Channel
@kinobravo_festival
On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Advertising · Posts · Citations · Cite this entry
272subscribers
-1 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002171612252 |
|---|---|
| Type | Channel |
| Username | @kinobravo_festival |
| Created | Between 1 June 2024 and 30 September 2024 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 18 September 2026 |
| Measurements held | 5 |
| Confirmed unchanged | 1 time, most recently 18 September 2026 |
| On Telegram | t.me/kinobravo_festival |
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 23 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 18 Sept 2026, 17:00 | 272 | -1 |
| 1 Sept 2026, 04:15 | 273 | +1 |
| 24 Aug 2026, 11:49 | 272 | -1 |
| 8 Aug 2026, 08:47 | 273 | no change |
| 7 Aug 2026, 13:40 | 273 | first reading |
10 posts held, back to 2 October 2024 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 10 posts for this entry, the most recent from 5 October 2024. An engagement rate over an empty window would be a number about nothing.
Measured directly from 2 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
72 reactions across 9 posts, in 2 distinct kinds. The most used accounts for 50.0% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 36 | 50.0% | |
| 👍 | 36 | 50.0% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 9 of the 10 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 72 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 10 most recent posts we hold, published 2 October 2024 to 5 October 2024, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
An ad marker, not a judgement about a post. A post is counted here because it carries one of two explicit markings: an erid token, which Russian law has required on paid placements since 2022 and which is issued against a specific advertising contract, or a #реклама / #ad hashtag in the body, which is the channel declaring it itself. The first is documentary; the second is a self-declaration and is weaker. No classifier reads the text and decides — nothing on this site guesses that a post is an advertisement.
This is a floor, and it can only ever be a floor. A channel that runs paid placements without marking them produces no marker for us to count, and an unmarked ad is indistinguishable from an ordinary post on the public surface. The ad load above therefore means “the share of posts that declared themselves”, never “the share of posts that were paid for”. A low figure is not evidence of a channel that runs few ads.
Both figures are medians, and no ratio between them is published. Each is a view reading that actually occurred on a post, picked by percentile_disc rather than averaged, so one viral post cannot move it and no interpolated value is invented between two readings. The sample on one side is under five posts, which is too thin to compare. The two figures are shown side by side with the count behind each, and deliberately not divided into a headline like “ads get x% fewer views” — an arithmetic that is easy to print and, at this sample size, means nothing.
| erid | Posts | First seen | Last seen |
|---|---|---|---|
| LjN8K3ncQ | 1 | 5 October 2024 | 5 October 2024 |
A token repeated across several posts is one advertising contract placed more than once, which is what the identifier is for. The strings are reproduced exactly as they appeared in the post or in its click-through URL and are not validated against any registry — we record the marker a channel published, and whether it resolves to a real contract is a question for the register that issued it.
Measured over the 10 most recent posts we hold, published 2 October 2024 to 5 October 2024. Views are the latest single reading held for each post, and any reading at or above 1,000 is rounded by Telegram to three significant figures.
Победители первого международного фестиваля зрительского кино «КиноБраво»: 🇷🇸 Лучший фильм — «Стражи формулы», режиссер Драган Бьелогрлич 🇮🇷 Лучшая работа режиссера — Карим Мохаммад Амини, «Ископаемое» 🇪🇬 Лучший сценарий — Омар Хиляль, «Игра вслепую» 🇪🇬 Лучшая мужская роль — Мухаммад Фарраг, «Игра вслепую» 🇹🇭 Лучшая женская роль — Юча Симкум, «Бабушка на миллион» 🇮🇳 Лучшая музыка к фильму — Сушин Шьям, «Парни …
❤14👍4
Стоп, снято! Международный кинофестиваль «КиноБраво» успешно завершён! 🎬 С 28 сентября по 4 октября Сочи и Красная Поляна стали центром кино, собрав фильмы и гостей из разных уголков мира. Вход на сессии деловой программы и кинопоказы был свободным. Жюри во главе с Марко Мюллером выбрало лучших из конкурсной программы, а в деловой программе кинематографисты обсудили главные тренды индустрии. Мы выражаем огромную б…
Свежие выпуски дневников «Кинобраво» — для вас! Подводим итоги вместе 📽 Внутри: репортаж с церемонии закрытия, образы с красной дорожки и как прошла премьера проекта «Северный полюс» для участников и гостей фестиваля. ⏺СМОТРЕТЬ ВКОНТАКТЕ («СЕВЕРНЫЙ ПОЛЮС») ⏺СМОТРЕТЬ ВКОНТАКТЕ (КАК ПРОШЛО ЗАКРЫТИЕ)
❤4
⚡По итогам вчерашнего дня — тизер свежего выпуска дневников фестиваля «КиноБраво»!
