Channel
@marceloexposito
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cross-platform identity · Cite this entry
181subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001376787287 |
|---|---|
| Type | Channel |
| Username | @marceloexposito |
| Description | Artista y crítico cultural. Autor de Interrupciones y movimientos (2024) y Discursos plebeyos (2019). Secretario y diputado en el Congreso (2016-2019). IG https://www.instagram.com/marcelo_exposito_?igsh=YzJrbDZveHl2Z3Bx&utm_source=qr |
| Created | Between 1 March 2018 and 31 July 2021— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 20 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/marceloexposito |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 8 Aug 2026, 13:00 | 181 | no change |
| 7 Aug 2026, 21:59 | 181 | first reading |
20 posts held, back to 2 May 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate. It is computed over the 1 of 3 measured posts that carry a reaction reading, and over those same posts' views.
| Window | Rolling 30 days · latest post in window 2 August 2026 |
|---|---|
| Posts held | 20 (2 May 2026 – 2 August 2026) |
| Views total | 198 |
| Reactions total | 1 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 8 Aug 2026, 13:00 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Lifetime counters from Telegram’s own channel header, read 8 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. A count marked ≈ was rounded by Telegram before we ever saw it — t.me prints these counters in full below 1,000 and to three significant figures above, so ≈142,000 means somewhere between 141,500 and 142,499.
1 reaction across 1 post, in 1 kind.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 1 | 100.0% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 1 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 1reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 2 May 2026 to 2 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Presentamos la primera parte de un doble monográfico registrado en el auditorio del Centro Federico García Lorca de Granada con la colaboración del artista Marcelo Expósito (Puertollano, 1966), que en estas sesiones toma su propio trabajo como un generoso punto de partida para expandir nuestra escucha —entendida aquí como una forma de pensamiento— hacia otros nombres y otras obras, y sobre todo hacia valiosas reflexi…
❤1
ARS SONORA Radio Clásica Radio Nacional de España Dirigido por Miguel Álvarez-Fernández Marcelo Expósito: Los cuerpos que faltan (I) https://www.rtve.es/play/audios/ars-sonora/marcelo-exposito-cuerpos-faltan-06-06-26/17103671/
Franco Bifo Berardi: "Por una primavera mediterránea: debe surgir una cultura apocalíptica de izquierda" https://ctxt.es/es/20260501/Firmas/53521/primavera-mediterranea-franco-bifo-berardi-izquierda-ultraderecha-pedro-sanchez-programa-inverosimil.htm. Para quienes quieran leer el original en italiano en su blog Il Disertore: https://francoberardi.substack.com/p/per-una-primavera-mediterranea
On 29 June, the Universidade Católica Portuguesa will open the exhibition Disobedience Archive (The Agitational Billboard), curated by Marco Scotini and with exhibition design by Ângela Ferreira, at the Amélia de Mello Foundation Gallery in Lisbon. The opening forms part of the programme for the XVI Lisbon Summer School for the Study of Culture and the Porto Summer School on Art & Cinema, which in 2026 will focus on…
María Martínez Collado: De la rabia a la lucha y de los derechos a la transformación social: 49 años de Orgullo LGTBIQ+ en España. La revindicación del Orgullo LGTBIQ+ nació como una impugnación del estigma. La propia palabra lo indica: el Orgullo hace frente a la vergüenza. Orgullosas disidentes, lokas, invertidas, desviadas y orgullosas de ocupar las calles cuando las calles todavía eran un lugar hostil, llenas de…
Sonia Corrêa, entrevistada por Vanina Escales: “No son antiderechos: disputan la definición misma de los derechos”. https://latfem.org/sonia-correa-no-son-antiderechos-disputan-la-definicion-misma-de-los-derechos/ Sonia Corrêa vive en Río de Janeiro y es una referencia para cualquier persona interesada en no improvisar interpretaciones sobre las dinámicas y disputas de esta fase de la ultraderecha, en especial en l…
Lo del robobo de la jojoya https://ctxt.es/es/20260601/Politica/53914/Guillem-Martinez-Zapatero-justicia-politizada-Pete-Hegseth-Trump-Espana-EEUU-huelgas-estado-del-bienestar.htm
Ana Longoni, sobre la muerte del Indio Solari en Argentina: https://www.revistaanfibia.com/el-indio-nos-dio-un-codigo/ y Ana Fernández Cebrián, entrevistada por Anna Pacheco, sobre el desarrollismo franquista: “Lo que tuvimos en España fue fordismo sin Estado de Bienestar”: https://ctxt.es/es/20260601/Culturas/53701/ana-fernandez-cebrian-anna-pacheco-entrevista-desarrollismo-fordismo-bienestar-franco.htm ______
Índice de la charla: Reclaim the Streets Gordon Matta-Clark Palle Nielsen Park Fiction Ne pas plier Aleksander Rodchenko La Casa Invisible
Encuentro de la Red de refugios climáticos culturales en el Círculo de Bellas Artes de Madrid. Encuentro con Gemma Barricarte y Marcelo Expósito: Desmantelar la cultura fósil: refugios climáticos como pedagogía del estar juntes El giro ecológico del arte contemporáneo hunde sus raíces en la década de los noventa, antes de que se normalizaran las nomenclaturas que actualmente utilizamos para nombrar la crisis ecos…
Photo, posted without a caption
Sábado 23 de mayo en el Teatro Cánovas de Málaga https://oigovisioneslabel.com/portfolio/live-sessions-2026-acciones-paralelas Lxs artistas y sus propuestas exploran los Umbrales Sonoros del extremo audible e inaudible. Toman como materia prima el sonido en toda su amplitud, moldeando y esculpiendo con herramientas digitales y analógicas el mismo, convirtiendo así la escucha en un viaje físico y mental. Apuntan haci…
Showing the 12 most recent of 20 posts we hold for @marceloexposito. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
A Wikidata item names this Telegram handle as belonging to the entity it describes. This is Wikidata’s claim, not a verification made by this register — nobody here confirmed that the account is genuinely operated by the entity named. Wikidata content is CC0; every fact below is dated to when it was read from Wikidata, not to when the association was first made there.
| Label | Marcelo Expósito |
|---|---|
| Description | Spanish politician and artist (born 1966) |
| X / Twitter | @mrenau |
| Official site | http://www.marceloexposito.net/ |
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this entry's latest reading, not the date you are reading this.
“Marcelo Expósito (canal)” (@marceloexposito), 181 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/marceloexposito.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.