پنجرهی امیـد تصنیف های دوره ی مشروطیت خواننده محسن كرامتى فرشاد محمدی (سنتور)، فرهاد زالی (نی) و نیما سلیمی (تار و تمبک) ناشر: ماهور ۱۳۸۷ https://t.me/mahoorinstitute http://www.mahoor.com/ Instagram: @mahoorinstitute

Channel
Mahoor Institute نشر ماهور
@mahoorinstitute
On this record: Topic · Growth · Engagement · What this channel posts · Posts · Citations · Telegram's recommendations · Cite this entry
2,708subscribers
+54 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
Register entry
| Telegram ID | -1001094755904 |
|---|---|
| Type | Channel |
| Username | @mahoorinstitute |
| Created | 25 September 2016 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 18 September 2026 |
| Measurements held | 14 |
| Confirmed unchanged | 1 time, most recently 18 September 2026 |
| On Telegram | t.me/mahoorinstitute |
Topic
Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 15 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 18 Sept 2026, 05:56 | 2,708 | +4 |
| 13 Sept 2026, 20:18 | 2,704 | +2 |
| 9 Sept 2026, 18:37 | 2,702 | +3 |
| 4 Sept 2026, 04:37 | 2,699 | +6 |
| 31 Aug 2026, 18:56 | 2,693 | +12 |
| 29 Aug 2026, 03:13 | 2,681 | +4 |
| 26 Aug 2026, 00:41 | 2,677 | +2 |
| 23 Aug 2026, 00:09 | 2,675 | +1 |
| 19 Aug 2026, 06:08 | 2,674 | +7 |
| 16 Aug 2026, 05:04 | 2,667 | -5 |
| 13 Aug 2026, 00:45 | 2,672 | +4 |
| 10 Aug 2026, 01:41 | 2,668 | +11 |
| 7 Aug 2026, 00:52 | 2,657 | +3 |
| 6 Aug 2026, 08:17 | 2,654 | first reading |
Engagement
21 posts held, back to 10 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 2 pages of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 21 posts for this entry, the most recent from 6 August 2026. An engagement rate over an empty window would be a number about nothing.
What this channel posts
- Video runtime
- 18m 15s
- Average length
- 58s
Measured directly from 19 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Recent posts
کتاب «پیدایش موسیقی مردمپسند» تاملی بر مفاهیم موسیقی کلاسیک، مردمی، مردمپسند نوشتهی ساسان فاطمی ناشر: ماهور چاپ دوم۱۴۰۲ https://t.me/mahoorinstitute www.mahoor.com instagram:@mahoorinstituteد
كوك سه تار تاليف، گردآورى و اجرا: حسين مهرانى ده سى دى صوتى به همراه كتاب ناشر: ماهور ١٣٩٥ https://t.me/mahoorinstitute http://www.mahoor.com/ Instagram: @mahoorinstitute
https://t.me/+fyypUeuWDGEzODZk
لحظهای دِرَنگ دونوازی سنتور و تمبک موسیقی و سنتور: حامد بالنده تمبک: مرتضی آقاباقری ناشر: ماهور، ۱۴۰۵ لحظهای درنگ از درنگهایی کوچک و محو که آرام از لابهلای روزها گذشتهاند و در نغمهها نشانی از خود نهادهاند، جان گرفته است. این اثر از منظر مُدالْ برآمده از دستگاه شور و آوازهای ابوعطا و دشتی است، اما تابع ترتیب ردیفی گوشهها و تقدم و تأخر حاکم بر آنها نیست و آزادانه در فضای مُدال آنها سیر میکند، ولی میکوشد تا چر…
تابستان آهنگسازی و اجرای سنتور: مهدی رضانیا ناشر: ماهور، ۱۴۰۵ تابستان، سومین آلبوم تکنوازی من است. آلبوم نخست، (سلامی به آفتاب )را با هدف آهنگسازی ساختم که بیشتر در بستر «قطعه سازی» بودند و تأثیر گرفته از سبک استاد اردوان کامکار. آلبوم دوم، (گوهرهای ردیف )را با هدف ارائهای شخصی از ردیف موسیقی کلاسیک و به ویژه تأکید بر سکوتها تولید کردم. تابستان تلاشی است برای ترکیب این دو نگاه مختلف به موسیقی سازی؛ ساختن موسیقی (د…
🎧 از احمد شاملو ماهور منتشر کرده است: - غزلیات حافظ -غزلیات مولوی -رباعیات خیام -شعرهای نیما -باغ آینه -مدایح بیصله -درآستانه -ققنوس در باران -ابراهیم در آتش -پریا و قصهی دخترای ننه دریا -مردی که لب نداشت -اشعار ژاک پِرِوِر - اشعار لنگستون هیوز https://t.me/mahoorinstitute Instagram: @mahoorinstitute http://www.mahoor.com
