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Channel

IMLA

@imlaimpro

On this record: Topic · Growth · Engagement · Reactions · Posts · Citations · Handles named that no longer answer · Cite this entry

17subscribers

+2 since we began measuring on 8 August 2026

Risers and fallers across the register · movement among entries of Under 1,000.

Register entry

Telegram ID-1003995953442
TypeChannel
Username@imlaimpro
Created2 June 2026 — measured — dated from the channel’s first post
First recorded11 August 2026
Last confirmed live10 October 2026
Measurements held3
Confirmed unchanged2 times, most recently 10 October 2026
On Telegramt.me/imlaimpro

Topic

Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 1 October 2026 and assigned it the closest of 31 fixed categories, at 46% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.

Growth

1517168 August 2026 — 15 subscribers11 August 2026 — 15 subscribers29 September 2026 — 17 subscribers8 August 202629 September 2026
3 measurements spanning 52 days, net +2. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 15–17 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
29 Sept 2026, 19:5617+2
11 Aug 2026, 23:3115no change
8 Aug 2026, 13:0115first reading

Engagement

11 posts held, back to 2 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 11 posts for this entry, the most recent from 11 August 2026. An engagement rate over an empty window would be a number about nothing.

Reaction mix

4 reactions across 3 posts, in 3 distinct kinds. The most used accounts for 50.0% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
💘250.0%
❤125.0%
🔥125.0%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 3 of the 11 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 4 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 11 most recent posts we hold, published 2 June 2026 to 11 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

11 Aug 2026, 13:48 UTC10 viewsread 11 August 2026
Forwarded from @artspaceinexilePhoto

🇺🇦 On 22 August, the fourth edition of VOLIA | ВОЛЯ brings together music, performance, visual art, dialogue, and food&drinks to mark Ukraine’s Independence Day. In collaboration with Monday Kitchen, IMLA, Bez.lich, Sestry Feldman and many other artists, we invite the community to meet and reflect on the times we are living through. IMLA (@imla.improlab), an improvisation laboratory, builds a performance around a s…

3 Aug 2026, 11:47 UTC20 viewsread 11 August 2026
Forwarded from @artspaceinexilePhoto

🇺🇦 Join us for the 4th edition of VOLIA | ВОЛЯ, our annual festival marking Ukraine’s Independence Day. This year, we’re creating the festival in collaboration with @monday_kitchen_ua, @imla.improlab, @sestry_feldman, and @bez.lich. Come for a warm summer gathering with music, performance, visual art, a film screening, and food. The full programme and further details are coming soon! VOLIA | ВОЛЯ 📅 22.08.2026, 16:…

9 Jun 2026, 10:45 UTC43 viewsread 11 August 2026
Photo

Siamend Darwesh is a multi-disciplinary sound artist, working with digital and analog soundscapes, as well as using algorithmic approaches to create sound. Starting as a guitar player in his teens, he is currently part of Krautrock outfit Krise and heavy psychedelic rock Wizzy Crumbs . He released electronic music under the monikers Ivorie & Darwesh. Join us at IMLA 001 📅 June 10, 2026 | 19:00 📍 Hotel Continenta…

9 Jun 2026, 10:43 UTC40 viewsread 11 August 2026
Photo

Hennadii Boichenko is Odesa-born keyboardist, film composer and record producer. Known for Potreba within the Ukrainian rave scene of 2010th, krautrock band indirect, and electronic fusion of Potreba Group . Currently working with Neue Post, Wizzy Crumbs and newest project - Hennadii Boichenko Quartet. His sonic palette draws from noise and industrial “sound collage” approach, electric music of Miles Davis and Kraut…

9 Jun 2026, 10:40 UTC28 views2 reactionsread 11 August 2026
Photo

Didi Armor is a Ukrainian sound artist and composer working between Kyiv and Berlin. Her artistic practice combines violin performance, electronics, and expanded acoustic contexts through live electroacoustic improvisation, composition, and sound design. She explores the real-time transformation of sound and listening as a performative and spatial experience, creating immersive sonic environments that blur the bound…

❤1💘1

6 Jun 2026, 13:07 UTC26 viewsread 11 August 2026
Photo

TT Geigenschrey is a violinist, violist, composer and scene veteran from Berlin. Active in the city's independent music scene since the early 1980s, he is known as the bandleader of the free-improvised film scoring ensemble Sonic Inkraut, Schwefel & Geigenschrey, and numerous collaborations spanning krautrock, free jazz, experimental rock and live film scoring. As a performer, he has worked alongside musicians conne…

6 Jun 2026, 11:52 UTC28 viewsread 11 August 2026
Photo

IMLA 001 improviser Maximus Crime also known as Panalog and the keyboard player for dingo date night. He hosts late-night free improvisation sessions in his studio, bringing together musicians from different backgrounds on a regular basis. More projects and collaborations are on the way through his new platform, LATO GATO. Explore the linked projects above. 📅 June 10, 2026 | 19:00 📍 Hotel Continental – Art Space i…

5 Jun 2026, 19:05 UTC29 viewsread 11 August 2026
Photo

IMLA artist spotlight: Anastasiia Marykutsa Anastasiia Marykutsa - is an Odesa-born, Berlin-based drummer and percussionist. Her practice draws from a myriad of styles, from krautrock to dub, while retaining raw energy and playful improvisation. She is a member of Chillera, Late Ninja, and her newest project, Appelsindans. Anastasiia has contributed to an Oleksii Lupashko improv orchestra piece, blue elimination g…

4 Jun 2026, 10:02 UTC33 views1 reactionsread 11 August 2026
Photo

Starting point of IMLA 001 - one hour dj set by veko dj - is a berlin-based music enthusiast originally from kyiv. fascinated by sound and musical landscapes since childhood, she has been collecting music across a wide range of genres, blending them into a roller coaster of feelings and emotions. her main focus is storytelling through music, creating journeys that resonate with listeners and leave a lasting emoti…

💘1

2 Jun 2026, 08:16 UTC418 views1 reactionsread 11 August 2026
Photo

IMLA 001. Improvisation Laboratory IMLA is a new platform dedicated to improvisation, collective listening, and the exploration of sound as a creative process. The first IMLA evening will begin with an hour-long experimental DJ set that will gradually evolve into a collaborative electroacoustic improvisation. Wednesday is the perfect time to take a break in the middle of the workweek and spend an evening filled wi…

🔥1

Showing the 11 most recent of 11 posts we hold for @imlaimpro. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Forward network

Republished by

Channels on the register that have forwarded this channel's posts into their own feed.

Republishes

Channels on the register whose posts this channel has forwarded.

Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.

Mentions

Names

Channels on the register whose handles appear in this channel's posts.

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 29 September 2026 — this entry's latest reading, not the date you are reading this.

“IMLA” (@imlaimpro), 17 subscribers as measured 29 September 2026. Telegram Register, tgregister.com/channel/imlaimpro.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.