Channel
@digitalpopmusic
On this record: Growth · Engagement · What this channel posts · Posts · Citations · Cite this entry
24subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001413263728 |
|---|---|
| Type | Channel |
| Username | @digitalpopmusic |
| Description | Музыкальный лейбл / Исследовательский центр/ Творческая лаборатория По вопросам сотрудничества - [email protected] |
| Created | Between 1 April 2019 and 31 October 2021— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 11 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/digitalpopmusic |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 11 Aug 2026, 10:18 | 24 | no change |
| 7 Aug 2026, 03:48 | 24 | first reading |
14 posts held, back to 8 March 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 14 posts for this entry, the most recent from 12 July 2026. An engagement rate over an empty window would be a number about nothing.
Lifetime counters from Telegram’s own channel header, read 11 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
В Китае и в более широком синосферном пространстве выразительные баллады остаются главным трендом, на их долю приходится девять из десяти лучших песен прошлого года в Tencent QQ Music и семь из десяти лучших в дочернем приложении TikTok, Douyin. Довольно грубое эмпирическое правило таково: китайская мейнстримная музыка предпочитает то, что можно назвать «музыкой для верхней части тела». А на Западе это музыка для …
Пока интернет сходит с ума по бессмысленному мему «six-seven», российская синти-поп-сцена хранит историю куда более глубокую. Для группы Digital Machine это совпадение — не случайность, а почти мистическое предзнаменование, что, впрочем, вполне в духе коллектива: они давно продвигают идею, что мы живём в матрице и всё предопределено. Всё началось в 2001 году в Ярославле, в студии LP 67. Здесь появились первые демо-з…
«28% музыки, 100% вопросов: размышление о будущем чарта и стриминга в эпоху AI» На пороге 2030 года музыкальный рынок стоит перед беспрецедентной трансформацией: искусственный интеллект становится не просто соавтором, но самостоятельным игроком в борьбе за внимание слушателя. Доля сгенерированной музыки, по прогнозу ВШЭ, уже к 2030 году может занять до 28% в чартах и потоковых сервисах — это почти треть всего аудио-…
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Что наши продюсеры умеют вместе с Producer AI
История недели Компания Uhmbrella, предлагающая услуги по защите музыкальных каталогов, а также обнаружению и атрибуции песен, написанных с помощью искусственного интеллекта, заявила, что кантри-артист Aventhis, собирающий по миллиону прослушиваний каждый месяц на Spotify, является ИИ-продуктом. Mercy On My Grave — самый прослушиваемый трек Aventhis на Spotify, набравший более 2,4 млн прослушиваний — на 65,9% создан…
Все персонажи выдуманы, совпадения случайны... 18+
"любые потрясения в обществе обязательно отражаются в музыке." В тоже время российская поп-музыка:
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НАРКОКОНТРОЛЛЬ - СОЦИАЛЬНЫЕ ПРОБЛЕМЫ DSP produced by @rtarkovski
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Showing the 12 most recent of 14 posts we hold for @digitalpopmusic. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 465,863 of 1,478,351entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 11 August 2026 — this entry's latest reading, not the date you are reading this.
“Digital Pop Music” (@digitalpopmusic), 24 subscribers as measured 11 August 2026. Telegram Register, tgregister.com/channel/digitalpopmusic.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.