Channel
@honargardi
On this record: Growth · Engagement · What this channel posts · Posts · Citations · Handles named that no longer answer · Cite this entry
3,509subscribers
+2 since we began measuring on 5 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
| Telegram ID | -1001000584146 |
|---|---|
| Type | Channel |
| Username | @honargardi |
| Created | 25 September 2015 — measured — cross-checked against a third-party dataset (TGDataset) |
| First recorded | 6 August 2026 |
| Last confirmed live | 13 August 2026 |
| Measurements held | 4 |
| Confirmed unchanged | 1 time, most recently 13 August 2026 |
| On Telegram | t.me/honargardi |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 13 Aug 2026, 00:04 | 3,509 | +1 |
| 6 Aug 2026, 23:05 | 3,508 | +1 |
| 6 Aug 2026, 04:35 | 3,507 | no change |
| 5 Aug 2026, 21:19 | 3,507 | first reading |
20 posts held, back to 30 May 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 3 pagesof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 4 August 2026 |
|---|---|
| Posts held | 20 (30 May 2026 – 4 August 2026) |
| Views total | 2,351 |
| Reactions total | — |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 7 Aug 2026, 23:11 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
فهرست رسمی فراخوانهای اقامت هنری و پژوهشی که توسط نهادهای فرهنگی فرانسه برگزار میشوند: برنامه Creation & Transitions – بنیاد مارتل مهلت ارسال درخواست: ۱ شهریور ۱۴۰۵ (۲۳ اوت ۲۰۲۶) این برنامه اقامت از پروژههای پژوهشی، آزمایشی، تولید، نگارش یا کیوریتوری نمایشگاه در ارتباط با چالشهای اصلی گذارهای معاصر حمایت میکند. این فراخوان مختص هنرمندان، طراحان، معماران، کیوریتورها، پژوهشگران، نویسندگان و نظریهپردازان علوم…
Iranian Actress Maryam Hemtian remained committed to her role until her final moments despite battling cancer. According to director Iman Khazaei, she continued filming while seriously ill, even recording voice lines from her hospital bed. Her dedication allowed the production to be completed, and she is remembered for her professionalism, courage, and passion for acting. --- مریم همتیان، بازیگر سینما، با وجود ابتل…
French Electronic Music Artist #Kavinsky Dies at 50 @Kavinsky, the French DJ and music producer born Vincent Belorgey, was found dead at his Paris home on the evening of Tuesday, July 28, 2026. The Paris prosecutor’s office has opened an investigation to determine the cause of death, stating that no suspicious elements were initially found at the scene. He was best known for “Nightcall,” the track that gained inter…
⚫️ اکبر عبدی درگذشت /اکبر آقا آکتور سینما، سینما را تنها گذاشت ▫️از مهمترین آثار این هنرمند سرشناس میتوان به اجارهنشینها، مادر، هنرپیشه، ناصرالدینشاه آکتور سینما، دلشدگان، خوابم میآد، آدم برفی و انبوهی نقشآفرینی درخشان دیگر اشاره کرد. @Honargardi
نشست تخصصی "از سقاخانه تا نوسقاخانه" بازخوانی یک جریان . سخنران: آیدین آغداشلو، محمدرضا مریدی به اهتمام شایان شعبان . ورود برای عموم آزاد است پنجشنبه ۱ مرداد ۱۴۰۵ از ساعت ۱۱ تا ۱۳ نجاتاللهی، پایین تر از پارک ورشو، کوچه عبیدی(ششم)، پلاک ۱۵، شهر کتاب ایرانشهر
بیسرانجام فرهیختهی گرامی؛ گالری علیها صمیمانه از شما و همراهانتان دعوت میکند آدینه ۱۹ تیر ماه ۱۴۰۵ در گشایش نمایشگاه گروهی چهارمین دورهی سالانهی نامحدودیت با عنوان «بیسرانجام» شرکت فرمایید. ▫️ ساعت بازدید: ۱۶:۰۰ تا ۲۰:۰۰ ▫️ نمایشگاه به جز شنبهها، تا دوشنبه ۲۹ تیر ماه ۱۴۰۵ ادامه دارد. 📍 نشانی: تهران، خیابان شریعتی، نرسیده به میدان قدس (تجریش)، کوچه ماهروزاده، کوچه رمضانیان، ابتدای احمدیمقدم (ایزد)، پلاک ۳۱…
