, Валентин Бездетко, Евгени

13👍4🥰2

9 Jul 2026, 12:52 UTC165 views12 reactionsread 7 August 2026
Forwarded from @sobolevmusic000Photo

На фото выше — две страницы музыки из первой «Литании огня и моря» Эммануэла Нуниша. Алина Ежакова сегодня исполнит российскую премьеру двух этих сложнейших пьес в ДК «Рассвет». Мне посчастливилось побывать на прогоне. Музыка в исполнении Алины звучит вообще не так, как на доступных записях. Совсем. Громче, живей, эмоциональней. Да нет — слова не работают. Это иной мир. С ума можно сойти. Но я хочу сказать не это.

7❤‍🔥3👍2

9 Jul 2026, 12:42 UTC144 views6 reactionsread 7 August 2026
Forwarded from @lostingfestPhoto

Публикуем интервью Алины Ежаковой для сайта журнала «Музыкальная жизнь» Алина рассказала о том, как узнала о «Литаниях», как они устроены, и что сводит ее с ума в этой музыке. Разговор помогает лучше понять художественный подход Алины — пианистки, которая 9 июля исполнит российскую премьеру «Литаний огня и моря» Эммануэла Нуниша на фестивале Lостинг. Спасибо за помощь Антону Дубину. Прочитать интервью можно здесь

6

Showing the 12 most recent of 20 posts we hold for @AntonIzgagin. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Forward network

Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.

Mentions

Named by 7 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 12 September 2026 — this entry's latest reading, not the date you are reading this.

“Anton Izgagin - Music Performance & Composition” (@AntonIzgagin), 264 subscribers as measured 12 September 2026. Telegram Register, tgregister.com/channel/AntonIzgagin.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.