Channel
@lishellart
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
232subscribers
+1 since we began measuring on 8 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001497457172 |
|---|---|
| Type | Channel |
| Username | @lishellart |
| Created | Between 1 June 2019 and 30 September 2021— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 8 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 1 time, most recently 8 August 2026 |
| On Telegram | t.me/lishellart |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 8 Aug 2026, 12:34 | 232 | +1 |
| 8 Aug 2026, 10:15 | 231 | no change |
| 8 Aug 2026, 06:35 | 231 | first reading |
10 posts held, back to 1 August 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 8 August 2026 |
|---|---|
| Posts held | 10 (1 August 2026 – 8 August 2026) |
| Views total | 459 |
| Reactions total | 66 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 8 Aug 2026, 10:15 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
66 reactions across 9 posts, in 5 distinct kinds. The most used accounts for 34.8% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| custom 5451858711892991527 | 23 | 34.8% | |
| custom 5335018614846151132 | 15 | 22.7% | |
| custom 5335050874345515289 | 12 | 18.2% | |
| custom 5386376601116098709 | 8 | 12.1% | |
| ❤ | 8 | 12.1% |
Custom emoji. 4 of the rows above are Telegram custom emoji, which the public preview renders as an element carrying only a numeric id — no character, and no image we can reach. The id is printed as-is rather than substituted with a look-alike glyph, because a stand-in would be our invention showing where a measurement should be. The counts beside them areTelegram’s.
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 9 of the 10 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 66reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 10 most recent posts we hold, published 1 August 2026 to 8 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Работа Адели Литвиновой «Родные души» сегодня «запала мне в душу». Две моих близких подруги живут в другом городе и иногда очень не хватает этого диалога сердец, когда не нужно быть никем, кроме себя самого. 🔵 Глубокий синий не как холод, а как тотальное спокойствие, которое мы испытываем рядом с близкими людьми.
❤2
«Три танцора» Пикассо это не просто странное сюрреалистичное полотно, это скорбь о друге. Карлос Касагемас покончил с собой из-за нераздельной любви, и эту утрату Пикассо так и не смог отпустить. Фигура в центре - друг, фигура слева - жена Карлоса, Жармена Гаргалло, фигуре справа присваивают силуэт самого Пикассо. Эта работа о танце жизни и смерти, о трагедии - и больше напоминает танец скелетов, чем живых людей.
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лишелл pinned a photo
«Сделано в Китае» - как долго это будет фразой с негативным контекстом? 🗯️ Еще в 2010 году китайский художник Ай ВэйВэй создал масштабную инсталляцию: на первый взгляд, просто с семечками подсолнуха. На самом деле это 2,5 года кропотливой работы над каждой «семечкой» - это 100 миллионов фарфоровых семян, расписанных вручную. 🙏🏼Так Ай ВэйВэй напоминает нам о наследии Китая: когда-то китайский фарфор был стартом экс…
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Разыгрываем книгу издательства TASCHEN! 🤍 Мы с моей подружкой из Петербурга однажды сошлись на любви строить бизнес…и искать себя в этом мире. А еще нас объединяет любовь к искусству. Я в этом деле начинающий игрок. Могу себя описать как ту, что запоминает страну по музею или галерее. А Лида в этом деле — настоящий профи. Она собирает залы и дает лекции об искусстве в Петербурге! (Я, как ее тайная фанатка 🤫 в так…
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Если вы хотите понять современное искусство, начинать нужно не с импрессионистов, а…. С Джексона Поллока. Личность достаточно прозрачная в своих метаниях, чтобы легко проникнуться и осознать, в чем суть брызг по холсту, почему не все так смогут и насколько в современном искусстве важна личностная предпосылка. Завтра в этом канале будет розыгрыш, вы пожалуйста обратите внимание! Кое-что про Поллока👀
❤4custom 53350186148461511323custom 53350508743455152891
сопли вообще хорошо продаются. Видео в соц сетях с милыми парочками и детьми. Видео о поиске пути. Видео о расставаниях или долгожданных встречах. Посты о переживаниях всех тонов. Сопли - то, что покупают больше всего. Бренды, которые знают об этом, умело это используют. А кто не знает - теперь знайте. Сопли продаются!
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СОПЛИ ХУДОЖНИКА обожаю такое, хотя сама бы не купила! 👀 Сергей Бондарев создал арт-объект, жестяную банку, внутри которой платок, пропитанный соплями самого Сергея (простите, если вы читаете это за обедом) и подписью на банке. Супер-прямая ирония! Когда мы покупаем работы художников, мы же реально в какой-то степени приобретаем их «сопли» в переносном смысле. Переживания, боли, слезы, мысли, отношения - искусство н…
custom 54518587118929915275custom 53350508743455152893custom 53350186148461511322
есть художники, чьи работы мне не нравятся… …и это не значит, что они плохие. Мика Плутицкая исследует Советские культурные коды, в видимо от общего ощущения для меня ее работы про холодность и что-то жуткое, но это всего лишь ощущения. В остальном работы Мики мощные от своей самобытности: помимо советских сюжетов она исследует мифы и это направление кстати, импонирует мне больше. А как вам работы Мики?
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ПЕЧЕНЬЕ С ПРЕДСКАЗАНИЕМ Евгений Музалевский работает одновременно с самым понятным и самым сложным: с эмоциями. Его работы можно только прочувствовать. Как говорит он сам, он реконструирует воспоминания и ощущения и так рождаются его работы. 🗯️ В них не нужно ничего угадывать, нужно только чувствовать «стиль» и отслеживать - на уровне ощущений вы понимаете, что изображено? Меня спрашивать о рациональности нельзя, я…
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Showing the 10 most recent of 10 posts we hold for @lishellart. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 74,049 of 1,481,217entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this entry's latest reading, not the date you are reading this.
“лишелл” (@lishellart), 232 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/lishellart.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.