Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 25 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
3 measurements spanning 26 days, net +1. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 154–155 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)
Subscribers
Change
18 Sept 2026, 17:19
155
+1
24 Aug 2026, 05:30
154
no change
24 Aug 2026, 05:15
154
first reading
Engagement
16 posts held, back to 28 February 2024 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 16 posts for this entry, the most recent from 10 July 2026. An engagement rate over an empty window would be a number about nothing.
What this channel posts
Video runtime
5m 04s
Average length
1m 01s
Measured directly from 5 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Reaction mix
334 reactions across 16 posts, in 8 distinct kinds. The most used accounts for 58.4% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
❤
195
58.4%
🔥
60
18.0%
👍
59
17.7%
💔
11
3.29%
🙏
6
1.80%
👀
1
0.299%
😨
1
0.299%
🤔
1
0.299%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 16 of the 16 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 334 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 16 most recent posts we hold, published 28 February 2024 to 10 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Telegram Stars
Stars received
15
across the posts below
Posts paid on
1
of 16 we hold a reading for · 6%
Most on one post
15
single highest reading
A paid reaction is a reader spending Telegram Stars — bought with money — on a post by @emadpasandideh. Telegram publishes the count on the public post preview alongside ordinary reactions, and this register reads it there. It is the only figure on this site that measures money moving rather than attention.
Stars are not reactions, and the two are never added. They are rendered in the same strip on Telegram and counted in the same shape, but one is a tap and the other is a purchase. The reaction totals and the engagement rate elsewhere on this page exclude every figure in this section, and no rate here is computed against a reaction count.
This is not revenue, and we publish no currency figure. What a Star costs a reader and what it pays a channel are different numbers, Telegram takes a share we cannot observe, and the terms have changed. Converting a Star count into money would be an estimate dressed as a measurement, so the count is where we stop.
Counted over the 16 most recent posts we hold for this entry, published 28 February 2024 to 10 July 2026. Star counts above 1,000 reach us in Telegram’s short form and carry the same three-significant-figure rounding as everything else on this page.
🎵 قطعهی «After the Rain» منتشر شد.
این قطعه، تحت لیبل Papital Records، در تمامی پلتفرمهای معتبر پخش موسیقی در دسترس عموم قرار گرفته است.
🟡تهیهکننده: عماد پسندیده، محمد عبدالمالکی
🟡آهنگساز: عماد پسندیده
🟡گیتار: محمد عبدالمالکی
℗ Papital Records
🟢Producers: Emad Pasandideh - 🟢Mohammad Abdolmaleki
🟢Composer: Emad Pasandideh
🟢Guitar: Mohammad Abdolmaleki
📱 💵🎧🎬📺📺
👇🎧
https://bigbadbird.music/tools/smart-link/XfC…
🎼این همنشینیِ هارمونیک و ساختاری (برای ایجاد امنیت و ثبات) و زبان بلوز و آزاد (برای بیان و رهایی) نشان میدهد که در فرآیند درمان نیز ما به هر دو نیاز داریم؛ هم بازگشت به یک نقطهی امن، و هم گذرهای هدایتشده که به ذهن و هیجان فرصت بازسازی میدهند.
البته که همچنان انتخاب تونالیته های مختلف توسط موسیقیدرمانگر در هدایت موسیقایی، بسیار به هدف و وضعیت مراجع وابسته است و مثالی که توضیح داده شد نمونه ی آموزشی بود.
🎼@emadp…
🔸️ در موسیقیدرمانی هدایتشونده (Guided Music Therapy)، درمانگر از ساختارهای موسیقایی برای بازگرداندن فرد به یک الگوی شناختی یا هیجانی سازگارتر استفاده میکند.
