Channel
@Academy_of_art
On this record: Growth · Engagement · Posts · Citations · Cite this entry
578subscribers
+3 since we began measuring on 5 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001016698342 |
|---|---|
| Type | Channel |
| Username | @Academy_of_art |
| Created | Between 1 December 2015 and 31 March 2016— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 13 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 1 time, most recently 13 August 2026 |
| On Telegram | t.me/Academy_of_art |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 13 Aug 2026, 12:28 | 578 | +3 |
| 6 Aug 2026, 18:03 | 575 | no change |
| 5 Aug 2026, 16:41 | 575 | first reading |
13 posts held, back to 24 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 6 August 2026 |
|---|---|
| Posts held | 13 (24 July 2026 – 6 August 2026) |
| Views total | 3,043 |
| Reactions total | — |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 6 Aug 2026, 18:03 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
به بهانه زادروز مهدی قدیانلو در میان هنرمندان معاصر ایران، مهدی قدیانلو جایگاهی متمایز دارد، زیرا زبان تصویری او نه بر بازنمایی طبیعت، روایت رویداد یا بازآفرینی فیگور انسانی، بلکه بر ساختن فضا استوار است. اگرچه نخستین شهرت او با دیوارنگارههای شهری تهران شکل گرفت، اما در نقاشیهای متأخرش این تجربه از مقیاس شهر به فضای درونی و ذهنی انتقال یافته است. مجموعه نقاشیهای اخیر او، که با اتاقهای مکعبی، نورهای موضعی، سرسره…
با وجود این کیفیت بصری جذاب، عناصر اصلی این نقاشیها یعنی سرسره، نردبان، لوله و مسیرهای مارپیچ واجد لایهای عمیقتر از معنا هستند. این اشیا در نگاه نخست یادآور زمینهای بازی کودکاناند، اما در آثار قدیانلو کارکرد معمول خود را از دست دادهاند. سرسرهها اغلب به جایی نامعلوم ختم میشوند، لولهها مسیرهایی پیچیده و بیپایان را شکل میدهند و نردبانها به نقاطی میرسند که امکان دسترسی واقعی به آنها وجود ندارد. بنابراین حرک…
Photo, posted without a caption
Photo, posted without a caption
Photo, posted without a caption
بازتاب خبری نشست تخصصی بررسی جریان نوسقاخانه؛ https://www.mehrnews.com/news/6898388/ https://www.irna.ir/news/86218689/ https://borna.news/fa/news/2369822/ https://qudsonline.ir/xcRqs https://sabanews.ir/574023/ https://yektahonar.ir/?p=38351 https://www.pana.ir/%D8%A8%D8%AE%D8%B4-%D9%81%D8%B1%D9%87%D9%86%DA%AF%DB%8C-32/1724071-%D8%B1%D8%A7%D8%A8%D8%B7%D9%87-%D8%A8%DB%8C%D9%86-%D9%87%D9%86%D8%B1-%D8%B9%D8%A7%D…
اکبر عبدی، محبوبِ کودکی من بود؛ و تا امروز، محبوبِ قلبم باقی ماند. در سالهای کودکی، شیفتهی او بودم؛ از سرِ همان شورِ کودکانه، با تارزن و تارزان، با خندههایی که بیهیچ دغدغهای از ته دل میآمدند. اما هرچه بزرگتر شدم، این علاقه دیگر از جنسِ سرگرمی نبود؛ به شناختی عمیقتر رسیدم و فهمیدم که او تنها یک بازیگر نبود، بلکه اسطورهای کمنظیر در فرهنگ و هنر این سرزمین بود؛ از آن یگانههایی که میآیند، میدرخشند و دیگر تکر…
https://www.mehrnews.com/news/6898388/%D9%87%D9%86%D8%B1-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%AA%D9%84%D8%A7%D9%82%DB%8C-%D8%AC%D8%B3%D8%AA%D8%AC%D9%88%DB%8C-%DA%A9%D9%87%D9%86-%D8%A7%D9%84%DA%AF%D9%88%D9%87%D8%A7%DB%8C-%D9%85%D9%81%D9%82%D9%88%D8%AF%D9%87-%D8%A7%D8%B3%D8%AA-%D8%AC%D8%AF%D8%A7%D9%84-%D8%A8%D8%B1-%D8%B3%D8%B1
https://www.shabestan.news/news/1895955/%D9%87%D9%86%D8%B1-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%AA%D9%84%D8%A7%D9%82%DB%8C-%D8%AC%D8%B3%D8%AA%D8%AC%D9%88%DB%8C-%DA%A9%D9%87%D9%86-%D8%A7%D9%84%DA%AF%D9%88%D9%87%D8%A7%DB%8C-%D9%85%D9%81%D9%82%D9%88%D8%AF%D9%87-%D8%A7%D8%B3%D8%AA
https://sabanews.ir/574023/%D8%A2%DB%8C%D8%AF%DB%8C%D9%86-%D8%A2%D8%BA%D8%AF%D8%A7%D8%B4%D9%84%D9%88-%D8%AC%D9%86%D8%A8%D8%B4-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%AD%D8%A7%D8%B5%D9%84-%D8%AA%D9%84%D8%A7%D9%82%DB%8C-%D8%AC%D8%B3%D8%AA%D9%88%D8%AC%D9%88%DB%8C-%DA%A9%D9%87%D9%86%D8%A7%D9%84%DA%AF%D9%88%D9%87%D8%A7%DB%8C-%D9%85%D9%81%D9%82%D9%88%D8%AF%D9%87-%D8%A8%D8%A7-%D9%87%D9%86%D8%B1-%D8%B9%D8%A7%D9%85%DB%…
https://www.khabaronline.ir/news/2251149/%D8%B1%D8%A7%D8%A8%D8%B7%D9%87-%D8%A8%DB%8C%D9%86-%D9%87%D9%86%D8%B1-%D8%B9%D8%A7%D9%85%DB%8C%D8%A7%D9%86%D9%87-%D9%88-%D8%AC%D9%86%D8%A8%D8%B4-%D8%B3%D9%82%D8%A7%D8%AE%D8%A7%D9%86%D9%87-%D8%A7%D8%B2-%D8%AF%DB%8C%D8%AF%DA%AF%D8%A7%D9%87-%D8%A2%DB%8C%D8%AF%DB%8C%D9%86-%D8%A2%D8%BA%D8%AF%D8%A7%D8%B4%D9%84%D9%88
🎬 آیدین آغداشلو: جنبش سقاخانه حاصل تلاقی جستوجوی کهنالگوهای مفقوده با هنر عامیانه است 🔺 نشست تخصصی «از سقاخانه تا نوسقاخانه؛ بازخوانی یک جریان» با سخنرانی آیدین آغداشلو و محمدرضا مریدی و به اهتمام شایان شعبان، پنجشنبه اول مردادماه در گالری ایرانشهر برگزار شد. آیدین آغداشلو با بیان اینکه هنر عامیانه برای جنبش سقاخانه «منبع تغذیه و الهام» بود، تاکید کرد که سقاخانه با برداشتن المانهای هنر عامیانه و ترکیب آنها با زب…
Showing the 12 most recent of 13 posts we hold for @Academy_of_art. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 695,414 of 1,480,688entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 13 August 2026 — this entry's latest reading, not the date you are reading this.
“Academy of art” (@Academy_of_art), 578 subscribers as measured 13 August 2026. Telegram Register, tgregister.com/channel/Academy_of_art.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.