🔴كانال رسمي سبحان مهدي پور
مرکز تخصصی موسیقی آواي دل شامل آموزشگاه ، استودیو ضبط و موسسه تکثیر آثار صوتی و تصویری
با مدیریت ( سبحان مهدی پور )
كرج ، گوهردشت، خیابان اصلی بین ٤و ۵ غربي پلاک ۲۸ساختمان آوای دل
🔴شماره تماس جهت ارتباط
☎️۰۲۶۳۴۲۰۲۳۴۳
Created
Between 1 December 2021 and 30 April 2023— estimated from Telegram’s id allocation, not measured. How this range is calculated.
2 measurements taken within a single day. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 190–192 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)
Subscribers
Change
8 Aug 2026, 12:01
191
no change
7 Aug 2026, 16:46
191
first reading
Engagement
19 posts held, back to 6 October 2024 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 19 posts for this entry, the most recent from 15 December 2025. An engagement rate over an empty window would be a number about nothing.
What this channel posts
Photos
29
Videos
70
Links
62
Lifetime counters from Telegram’s own channel header, read 8 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Video runtime
1h 00m
Average length
10m 06s
Measured directly from 6 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Reaction mix
77 reactions across 19 posts, in 3 distinct kinds. The most used accounts for 97.4% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
❤
75
97.4%
👍
1
1.30%
👎
1
1.30%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 19 of the 19 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 77reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 19 most recent posts we hold, published 6 October 2024 to 15 December 2025, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
دیوانه و مست
.
موسیقی دیوانه و مست یا توبه شکستیم ولی دل نشکستیم را بر روی داستان معروف منصور حلاج و غذا خوردن ایشان در ماه مبارک رمضان با جذامیان همراه با کلامی زیبا از احسان افشاری نوشتم
آهنگ دیوانه و مست در قالب پروژه ای بنام مستی و راستی قرار دارد شامل چندین ترک که بزودی از طریق پلتفرمهای جهانی و سایتهای معتبر داخلی در دسترس علاقه مندان قرار خواهد گرفت
توبه شکستیم ولی دل نشکستیم
آه که دیوانه و دیوانه و مستیم…
جام عشق با صدای سبحان مهدی پور منتشر گردید
کلام : حافظ
دف : حسین رضائی نیا
آهنگساز و نوازنده تنبور: علی مومیوند
ضبط و میکس و مستر : استودیو هرتز
(امید اصغری)
تولید : مهر ۱۴۰۴
جام عشق با صدای سبحان مهدی پور منتشر گردید
کلام : حافظ
دف : حسین رضائی نیا
آهنگساز و نوازنده تنبور: علی مومیوند
ضبط و میکس و مستر : استودیو هرتز
(امید اصغری)
تولید : مهر ۱۴۰۴
جرعه ای دگر
آلبومی که در سال ۱۳۹۱ ضبط کردم و در سال ۹۴ منتشر شد این اثر یادبودی است از یادگار دوران ناب موسیقی ایران یعنی برنامه گلها و هنرمندان بی بدیل آن زمان
تهیه و تولید این مجموعه توسط موسسه آوای دل البرز صورت گرفت
علاقه مندان جهت تهیه می توانند از طریق سایتهای بیپ تونز یا خود موسسه آوای دل اقدام کنند
دوستدارتان
سبحان مهدی پور
خرداد ۱۴۰۴
@sobhanmehdipour
@sobhanmehdipour
گفتگوی #صادق_چراغی با آقای #سبحان_مهدی_پور خواننده بخش سوم
به مناسبت انتشار آلبوم یادواره استاد #اقبال_آذر
پخش نوزدهم تیرماه ۱۴۰۴
#ایلبانگ #آواز_ایرانی همنواز همراه آواز #سنتور #رضا_برزویی
@sobhan.mehdipour
t.me/Ealmusic
@cheraghi_sadegh @eal_bang
این برنامه را در آپارات، یوتیوب، ایرانصدا و اینستاگرام نیز میتوانید ببینید و بشنوید
t.me/Ealbaang
گفتگوی #صادق_چراغی با آقای #سبحان_مهدی_پور خواننده بخش سوم
به مناسبت انتشار آلبوم یادواره استاد #اقبال_آذر
پخش نوزدهم تیرماه ۱۴۰۴
#ایلبانگ #آواز_ایرانی همنواز همراه آواز #سنتور #رضا_برزویی
@sobhan.mehdipour
t.me/Ealmusic
@cheraghi_sadegh @eal_bang
این برنامه را در آپارات، یوتیوب، ایرانصدا و اینستاگرام نیز میتوانید ببینید و بشنوید
t.me/Ealbaang
گفتگوی #صادق_چراغی با آقای #سبحان_مهدی_پور خواننده بخش دوم
به مناسبت انتشار آلبوم یادواره استاد #اقبال_آذر
پخش دوم خردادماه ۱۴۰۴
#ایلبانگ #آواز_ایرانی
@sobhan.mehdipour
t.me/Ealmusic
@cheraghi_sadegh @eal_bang
این برنامه را در آپارات، یوتیوب، ایرانصدا و اینستاگرام هم میتوانید ببینید و بشنوید
t.me/Ealbaang
❤1
Showing the 12 most recent of 19 posts we hold for @sobhanmehdipour. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank
Citation-graph rank — 368,518 of 1,481,243entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Handles this channel named that no longer answer
Dead references
4
handles named in this channel’s posts, vacant today
Evidenced gone
0
we ourselves saw one of these resolve, at some point
Never seen alive
4
vacant every time we have ever looked
@sobhanmehdipour named 4 handles that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all.A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
Never seen alive
References a handle that is not a live channel — we have no record it ever was one.
@cheraghi_sadegh named in 4 posts, 9 August 2026 – 9 August 2026
@eal_bang named in 4 posts, 9 August 2026 – 9 August 2026
@masti_va_rastii named in 1 post, 9 August 2026 – 9 August 2026
@radiofarhang named in 1 post, 9 August 2026 – 9 August 2026
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this
entry's latest reading, not the date you are reading this.
“sobhanmehdipour” (@sobhanmehdipour), 191 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/sobhanmehdipour.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.