موسیقی بلوچستان موسیقی نواحی ایران ٢٣ لیكودلگانی، گواتی، سوت، کردی، ذكر، غزل دونلی: شیرمحمد اسپندار متن: محمدرضا درویشی ناشر: ماهور ۱۳۷۸ https://t.me/mahoorinstitute www.mahoor.com Instagram:@mahoorinstitute
استادان بزرگ عودنوازی نیمهی نخست قرن بیستم حوزه ی ترکی ـ عربی عراق، ترکیه، سوریه، تونس، مصر، الجزایر گردآوری و متن: سعید نایب محمدی ناشر: ماهور ۱۳۹۱ https://t.me/mahoorinstitute www.mahoor.com Instagram: @mahoorinstitute
ردیف میرزا عبدالله برای تار و سه تار به روایت و اجرای تار استاد نورعلی برومند متن دفترچه:هوماناسعدی در قالب ۵ سی دی ناشر: ماهور ۱۳۸۵ https://t.me/mahoorinstitute www.mahoor.com instagram:@mahoorinstitute
Video, posted without a caption
کتاب یکصدوبیستوپنج یادنامهی حسین تهرانی گردآوری: رامتین نظریجو ناشر: ماهور، ۱۴۰۵ مجموعهی پيشِرو يادنامهایست برای استادِ بيمانند و عالیمقامِتمبک و موسيقی کلاسيکِ ايرانی: استاد حسين تهرانی. تمرکزِ اين مجموعه بر روی سه مقوله است: 1. مصاحبههای باقیمانده از حسين تهرانی؛ 2. مطالبی که دربارهی وی در مطبوعات و ديگرمنابع بهچاپ رسيدهاند؛ 3. ارائهی فهرستی جامع از آثارِ شنيداری تهرانی. در اين کتاب سعی شده تا با …
Showing the 12 most recent of 21 posts we hold for @mahoorinstitute. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
@hossein_mehranii · 3018 postsبابک بوبان (official channel)
@babakbouban · 2537 postsداریوش پیرنیاکان
@daryoushpirniakan · 8264 posts🎶 آکادمی موسیقی راح روح 🎶
@raaherouh · 2882 postsآكادمى موسيقى فوژان
@FoozhanMusicAcademy · 3441 postشناخت موسیقی
@FreeArtJ · 8541 postحمیدرضا دیبازر
@HamidrezaDibazarChannel · 8891 postپوريا اخواص | Pouria Akhavass
@Pouriaakhavass · 5081 postAli Kazemi علی کاظمی
@alikaazemee · 4641 postعیسا غفاری| Issa Ghaffari
@isaghaffari · 6421 post
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 11 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
@hossein_mehranii · 3018 postsبابک بوبان (official channel)
@babakbouban · 2537 postsداریوش پیرنیاکان
@daryoushpirniakan · 8264 posts🎶 آکادمی موسیقی راح روح 🎶
@raaherouh · 2883 postsAli Kazemi علی کاظمی
@alikaazemee · 4642 postsکودک و فرهنگ
@farhangkoodak · 1,6211 postآكادمى موسيقى فوژان
@FoozhanMusicAcademy · 3441 postشناخت موسیقی
@FreeArtJ · 8541 postحمیدرضا دیبازر
@HamidrezaDibazarChannel · 8891 postعیسا غفاری| Issa Ghaffari
@isaghaffari · 6421 postپوريا اخواص | Pouria Akhavass
@Pouriaakhavass · 5081 post
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Appears in Telegram’s recommendations for other channels
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
@Khosousi · 64,683
Telegram ranks this channel #31 of 89 here — alongside 88 others — read 21 August 2026
@MousighiGolha · 29,310
Telegram ranks this channel #66 of 88 here — alongside 87 others — read 8 September 2026
@Avayemehregan · 88,726
Telegram ranks this channel #78 of 88 here — alongside 87 others — read 17 August 2026
This channel appears in 3 seed channels' Telegram-generated recommendation lists in total. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 18 September 2026 — this entry's latest reading, not the date you are reading this.
“Mahoor Institute نشر ماهور” (@mahoorinstitute), 2,708 subscribers as measured 18 September 2026. Telegram Register, tgregister.com/channel/mahoorinstitute.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.