Channel
@laboratoriumsonimoderni
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
62subscribers
+1 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1003753741504 |
|---|---|
| Type | Channel |
| Username | @laboratoriumsonimoderni |
| Created | Between 1 February 2026 and 22 April 2026 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 10 August 2026 |
| Last confirmed live | 1 September 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 3 times, most recently 1 September 2026 |
| On Telegram | t.me/laboratoriumsonimoderni |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 16 Aug 2026, 17:55 | 62 | +1 |
| 10 Aug 2026, 04:46 | 61 | no change |
| 7 Aug 2026, 19:04 | 61 | first reading |
20 posts held, back to 22 April 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 30 June 2026. An engagement rate over an empty window would be a number about nothing.
Measured directly from 17 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
148 reactions across 20 posts, in 12 distinct kinds. The most used accounts for 37.8% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 56 | 37.8% | |
| 🔥 | 23 | 15.5% | |
| ❤🔥 | 17 | 11.5% | |
| custom 5217841878262618606 | 14 | 9.46% | |
| custom 5212941939053175244 | 13 | 8.78% | |
| custom 5199524014543888207 | 11 | 7.43% | |
| custom 5226903241349963782 | 6 | 4.05% | |
| custom 5226639998509424249 | 2 | 1.35% | |
| custom 5228858250333563840 | 2 | 1.35% | |
| 👏 | 2 | 1.35% | |
| custom 5226433921683596106 | 1 | 0.676% | |
| 👍 | 1 | 0.676% |
Custom emoji. 7 of the rows above are Telegram custom emoji, which the public preview renders as an element carrying only a numeric id — no character, and no image we can reach. The id is printed as-is rather than substituted with a look-alike glyph, because a stand-in would be our invention showing where a measurement should be. The counts beside them are Telegram’s.
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 148 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 22 April 2026 to 30 June 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
⚡ ВЫШЕЛ НОВЫЙ ВЫПУСК ЖУРНАЛА "ART-ИСКУССТВО" №2 (153) 2026 г. Читать журнал: https://online.visual-paradigm.com/ru/share/book/-art--2-153-2026-compressed-2m6jypm6wp о «Лаборатории современного звука» — страница 32!
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МЕДИА-АРТ В МУЗЫКЕ. СКРЯБИН И НЕЙРОСЕТИ🎧 ▶️#теория@laboratoriumsonimoderni ⏳ Когда музыка перестаёт быть просто звуком и превращается в свет, движение, интерактивное пространство или генеративную графику — это и есть медиа-арт. ⚠️ Идея «видеть музыку» увлекала ещё композиторов-синестетов. Самый известный пример — Александр Скрябин с симфонической поэмой «Прометей» (1910). В партитуру он впервые ввёл партию света Lu…
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в комментариях у меня спросили есть ли какая-то база для написания мелодий — да, и эта база ТЕОРИЯ МУЗЫКИ🎧 ▶️ #теория@laboratoriumsonimoderni чем лучше вы ее знаете, тем легче пишете тональные мелодии, но, давайте остановимся на самом важном. без лишних деталей и подробностей. итак... КАК НАПИСАТЬ ТОНАЛЬНУЮ МЕЛОДИЮ ⏳сначала я хотела снять об этом видео, но …
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НОВАЯ ПРОСТОТА 🎧 ▶️ #теория@laboratoriumsonimoderni — это направление в академической музыке последней четверти XX века, возникшее как реакция на переусложненный музыкальный авангард. в следующий раз расскажу про tintinnabuli
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КАРМИНА БУРАНА — СТОЛЕТНЯЯ ВОЙНА ЗА ВНИМАНИЕ 🎧 ▶️#теория@laboratoriumsonimoderni «Кармина Бурана» (Carmina Burana) — это знаменитая сценическая кантата, созданная немецким композитором Карлом Орфом в 1935–1936 годах. почему она настолько популярна в коммерции? я выделила 4 причины...
custom 52178418782626186062🔥1custom 51995240145438882071custom 52129419390531752441
КОНКРЕТНАЯ МУЗЫКА 🎧 ▶️#теория@laboratoriumsonimoderni Конкретная музыка (musique concrète) — это жанр экспериментальной музыки, возникший в 1940-х годах, где основой композиции служат не ноты, а записанные на носители (лента, пластинка) «конкретные» звуки реального мира. В качестве материала используются шумы природы, поезда, голоса, шаги и бытовые звуки, которые подвергаются монтажу и трансформации. взяла вас на пр…
❤3custom 52178418782626186062custom 51995240145438882071custom 52129419390531752441
ГРАНУЛЯРНЫЙ СИНТЕЗ 🎧 ▶️ #теория@laboratoriumsonimoderni гранулярный синтез — это метод электроакустической композиции, основанный на дробдении аудиосэмплов на микроскопические частицы (гранулы/зерна) длительностью 1–100 миллисекунд и их последующем упорядочивании. метод создает динамичные текстуры, «звуковые ландшафты» и тембральный морфинг, соединяя органические и синтезированные звуки.
custom 51995240145438882073custom 52129419390531752443🔥1custom 52178418782626186061
NEW COMPLEXITY/НОВАЯ СЛОЖНОСТЬ 🎧 #теория@laboratoriumsonimoderni — направление в академической музыке, возникшее в середине 1970-х, отличающееся экстремальной усложненностью техники композиции, нотации и исполнения. это модернистское течение, часто связываемое с именами Брайана Фернихоу и Криса Дениса, призвано возродить интеллектуальный авангард.
custom 52178418782626186063custom 51995240145438882071custom 52129419390531752441
СПЕКТРАЛЬНАЯ МУЗЫКА 🎧 #теория@laboratoriumsonimoderni (спектрализм) — направление в современной академической музыке (возникло в 1970-х во франции), где основой композиции служит анализ звукового спектра, а тембр становится главным конструктивным элементом. композиторы моделируют музыкальную форму, используя гармонические обертоны, микрохроматику и тембральные переходы, часто опираясь на компьютерный анализ акустичес…
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МИНИМАЛИЗМ 1ч. 🎧 ▶️ #теория@laboratoriumsonimoderni — о современной музыке читайте и смотрите по хэштегу. фазовый сдвиг (phasing) возникает при постепенном расхождении двух идентичных звуковых линий во времени, когда микроскопическая задержка одного голоса относительно другого не воспринимается как ритмическая ошибка, а порождает модуляции тембра. психоакустически это объясняется интерференцией: гребни и впадины зву…
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Р. АБЗАЛИМОВА, «НА ГРАНЯХ ПРЕЛОМЛЕНИЯ СВЕТА» (ИЗ ЦИКЛА «БЕСКОНЕЧНЫЙ, БЕЗЫМЯННЫЙ») #музыка@laboratoriumsonimoderni ▶️ видео: автор ➡️о произведении ➡️об авторе
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А.КУЦ, «AMEN» И «ИГРА В ИМИТАЦИЮ» 🎧 #музыка@laboratoriumsonimoderni ▶️ исполняет автор и Алексей Дружков. ➡️о произведениях ➡️об авторе
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Showing the 12 most recent of 20 posts we hold for @laboratoriumsonimoderni. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 2 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 16 August 2026 — this entry's latest reading, not the date you are reading this.
“LSM / лаборатория современного звука” (@laboratoriumsonimoderni), 62 subscribers as measured 16 August 2026. Telegram Register, tgregister.com/channel/laboratoriumsonimoderni.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.