In conversation with Arnaud Pagnier, Partner at Magna Gallery Paris At the intersection of contemporary Korean art, ceramics, and the historic atmosphere of Paris’s Carré Rive Gauche, this interview explores the curatorial vision behind Magna Gallery Paris — a space where East and West, tradition and contemporary creation, quietly enter into dialogue. @Honargardi
What happens when a young French artist falls in love with the visual language of Persian miniature painting? In our latest interview, we meet Louis-Ange Maucarre, an artist whose work is inspired by the rich traditions of Persian and Ottoman manuscript painting, while seeking a contemporary artistic voice of his own. Rather than simply borrowing motifs, Louis-Ange reflects on philosophy, symbolism, storytelling, c…
Azar Azima, Pioneering Voice of Iran’s Golha Radio Programmes, Dies in Isfahan #AzarAzima, a veteran Iranian singer and one of the earliest voices of the legendary Golha radio programmes, has died in Isfahan. She was 99. Born Azarmidokht Azima Sarajpour in Isfahan in 1927, Azima began her collaboration with Radio Iran in the mid-1950s. Her first recorded work was composed by Abolhasan Saba, with lyrics by Abolhasan…
اعلام نتایج فراخوان سالانه «نامحدودیت ۴ | بیسرانجام» گالری علیها با سپاس از استقبال گسترده هنرمندان از چهارمین دوره فراخوان سالانه «نامحدودیت»، فهرست هنرمندان راهیافته به نمایشگاه «بیسرانجام» را اعلام میکند. فرآیند داوری این دوره از میان بیش از ۲۵۰ هنرمند و بیش از ۶۰۰ اثر ارسالی، در سه مرحله مستقل انجام شد و پس از بررسیهای دقیق، گفتوگوهای کارشناسی و ارزیابی جنبههای مفهومی، فنی و نمایشگاهی آثار، به فهرست نهای…
Parastoo Ahmadi, a singer, along with eight other organizers and musicians involved in the "Caravanserai Concert," have been sentenced to 74 lashes, a two-year travel ban, and a two-year ban on artistic activities. The ruling was issued by the Criminal Court of Qom Province. According to reports, Mohammad Shiri, the presiding judge, rejected the defendants' arguments and defenses. The group was charged with "offend…
بهروز رضوی، گوینده، صداپیشه، ترانهسرا و بازیگر، پس از دورهای بیماری در ۷۸ سالگی درگذشت. ▫️او فعالیت حرفهای را از سال ۱۳۴۷ با گویندگی در رادیو آغاز کرد و در بیش از پنج دهه کار، به یکی از شناختهشدهترین صداهای رسانهای ایران بدل شد. روایت مجموعه مستند «ایران» از جمله ماندگارترین آثار او به شمار میرود. ▫️بهروز رضوی علاوه بر کار در رادیو و تلویزیون، در سینما و دوبله نیز حضور داشت و در آثاری چون «گناه فرشته»، «سفر …
Showing the 12 most recent of 20 posts we hold for @honargardi. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 383,735 of 1,189,255entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 5 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
@honargardi named 1 handle that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all.A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
References a handle that is not a live channel — we have no record it ever was one.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 13 August 2026 — this entry's latest reading, not the date you are reading this.
“honargardi” (@honargardi), 3,509 subscribers as measured 13 August 2026. Telegram Register, tgregister.com/channel/honargardi.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.