Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 20 September 2026 and assigned it the closest of 31 fixed categories, at 99% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
8 measurements spanning 41 days, net +8. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 702–726 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)
Subscribers
Change
17 Sept 2026, 18:37
723
+11
10 Sept 2026, 12:20
712
+7
31 Aug 2026, 20:56
705
-2
24 Aug 2026, 08:43
707
-5
15 Aug 2026, 18:13
712
-2
8 Aug 2026, 02:16
714
no change
7 Aug 2026, 21:28
714
-1
7 Aug 2026, 15:32
715
first reading
Engagement
20 posts held, back to 20 October 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 26 June 2026. An engagement rate over an empty window would be a number about nothing.
Reaction mix
253 reactions across 20 posts, in 8 distinct kinds. The most used accounts for 75.5% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
❤
191
75.5%
👏
17
6.72%
👍
13
5.14%
🔥
12
4.74%
👌
8
3.16%
🙏
6
2.37%
😍
5
1.98%
💯
1
0.395%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 253 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 20 October 2025 to 26 June 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
اقدام دُن خایمه برای تجاوز به ویریدیانا همانقدر در امیال فروخوردهی مردانه ریشه دارد که در سنت پرورشدهندهی ویریدیانا. سنتی تماما مردانه که خلاصی از آن با تعویض لباس و تغییر مکان و دیگر مظاهر روبنایی نمیتواند امکانپذیر شود. ورنه به محض مرگ دُن خایمه، ویریدیانا با راه انداختن بساط کمک به فقرا، امکان تجاوز تازهای را فراهم نمیساخت و پس از آن نیز به دامان پسر دُن خایمه پناه نمیبُرد. پسری که با وجود گرایش به جهان…
اگر سینمای مدرن، به یک معنا، نتیجهی فاصلهایست که از سبک کلاسیک فیلمسازی گرفته شده است، پس درک صناعت سینماگران مدرن در گام نخست به رویکرد آنها در همین فاصلهگیری برمیگردد. از این منظر، سینماگران مدرن به دو دسته کلی قابل طبقهبندیاند: کسانی که از قواعد فیلمسازی کلاسیک کاملا جدا میشوند و آنهایی که همواره به بخشی از این گرایش وفادار میمانند. مورد عجیب و استثنایی لوئیس بونوئل از دستهی دوم است. اما همین رویکرد، ا…
انتظار سه شخصیت محوری فیلم برای آمدن بارانی که نمیبارد نقش آشکاری در پس و پیش شدن زمان اپیزودهای فیلم بازی میکند. وقتی بر آیندهی هر اپیزود به اتکای اپیزودی دیگر (از پیش) وقوف مییابیم، مشخص است که فیلمساز «آینده» را در پرانتز گذاشته تا «زمان حال» برجسته شود. اگرچه درک این تمهید زیباشناختی درگام نخست مستلزم داشتن باوریست که این روزها برای بسیاری کهنه مینماید: آینده مقولهای منتزع نیست که آمدنش را انتظار بکشیم؛ ن…
پیش از همآمیزیِ جنسیِ یکایک اعضای خانهی پائولو با مرد جوان میهمان، دوربینِ خلاق پازولینی به واسطهی گرفتن نماهای بستهای از او، پیکرهنگاریِ قدّیسان در هنر رنسانس را یادآوری میکند. قصد هنر رنسانس بخشیدن شمایلی معقول به چهرههای نامعقول همزمان با دورهای بود که پروتستانیسمِ انقلابی به مقابله با کاتولیسیسمِ مرتجع برخاسته بود. اما قصد پازولینی بخشیدن شمایلی نامعقول به هیبتی معقول در زمانهایست که چیزی از مجاهدتِ پرو…
آغاز ثبتنام دورۀ سوم شناخت سینما: «مکاتب مدرن سینمایی»
مدرس: #رضا_غیاث
🔸تخفیف ویژه برای ۱۰ ثبتنام اول🔸
— معرفی:
اگر دستاوردهای هالیوودِ پیش از جنگ دوم، حکم الفبای سینمای رسمی و رایج را پیدا کرده است، سینمای دهۀ ۲۰ اروپا نیز چنین نقشی را برای مدرنیسمِ سینماییِ پس از جنگ ایفا میکند. میزانسنهای بیانگر، مونتاژ دیالکتیکی، تداخل به جای تداوم، همنشینی نامتعارف عناصر متعارف، تسلط ذهنیت بر عینیت یا غلبۀ درون بر بیرون، …
❤8👏3👍1😍1
Showing the 12 most recent of 20 posts we hold for @reza_qias. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 17 September 2026 — this
entry's latest reading, not the date you are reading this.
“رضا غیاث” (@reza_qias), 723 subscribers as measured 17 September 2026. Telegram Register, tgregister.com/channel/reza_qias.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.