Channel
@followartcontemporary
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
2,107subscribers
+66 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001305146762 |
|---|---|
| Type | Channel |
| Username | @followartcontemporary |
| Created | 17 April 2018 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 16 August 2026 |
| Measurements held | 5 |
| Confirmed unchanged | 1 time, most recently 16 August 2026 |
| On Telegram | t.me/followartcontemporary |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 16 Aug 2026, 20:43 | 2,107 | +4 |
| 13 Aug 2026, 09:03 | 2,103 | +23 |
| 10 Aug 2026, 11:51 | 2,080 | +39 |
| 6 Aug 2026, 06:21 | 2,041 | no change |
| 6 Aug 2026, 06:08 | 2,041 | first reading |
10 posts held, back to 28 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 2 pagesof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 7 August 2026 |
|---|---|
| Posts held | 10 (28 July 2026 – 7 August 2026) |
| Views total | 2,565 |
| Reactions total | 87 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 7 Aug 2026, 17:05 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
79 reactions across 9 posts, in 11 distinct kinds. The most used accounts for 46.8% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 37 | 46.8% | |
| 🔥 | 15 | 19.0% | |
| 👍 | 12 | 15.2% | |
| ❤🔥 | 4 | 5.06% | |
| ✍ | 3 | 3.80% | |
| 👌 | 2 | 2.53% | |
| 😱 | 2 | 2.53% | |
| 😎 | 1 | 1.27% | |
| 🙏 | 1 | 1.27% | |
| 🤝 | 1 | 1.27% | |
| 🤩 | 1 | 1.27% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 10 of the 10 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 87reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 10 most recent posts we hold, published 28 July 2026 to 7 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Петербург, мы скучаем — и вот повод приехать ❤️ У западного фасада «Манежа» появился лабиринт бразильского художника Роммуло Вьейра Консейсана — полупрозрачные цветные панели и металлическая решётка, отсылающая к историческим оградам города. Внутри цвета накладываются друг на друга, пространство меняется при каждом шаге. ⭐️Нам нравится, когда городу добавляют краски вот так — не навязчиво, а с уважением к контексту…
❤3🔥2✍1🤩1
Время выходных ⬇️ Ловите нашу традиционную подборку! 🔵 «Пейзажи разума» Виталия Барабанова Выставка про внутренний мир человека через пейзаж и персонажей — художник населяет природу героями, чтобы передать эмоции и состояния. 📅 До 2 ноября 📍 LOBBY Moscow 🔵 «Триумф. Избранное», II часть Открылась вторая часть юбилейной выставки к 20-летию галереи. Если первая была про историю, эта — про исследование: визуальная а…
❤4❤🔥1🔥1🙏1
Posted without readable text
❤4🔥2❤🔥1👍1😎1
В Пушкинском грандиозная выставка буддийского искусства «Алмазная колесница» мы побывали на открытии, впечатлились, и конечно будем делать экскурсии🤩 Это первый столь масштабный проект о буддийском искусстве✨ Выставка «Алмазная колесница» объединила свыше 700 работ: скульптуры, маски, тханки, амулеты, костюмы, музыкальные инструменты. Шедевры из музеев Бурятии, Тывы и Калмыкии — плюс то, что впервые будет показано и…
❤8🔥2😱2👍1
Новое место в Москве — берём на заметку 👇 В Большом Афанасьевском переулке открылся A-House — особняк 1895 года, который бережно отреставрировали и превратили в пространство для всего сразу: кафе, выставочный зал, пиано-бар, переговорные. 📎 Идея в том, чтобы собрать в одном месте людей из архитектуры, искусства, бизнеса и городских институций — тех, кто обычно существует в параллельных мирах. Выставки, лекции, конц…
👍4❤3✍2🔥2🤝1
Музей впервые показал, сколько на самом деле стоит искусство 🙃 В музее MIT List Visual Arts Center в Кембридже открылась выставка «Performing Conditions» — и встречает она посетителей необычно: прямо у входа на стене висит полный бюджет экспозиции, оформленный как чек. Гонорары художников, стоимость рамок, винила — всё на виду. 📎Выставка про труд, который капитализм делает невидимым: домашний, репродуктивный, расов…
👍3❤2❤🔥1
🌸 Сходили на открытие «Прелестных песен» в Shift Выставка про природу языка — как он живёт в теле, в ткани, в скульптуре. Пашкова работает на ткацких станках, вдохновляясь Сапфо: буквы становятся узорами, поэзия — материей. Гришин смотрит на язык как на силу, которая давит и деформирует. Нас больше всего зацепили его полотна и скульптуры 😍 Если будете рядом, обязательно загляните! 📅 До 15 августа 📍 Петровский буль…
❤4👌1👍1
Собрали свежие выставки и фестивали на эти выходные 🏃♀️ ⭐ Диалог с пространством Трёхдневный акустический марафон в круглом купольном зале — арфа, труба, виолончель. Каждый инструмент звучит по-новому в этом пространстве, и это нужно слышать. Свободный формат: можно ходить, перемещаться, слушать, сколько хочется. 📅 30 июля — 1 августа, 12:00–22:00 📍 ТОН-ЦЕНТР, Комсомольская площадь, 3/30с1 🎟️ По регистрации на са…
❤4🔥3👌1
🔴 Если окажетесь в Токио — не пропустите выставку Рона Мьюка в Mori Art Museum Австралийский скульптор известен гиперреалистичными работами, которые поражают не только детализацией, но и масштабом. Главная работа выставки — In Bed: почти семиметровая скульптура женщины, лежащей в кровати. Мьюк проводит месяцы над каждой работой, прорабатывая каждую деталь — морщинку, складку кожи, выражение лица. Но при всей этой то…
❤5🔥3👍2❤🔥1
Идем на выставку Ани Желудь — и зовём вас! ✔️ Мы были на открытии этой выставки и делились репортажем, а теперь возвращаемся, уже с экскурсией для вас. 🟣«Не тот горизонт» в AZART — это четверть века творческого пути Ани Желудь: от насыщенной, яркой живописи через монохромные пейзажи к металлическим инсталляциям, где картина буквально становится пространством, в которое можно войти.  На экскурсии разберёмся в её м…
Showing the 10 most recent of 10 posts we hold for @followartcontemporary. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 250,383 of 1,548,671entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 2 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 16 August 2026 — this entry's latest reading, not the date you are reading this.
“Follow Art!” (@followartcontemporary), 2,107 subscribers as measured 16 August 2026. Telegram Register, tgregister.com/channel/followartcontemporary.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.