Channel
@hamidlazemiart
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
99subscribers
+2 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002112351397 |
|---|---|
| Type | Channel |
| Username | @hamidlazemiart |
| Created | Between 1 November 2023 and 31 May 2024 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 9 August 2026 |
| Last confirmed live | 7 September 2026 |
| Measurements held | 4 |
| Confirmed unchanged | 1 time, most recently 7 September 2026 |
| On Telegram | t.me/hamidlazemiart |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 7 Sept 2026, 11:59 | 99 | +1 |
| 22 Aug 2026, 20:43 | 98 | +1 |
| 9 Aug 2026, 12:01 | 97 | no change |
| 6 Aug 2026, 16:41 | 97 | first reading |
20 posts held, back to 13 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 6 August 2026. An engagement rate over an empty window would be a number about nothing.
Measured directly from 17 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
2 reactions across 2 posts, in 2 distinct kinds. The most used accounts for 50.0% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 1 | 50.0% | |
| 👍 | 1 | 50.0% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 2 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 2 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 13 June 2026 to 6 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
قسمت سوم بخش دوم: چرا سریال حشاشین ممنوع شد ؟ حمید لازمی سریال حشاشین نباید ممنوع شده و باید پخش می شد. روایت سریال قرار نیست وحی منزل باشد . باید کارشناسان بحث و جدل کنند و مردم را آگاه کنند از حقایق تاریخی سریال ورودیه به مبحث است تاریخ را با سریال نمی بینیم با سریال تحریک می شویم تاریخ را بخوانیم فایل کامل این بخش را در کانال تلگرام حمید لازمی ببینید t.me/hamidlazemiart
جاده شمال
قسمت سوم بخش اول : قلعه الموت حمید لازمی این قسمت چند بخش دارد که به حشاشین و حسن صباح و سریالش خواهم پرداخت ولی حالا که قلعه الموت در یونسکو ثبت جهانی شده شروع را به این اثر تاریخی معطوف کردم که چگونه ساخته شده ؟ تاریخ دروغ گفته ؟ علم گذشته پیشرفته تر از الان بوده ؟ و مباحث دیگر ... فایل کامل این بخش را در کانال تلگرام حمید لازمی ببینید t.me/hamidlazemiart
با بعضی علاقه های هنری ام به دلایل متعدد قسمت نشده از نزدیک معاشرت داشته باشم ولی عکس سلفی رو با کسانی انداختم که حداقل نیم ساعت باهاشون صحبت کرده باشم عکس سلفی تک فریمی اصلا معنا نداره چند سال قبل سعادتی بود مصاحبت و دیدار و بهره بردن از تجربیات و خاطرات استاد کیمیایی . عشق سینما باشی و مسعود خان کیمیایی را دوست نداشته باشی از محالات است . خودش یک تاریخ سینمای زنده است همچنان می سازد و خودشان گفته اند فیلمنامه های …
پشت صحنه بالایی
صبح بخیر
بازارچه طهران قدیم تهرانسر
تیزر بخش دوم زندگی هنری حمید لازمی
بخش دوم زندگی هنری حمید لازمی در قسمت دوم حرفم این است که اکثریت فعالان هنری نمی توانند هنرمند محسوب شوند ولی هنر جو بله . می توانند هنر را در زیست خود جاری کنند /. رفتار و تفکر و نگاهشان هنری باشد . هنری بودن یک سبک و سیاق است . اگر هنری هستیم آنگونه باید زیست کنیم . نه نا متعارف نه عادی .
شعبده بازی عجیب حمید لازمی
Photo, posted without a caption
ایران و سینما در ایران فردا به چه سمتی می رویم ؟ سینما چگونه می شود ؟ با خودم خیلی کلنجار رفتم که شروع کنم یا نه ولی تصمیم گرفتم شروع کنم. گفتن یک سری حرفها در نتیجه تحقیقات خودم در مورد سریال ها و فیلم ها و اتفاقات حرفهایی رو تلاش می کنم بزنم که رسانه ها معمولا نمی گن موتورم روشن بشه شاید جنجالی هم چیزایی بگم فقط هم هنری سینمایی که شاید جاهایی به موضوعات دیگه هم کشیده بشه فعلا این شروع و داشته باشید حمید لازمی
👍1
Showing the 12 most recent of 20 posts we hold for @hamidlazemiart. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 2 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 7 September 2026 — this entry's latest reading, not the date you are reading this.
“حمید لازمی و هنر” (@hamidlazemiart), 99 subscribers as measured 7 September 2026. Telegram Register, tgregister.com/channel/hamidlazemiart.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.