Channel
@radiosygma
On this record: Growth · Engagement · Posts · Citations · Cite this entry
1,333subscribers
+0 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001354718482 |
|---|---|
| Type | Channel |
| Username | @radiosygma |
| Created | 27 March 2018 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 13 August 2026 |
| Measurements held | 4 |
| Confirmed unchanged | 1 time, most recently 13 August 2026 |
| On Telegram | t.me/radiosygma |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 13 Aug 2026, 02:24 | 1,333 | +1 |
| 9 Aug 2026, 20:21 | 1,332 | -1 |
| 6 Aug 2026, 16:41 | 1,333 | no change |
| 6 Aug 2026, 08:33 | 1,333 | first reading |
20 posts held, back to 25 May 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 5 August 2026 |
|---|---|
| Posts held | 20 (25 May 2026 – 5 August 2026) |
| Views total | 1,018 |
| Reactions total | — |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 6 Aug 2026, 08:33 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
in the words of Tirzah and Loraine James: care too much to care less. one for the moody summer days as well as the light ones. tibslc works with environmental recordings, processed noise, guitar, feedback, and voice to create detailed, atmospheric compositions. Her pieces develop with a strong narrative sense, moving between distant and intimate perspectives. https://radio.syg.ma/episodes/expired-15-tibslc
One-hour mixtape spanning experimental, drone, ambient, and dark jazz, curated by Acrartep (Eugenio Petrarca), sound artist and composer, co-founder of the ambient project Ab Uno. His work is centered on modular synthesizer improvisation, developing tonal layering, slow-moving progressions, and repetitive structural systems within an ambient/drone/minimalist framework. Recent output extends this into noise-adjacent …
~ a mix for unwinding & peaceful reflection , observing, listening & holding hands together. https://radio.syg.ma/episodes/solastalgia-textural-bug
prvne steps out of her comfort zone of intense bass and heavy rhythms to take you on a melancholic and emotional ballad, filled by a mixture of different delicate influences, sometimes still yet too often dismissed as quaint or tacky, in an attempt to convince you of their sheer majesty⭐️ https://radio.syg.ma/episodes/walking-for-two-w-prvne
Anna Butter is a Berlin-based DJ and sound artist with a focus on obscure, unconventional sounds and textures. Mixing genres from deconstructed club, post-industrial noise or powerful feminist vocal pieces and leftfield techno, she creates intense journeys that turn the dance floor upside down. https://radio.syg.ma/episodes/alapam004-anna-butter-nose-bleed
Jon Davies is a musician and improvisor producing solo works as Kepla since 2014. He has released two solo albums on Chinabot & Alien Jams, three collaborative albums on PTP and Entr’acte, and has composed soundtracks for installation pieces and live performances. His music uses field recordings and activates musical and non-musical instruments, creating sound collages of imagined and reimagined places. https://rad…
This mix by Jake Muir, a Los Angeles based artist and field recordist working with found sound, acts as a companion piece to his Pareidolia record and includes inspirations on it, music from the sample pile, and tracks that share a similar energy. https://radio.syg.ma/episodes/pba-jake-muir
Emerging Spectral Topographies is the extended webcasting edition of the series fft_Materialism, compiled as a special collection of additional sonic materials and mixes. Elif Gülin Soğuksu is bringing us in the innerfields of her new album for the series fft_Materialism on Riforma, with a new composition called “they speak to me and decide to be heard”. “This new composition is a collage of unused or differently p…
Manja Ristić is a Belgrade born violinist, sound artist, curator and researcher mostly active in the field of electro-acoustics, instrumental improvisation & experimental sound related arts. https://radio.syg.ma/episodes/alapam003-manja-ristic-mixtapes-nobody-asked-for
Peripherie 22 features London‑based artist and composer Lucas Dupuy, moving between painting and sound to shape bleary, understated atmospheres. A diffuse, textural ambient drift that favours quiet observation. https://radio.syg.ma/episodes/peripherie-22-lucas-dupuy
Solastalgia is a term referring to the emotional and existential distress caused by environmental change, and more broadly evokes a sense of displacement and reflection. This show explores this theme through ambient music, field recordings, and experimental sound. The first episode is by serenitysoundseeker, a poet, ambidj & nature savorer from Wrocław, Poland. “what if the place we miss the most is ourselves? th…
Fragments of posthuman sound — from industrial decay and distorted noise to feral black metal transcendence. A selection spanning post-industrial, drone, noise and sonic extremity, including Einstürzende Neubauten, Prurient, Gnaw Their Tongues and more. Put together by Dmitry Khaustov. Mixed by Alethe. https://radio.syg.ma/episodes/xaosmos
Showing the 12 most recent of 20 posts we hold for @radiosygma. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 614,660 of 1,478,351entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 13 August 2026 — this entry's latest reading, not the date you are reading this.
“radio.syg.ma” (@radiosygma), 1,333 subscribers as measured 13 August 2026. Telegram Register, tgregister.com/channel/radiosygma.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.