Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 25 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
4 measurements spanning 55 days, net -4. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 169–175 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)
Subscribers
Change
4 Oct 2026, 07:41
170
-1
25 Aug 2026, 05:47
171
-3
10 Aug 2026, 19:52
174
no change
10 Aug 2026, 05:31
174
first reading
Engagement
19 posts held, back to 1 January 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 19 posts for this entry, the most recent from 28 June 2026. An engagement rate over an empty window would be a number about nothing.
What this channel posts
Video runtime
11m 48s
Average length
2m 57s
Measured directly from 4 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Reaction mix
135 reactions across 15 posts, in 5 distinct kinds. The most used accounts for 82.2% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
❤
111
82.2%
🔥
17
12.6%
👍
4
2.96%
🥰
2
1.48%
😍
1
0.741%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 15 of the 19 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 135 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 19 most recent posts we hold, published 1 January 2025 to 28 June 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Soft Blue has been included in the June 2026 “This Is Darkness” listening selection by Rich Dodgin — a collection of recent and rediscovered dark ambient works featured on the platform.
A one-hour long-form piece created during war, internet blackout, and silence in Iran — where time felt suspended and perception became unstable.
Grateful for this inclusion and listening.
Soft Blue توسط Rich Dodgin در انتخاب شنیدا…
Soft Blue (Ābi-ye Mīāneh) is a one-hour ambient piece composed during the days of war and blackout in Iran.
While the city was under pressure and uncertainty, I found myself returning to soft harmonies — not as an escape, but as a way to survive.
This track is not meant to describe war directly.
It is the sound of suspended time: afternoons with no news, no internet, and a sky that remained silently blue.
Created …
یکی از نکات جالب این نمایش برای من حضور یک اثر “سوزن دوزی” از مادرم در این نمایش هست؛ و این برای من تجربه خیلی جالبه که در یک نمایش در کنار مادر یک کار دارم ؛)
اگر به این نمایش سر زدید، علاوه بر کارهای دوستان هنرمند که دیدنشون رو پیشنهاد میکنم؛ کار مادر رو از دست ندید.
عکس: میترا حمزهلوئیا
سلام دوستان
من با یک ویدئو آرت که بخش هایی از اون رو با شما به اشتراک گذاشتم در نمایش “در جایی دیگر بودن” حضور دارم.
این ویدئو یکی از آثار مجموعه “رویای تو چیست؟” بوده و این دومین نمایش عمومی آن میباشد.
بازدید تا ۵ دی ماه ادامه دارد.
اطلاعات بیشتر:
https://www.farshadakbari.com/events
نمایشگاه گروهی «در جایی دیگر بودن»
کیوریتور : اکرم احمدی توانا
هنرمندان: فرشاد اکبری، مرسل حلیمی، علی رحیمی، مهدی رسولی،
گروه عکاسان گلشهر و پروژهی دستان تو
طراح پوستر: سیاوش تصاعدیان
۲۱ آذر ماه تا ۵ دی ماه ۱۴۰۴
ساعات بازدید شنبه تا چهارشنبه و جمعهها ۱۶ـ۲۰
گالری روزهای پنجشنبه تعطیل است.
آدرس:میدان هفتتیر٬ خیابان مفتح جنوبی٬ قبل از طالقانی٬ کوچهٔ مبینی٬ شمارهٔ ده didarartgallery.com
ـــــــــــــــــــــــــــ…
My new album "Echoes of Nothingness" is now released.
The album features 8 tracks, with excerpts from each piece available in the teaser. The album’s cover and visual identity are inspired by the Gabbeh rugs of this land.
Composition, mixing & mastering: Farshad Akbari
Logotype and booklet layout: Meisam Alipour
Teaser: Farshad Akbari
Released by: Whisper Music
The album is available for streaming on major music pla…
آلبوم جدیدم با عنوان «پژواک نیستی» منتشر شد.
این مجموعه شامل ۸ قطعه است که بخشی از هر ترک را میتوانید در تیزر بشنوید؛ طراحی کاور و هویت بصری آلبوم با الهام از گبههای این سرزمین شکل گرفته است.
آهنگسازی، میکس و مسترینگ: فرشاد اکبری
طراحی لوگوتایپ و لِیاوت دفترچه آلبوم: میثم علیپور
تیزر: فرشاد اکبری
انتشار: Whisper Music
شنیدن مجموعه از طریق پلتفرمهای جهانی موسیقی و خرید نسخه دیجیتال از طریق بندکمپ امکانپذیر است…
آلبوم جدیدم «پژواک نیستی» در تاریخ ۶ تیر ۱۴۰۴ از طریق پلتفرمهای جهانی موسیقی منتشر خواهد شد.
فرایند انتشار این آلبوم را پیش از آغاز جنگ میان ایران و اسرائیل آغاز کرده بودم و قصد داشتم پیشفروش آن را چند هفته پیش از انتشار آغاز کنم؛ با شروع جنگ و قطعی گسترده اینترنت، دسترسی من به روند توزیع قطع شد و امکان متوقفکردن یا ویرایش فرایند انتشار دیگر وجود نداشت.
امروز در دومین روزی که بار دیگر به اینترنت دسترسی پیدا کرده…
❤6🔥3👍2🥰1😍1
Showing the 12 most recent of 19 posts we hold for @farshadakbari8. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 4 October 2026 — this
entry's latest reading, not the date you are reading this.
“Farshad.Akbari” (@farshadakbari8), 170 subscribers as measured 4 October 2026. Telegram Register, tgregister.com/channel/farshadakbari8.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.