ویدئویی که مشاهده میکنید، بخشی از توضیحات و آموزش آنلاین درباره ی "هدایت های هارمونیک و ملودیک" است که در این مثال، تاکید بر F#maj7 نقش یک "نقطهی لنگر" (Anchor Point) را در فرد مورد نظر ایفا میکرد که شنونده حس ثبات و «خانه» را پیدا میکند و بازگشت مجدد به آن…
خوشحال میشم سوالات و نظرات خودتون رو بعد از تماشای این اپیزود در کامنت ها بنویسین تا در گفت و گو های بعدی به صورت تخصصی دربارشون صحبت کنیم🌻
🔻لینک یوتیوب این مصاحبه:
🔹https://youtu.be/sViwCoNoyBQ?t=2445&si=lqoy2ZaMKkNgqxvF
📚 منابع برای مطالعه بیشتر در این مباحث:
Thaut, M. H., & Hoemberg, V. (2014). Handbook of Neurologic Music Therapy. Oxford University Press.
Magee, W. L., Davidson, J. W., & Gold, C. (2019). Mus…
🔸️ هیچ سازی بهتنهایی «شفابخش» نیست.
در موسیقیدرمانی، بهویژه در رویکردهای روانشناختی (PMT)، انتخاب موسیقی باید فردمحور (Patient-Centered) و بر اساس پروتکل اختصاصی (Individualized Protocol) طراحی شود.
🔸️ رنگ صوتی یا طنین (Sonority/Timbre) یک ساز فقط بخشی از محرک است؛ اثربخشی زمانی شکل میگیرد که این محرک در قالب مداخلهٔ ساختارمند و با توجه به تنظیم هیجانی (Affect Regulation)، انتقال متقابل (Countertransference) و ه…
آلبوم بیکلام و موسیقی متن فیلم "The Face"
راه یافته به جشواره ی Lift-Off در کشور انگستان و انتخاب شده در لیستِ ۱۰ فیلم برتر در این جشنواره
🎬 کارگردان: خشایار مشیری
🎹 آهنگساز: عماد پسندیده
🎸 گیتار الکتریک: محمد عبدالمالکی
سال انتشار: 2019
https://www.instagram.com/abdolmaleki.official?igsh=MWltcHZuenpjbDJuZg==
https://www.instagram.com/emad.pasandideh?igsh=MTgxdTVweDlhNHJqMw==
@official_abdolmaleki
"The Face"
🎬 A short film written & directed by: "Khashayar Moshiri"
🎹 Music by: "Emad Pasandideh"
🎸 E.Guitar by: "Mohammad Abdolmaleki"
Year: 2019
آنونس فیلم کوتاه "چهره"
فیلمی به نویسندگی و کارگردانی "خشایار مشیری" و آهنگسازی "عماد پسندیده" و نوازنده ی گیتار "محمد عبدالمالکی"
https://www.instagram.com/abdolmaleki.official?igsh=MWltcHZuenpjbDJuZg==
https://www.instagram.com/emad.pasandideh?igsh=MTgxdTVweDlhNH…
🧠 نگاهی به تکنیک RAS در بازتوانی پس از سکته مغزی:
(در چارچوب رویکرد NMT – Neurologic Music Therapy)
🔹 وقتی فردی دچار سکتهی مغزی میشود، نواحیای از مغز که در برنامهریزی و اجرای حرکت نقش دارند ممکن است آسیب ببینند؛ به ویژه مسیرهای قشری-نخاعی. در این وضعیت، راه رفتن کند، نامتقارن و ناپایدار میشود.
🧠 اما مغز یک راه میانبُر دارد!
"ریتمهای شنیداری میتوانند مسیرهای حرکتی جایگزین را فعال کنند."
اینجاست که تکنیک R…
🌐 @emadpasandideh
برای شناختِ تلفیقی از علم و هنر که نباید سطحی بهش نگاه کرد!
ما را در صفحات زیر دنبال کنید👇
🌐 https://www.instagram.com/musictherapist.ir?igsh=MXdqcGJqbGVxZDdwNQ==
🌐 https://www.instagram.com/emad.pasandideh?igsh=c2MzZTJxYmFyazd3
❤17👍5🔥3
Showing the 12 most recent of 16 posts we hold for @emadpasandideh. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Stars beside a post are paid reactions — Telegram Stars, bought with money and spent on that post. They are a different unit from reactions and are never added to them, here or anywhere else on this page.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 18 September 2026 — this
entry's latest reading, not the date you are reading this.
“Emad Pasandideh” (@emadpasandideh), 155 subscribers as measured 18 September 2026. Telegram Register, tgregister.com/channel/emadpasandideh.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.