👍7❤3
⚡️Представляем эксклюзивный отрывок фильма «Северный полюс» с Андреем Мерзликиным в главной роли Закрытая презентация эксклюзивных материалов масштабного проекта компании «Русский север» состоялась в рамках первого международного фестиваля зрительского кино «КиноБраво» в Сочи и Красной Поляне. Событие посетили члены международного жюри «КиноБраво», делегации из Индии, Китая, Турции и других стран-участниц, а также …
👍8
Событие дня. «Северный полюс» на «КиноБраво» В рамках первого международного фестиваля зрительского кино «КиноБраво» состоится презентация эксклюзивных материалов проекта компании «Русский Север» — картины «Северный полюс». Материалы представят режиссер Александр Котт («Брестская крепость», «Ёлки новые», «Чук и Гек. Большое приключение»), актриса Елена Север и Андрей Мерзликин — исполнитель главной роли. В основе …
👍8
На «КиноБраво» ведется дискуссия об индустрии кино с разных сторон. Несмотря на специфику страны и места, процессы создания фильмов во многом похожи. Это и стоит обсуждать! В нашем новом выпуске дневников: прямая речь продюсера Ду Ляна, режиссера Олега Трофима, основателя студии FlySound Андрея Бельчикова и продюсера из Кыргызстана Эрке Джумакматовой. Смотрим! ВИДЕО ВКОНТАКТЕ
👍4
⚡️Представляем для вас новый выпуск дневников фестиваля «КиноБраво»! На этот раз фокус на деловой программе смотра и его иностранных участниках, рассказывающих о своих инициативах. В кадре — гости кинофестиваля из Ирана, ОАЭ, Саудовской Аравии, Таиланда и не только. Что они думают о бизнес-сессиях «КиноБраво»? С какими идеями делегаты приехали в Красную Поляну? Узнайте об этом в нашем видео! СМОТРЕТЬ ВКОНТАКТЕ
❤5
Посмотрите на красивых актеров (и не только актёров) — гостей нашей красной дорожки церемонии открытия. Помимо фестивалей, международные проекты и совместная продукция при создании фильмов — яркий пример, когда кино объединяет вопреки всему. Как актеры, продюсеры и кастинг-директора попадают в такие проекты? Что им запомнилось из прошлого опыта? Как запомнились такие съемки? На эти и другие вопросы ответят участники…
❤9
Заменит ли человека ИИ? Это вопрос не праздный, особенно в киноиндустрии. Пока в инфополе расцветают споры о том, этично ли использовать в кино фотографии, сгенерированные искусственным интеллектом, появляются еще более крупные вопросы. Повлияют ли новые технологии на подход к съемкам фильмов, выбор локаций, скорость производства, озвучивание и дублирование кинокартин? На эти и другие вопросы ответят участники наше…
👍5❤1
Showing the 10 most recent of 10 posts we hold for @kinobravo_festival. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 18 September 2026 — this entry's latest reading, not the date you are reading this.
“«КиноБраво»: Первый международный фестиваль” (@kinobravo_festival), 272 subscribers as measured 18 September 2026. Telegram Register, tgregister.com/channel/kinobravo_festival.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.