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Telegram profile photo for Immensa musica

Channel

Immensa musica

@immensamusica

On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry

183subscribers

+5 since we began measuring on 10 August 2026

Risers and fallers across the register · movement among entries of Under 1,000.

Register entry

Telegram ID-1003060528869
TypeChannel
Username@immensamusica
CreatedBetween 1 August 2025 and 31 October 2025 — estimated from Telegram’s id allocation, not measured. How this range is calculated.
First recorded10 August 2026
Last confirmed live18 September 2026
Measurements held7
Confirmed unchanged1 time, most recently 18 September 2026
On Telegramt.me/immensamusica

Growth

176183179.510 August 2026 — 178 subscribers10 August 2026 — 178 subscribers17 August 2026 — 177 subscribers24 August 2026 — 176 subscribers1 September 2026 — 177 subscribers9 September 2026 — 179 subscribers18 September 2026 — 183 subscribers10 August 202618 September 2026
7 measurements spanning 39 days, net +5. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 175–184 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
18 Sept 2026, 16:18183+4
9 Sept 2026, 15:01179+2
1 Sept 2026, 08:36177+1
24 Aug 2026, 15:35176-1
17 Aug 2026, 21:42177-1
10 Aug 2026, 07:00178no change
10 Aug 2026, 06:47178first reading

Engagement

10 posts held, back to 10 November 2025the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 10 posts for this entry, the most recent from 27 May 2026. An engagement rate over an empty window would be a number about nothing.

What this channel posts

Video runtime
12s
Average length
12s

Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no mark.

Reaction mix

136 reactions across 10 posts, in 6 distinct kinds. The most used accounts for 66.2% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
9066.2%
❤‍🔥3525.7%
👍53.68%
👏32.21%
21.47%
👎10.735%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 10 of the 10 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 136 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 10 most recent posts we hold, published 10 November 2025 to 27 May 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

27 May 2026, 15:50 UTC89 views12 reactionsread 10 August 2026
Photo

Мы рады сообщить, что специально для нашего коллектива и виолончелистки Дарьи Луценко новое сочинение напишет Настасья Хрущёва! Спасибо программе «Ноты и квоты» Союза композиторов России

10❤‍🔥2

22 Mar 2026, 13:35 UTC186 views9 reactionsread 10 August 2026

https://vkvideo.ru/video-232449046_456239063 Чарлз Айвз - «Вопрос, оставшийся без ответа» Заключительный концерт VIII фестиваля Gnesin Contemporary Music Week. Музыканты Immensa musica: Анна Беляева, флейта Екатерина Кичина, флейта Алиса Шишкова, гобой Никита Костиков, кларнет Константин Шаин, труба Катерина Кубрак, скрипка Есения Кибкало, скрипка Анна Ченчикова, альт Наталия Галочкина, виолончель Дирижёр Андрей

7❤‍🔥2

21 Mar 2026, 12:02 UTC256 views8 reactionsread 10 August 2026
Photo

Хотим порекомендовать нашим подписчикам посетить мероприятия фестиваля современной музыки «Ойкумена. ХХI век» - 2 сезона СтудияФеста от Студии новой музыки! В рамках этого фестиваля слушателям предлагается совершить экспедицию по неосвоенной музыкальной территории регионов России, стран СНГ и неевропейских стран — государств Азии и Латинской Америки. Программа фестиваля соединяет современную академическую и традицио

❤‍🔥422

28 Feb 2026, 17:29 UTC264 views13 reactionsread 10 August 2026

https://vk.com/video-232449046_456239062 Мы рады поделиться с вами записью выступления ансамбля Immensa musica в Рахманиновском зале Московской консерватории с сочинением Анны Серовой «Критика отсутствующей мысли».

8❤‍🔥3👍1👎1

24 Feb 2026, 15:04 UTC285 views13 reactionsread 10 August 2026
Video

Новое сочинение требует от музыкантов умения играть на детских дудочках и свистках. Интереснейшие импровизации исполнителей можно будет услышать уже завтра в Рахманиновском зале Московской консерватории. Ирина Юдина, флейта Варвара Федорова, гобой Никита Костиков, кларнет Марьям Сабитовская, фагот Арина Филипенкова, валторна София Крутова, скрипка Есения Кибкало, скрипка Ирина Сабова, альт Наталия Галочкина, виолон

11❤‍🔥1👏1

23 Feb 2026, 13:44 UTC249 views13 reactionsread 10 August 2026
Photo

25 числа ансамбль Immensa musica выступит в Рахманиновском зале Московской консерватории с новым сочинением Анны Серовой «Критика отсутствующей мысли». Билеты можно приобрести на сайте консерватории: https://www.mosconsv.ru/ru/concert/200847

11❤‍🔥2

18 Feb 2026, 14:48 UTC221 views15 reactionsread 10 August 2026
Photo

Дорогие друзья, наконец мы можем поделиться с вами фотографиями ансамбля Immensa musica с заключительного концерта VIII фестиваля Gnesin Contemporary Music Week, который состоялся 31 октября в Храме Святого Людовика. Еще больше фотографий вы найдёте в альбоме нашего сообщества ВКонтакте: https://vk.ru/album-232449046_311671352

14❤‍🔥1

31 Dec 2025, 17:01 UTC277 views24 reactionsread 10 August 2026
Photo

Дорогие друзья! Наш ансамбль Immensa musica поздравляет вас с наступающим Новым годом! Мы хотим пожелать вам крепкого здоровья, жизненной энергии и новых ярких творческих впечатлений! Пусть искусство будет путеводной звездой в жизни и помогает каждому познавать свой внутренний мир. А мы продолжим радовать вас живой музыкой в Новом 2026 году!

❤‍🔥137👍2👏2

9 Dec 2025, 15:17 UTC374 views14 reactionsread 10 August 2026

https://m.vk.com/video-232449046_456239048 Дорогие друзья! Мы рады поделиться с вами записью сочинения Анны Серовой «Тайная Вечеря». Музыка звучала на сцене Рахманиновского зала Московской консерватории в исполнении солистов ансамбля Immensa musica Катерина Кубрак, скрипка Анна Беляева, флейта Анна Севостьянова, фортепиано Софья Москалёва, арфа Алексей Сотников, вибрафон Дирижёр Андрей Серов

9❤‍🔥5

10 Nov 2025, 10:42 UTC282 views15 reactionsread 10 August 2026
Forwarded from @synesthesialabPhoto

Исполнители Synesthesia Lab Дирижер Андрей Серов Художественный руководитель и дирижёр ансамбля «Immensa musica». В качестве дирижёра сотрудничает с ансамблем солистов «Студия новой музыки», фестивалем современной музыки «Gnesin Week», фестивалем Союза композиторов России «Пять вечеров» и Электротеатром «Станиславский» (в рамках проекта Бориса Юхананова и Мастерской индивидуальной режиссуры «Кафка в Афинах»). Дириж

11❤‍🔥2👍2

Showing the 10 most recent of 10 posts we hold for @immensamusica. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Forward network

Republishes

Channels on the register whose posts this channel has forwarded.

Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.

Mentions

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 18 September 2026 — this entry's latest reading, not the date you are reading this.

“Immensa musica” (@immensamusica), 183 subscribers as measured 18 September 2026. Telegram Register, tgregister.com/channel/immensamusica.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.