Билеты: https://tickets.afisha.ru/wl/1208/api#/place/1232603
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Channel
@justensemble
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
48subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1003145894428 |
|---|---|
| Type | Channel |
| Username | @justensemble |
| Description | Санкт-Петербургский ансамбль современной музыки |
| Created | Between 1 September 2025 and 30 November 2025— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 10 August 2026 |
| Last confirmed live | 10 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/justensemble |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 10 Aug 2026, 12:48 | 48 | no change |
| 7 Aug 2026, 01:48 | 48 | first reading |
13 posts held, back to 13 December 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 13 posts for this entry, the most recent from 22 April 2026. An engagement rate over an empty window would be a number about nothing.
Lifetime counters from Telegram’s own channel header, read 10 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 3 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
107 reactions across 13 posts, in 7 distinct kinds. The most used accounts for 48.6% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 52 | 48.6% | |
| ❤🔥 | 21 | 19.6% | |
| 🥰 | 15 | 14.0% | |
| 👍 | 12 | 11.2% | |
| 🔥 | 4 | 3.74% | |
| 👏 | 2 | 1.87% | |
| 😍 | 1 | 0.935% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 13 of the 13 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 107reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 13 most recent posts we hold, published 13 December 2025 to 22 April 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Билеты: https://tickets.afisha.ru/wl/1208/api#/place/1232603
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Привыкаю к роялю в мастерской Аникушина, где 30 апреля в 20:30 исполню гномик вариации Джорджа Крама. Это первая вариация. Она одна из любимейших. В ней я первый раз столкнулась с приемом игры с бесшумно нажатыми клавишами. Получается, что руки играют одинаковые аккорды, но то левая рука, то правая нажимает аккорд беззвучно. Важно не извлечь звук при этом, иначе, вся магия этого приема пропадет. Ну и любимое мое мест…
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Продолжаем рассказывать об участниках концерта 25 апреля. «Башня из слоновой кости» IX начнётся с выступления JUST Ensemble JUST Ensemble — санкт-петербургский ансамбль современной академической музыки, основанный в 2021 году по инициативе молодых композиторов и исполнителей. Участники коллектива — студенты и выпускники консерватории, исследующие новые подходы к звуку, исполнительству и композиции. Ансамбль выступае…
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Концерту «ТРИ» – быть! 🎉 30 апреля мы вновь влетаем в Мастерскую Аникушина, где сыграем и произведения, уже исполненные ранее, и новые для нас вещицы! За этот вечер мы: Выстроим колючую геометрию полигональных граней в [ob]version для флейты и фортепиано Дмитрия Курляндского 👾 Побродим по загадочным мирам Джорджа Крама в его «Гномических вариациях» 🔮 Раскачаемся под бодрое нео-техно в Трио для флейты, английского…
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Photo, posted without a caption
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Друзья! Мы вынуждены перенести наш концерт на 30 апреля! Будем ждать вас в Третьем месте)Об изменениях в программе мы напишем позднее. Обновленная ссылка в шапке профиля!
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Пост о закрытии гештальтов. Где-то курсе на четвертом консерватории я решила начать освоение музыки Джорджа Крама, с его очаровательного цикла Gnomic variations. Мне нравилась, и музыка, и название) Но явно я начала не с того. Это оказалось трудно, не совсем понятно как исполнять, учитывая, что средние педали в консерватории у нас из-за отсутствия спроса не регулируются и, соответственно, не работают, да и опыта в чт…
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голоса новой музыки выпуск второй новогодняя неделя заканчивается, а тут и новый праздник — 100-летие мортона фелдмана — одного из моих самых любимых композиторов по этому случаю выходит специальный выпуск видеоподкаста "голоса новой музыки", посвященный фелдману, но в котором предстает сразу дюжина прекрасных музыкантов, музыковедов и композиторов тех, кто любит его музыку, кто ей сопротивляется, кто изучает ее и …
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Немного приятного послевкусия после For Christian Wolff Мортона Фельдмана в объективе чудесной Норы Чепрасовой:)
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Привет друзья! 5 января в 15:00 на новой сцене Александринского театра, музыканты Just ensemble Саша и Игнат сыграют for Christian Wolff Мортона Фелдмана. Это редко исполняемая, нескончаемой красоты и длинноты музыка. Приходите и будем отмечать начало Нового года вместе:)🖤🩶🤍 Билеты: https://alexandrinsky.ru/afisha-i-bilety/posvyashchenie-mortonu-feldmanu/
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🐋 В ожидании завтрашнего концерта в "Союзе печатников" хотим поделиться с вами недавней видеозаписью исполнения "Голоса кита" Джорджа Крама (автор видео - Иван Высоких). На ноябрьском концерте в Мастерской Аникушина мы представили это произведение в необычной интерпретации: нашим соучастником стало всё пространство художественной галереи. ▶️ YouTube: https://youtu.be/wu5g-U3CEns?si=rCXFCteOIiqmSVz- ▶️ VK: https://…
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https://www.remusik.org/news-20251215/
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Showing the 12 most recent of 13 posts we hold for @justensemble. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 930,743 of 1,169,250entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 3 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 10 August 2026 — this entry's latest reading, not the date you are reading this.
“JUST Ensemble” (@justensemble), 48 subscribers as measured 10 August 2026. Telegram Register, tgregister.com/channel/justensemble.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.