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Channel
@designdatelive
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
408subscribers
+1 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1003794518593 |
|---|---|
| Type | Channel |
| Username | @designdatelive |
| Created | Between 1 February 2026 and 29 May 2026— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 7 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 1 time, most recently 14 August 2026 |
| On Telegram | t.me/designdatelive |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 14 Aug 2026, 08:17 | 408 | +1 |
| 7 Aug 2026, 20:55 | 407 | no change |
| 7 Aug 2026, 07:31 | 407 | first reading |
14 posts held, back to 29 May 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 14 posts for this entry, the most recent from 29 May 2026. An engagement rate over an empty window would be a number about nothing.
144 reactions across 14 posts, in 3 distinct kinds. The most used accounts for 37.5% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| custom 5233395814562303307 | 54 | 37.5% | |
| custom 5230949792032527640 | 50 | 34.7% | |
| custom 5231079594534144690 | 40 | 27.8% |
Custom emoji. Every row above is a Telegram custom emoji, which the public preview renders as an element carrying only a numeric id — no character, and no image we can reach. The id is printed as-is rather than substituted with a look-alike glyph, because a stand-in would be our invention showing where a measurement should be. The counts beside them areTelegram’s.
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 14 of the 14 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 144reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 14 most recent posts we hold, published 29 May 2026 to 29 May 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
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КБДЮК работают со сценическим светом и мультимедийным искусством, а в этой инсталляции используют свет как способ говорить о форме, пустоте и устройстве пространства. 👇
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В Городском магистрате показывают «Объект Хога» студии КБДЮК. Проект обращается к Объекту Хога – редкой кольцевой галактике, где световое кольцо отделено от центрального ядра областью почти полного отсутствия материи. Эта структура выглядит цельной, но при этом устроена через разрыв: центр и оболочка существуют отдельно друг от друга. В инсталляции эта идея переносится в архитектуру света. «Объект Хога» предлагает с…
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В боуле экстрим-парка «УРАМ» – инсталляция THE DOT коллектива ТУНДРА. ТУНДРА существует с 2013 года. Это творческий коллектив визуальных художников и электронных музыкантов, для которых звук и изображение с самого начала были неразделимыми частями одного опыта. Их работы показывали в Европе, Азии, Австралии и США, а инсталляция ROW получила две международные премии – в Японии и Китае. THE DOT – подвешенная многогра…
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За художественное осмысление проекта отвечает мультимедиа-студия formate, которая уже шесть лет организует фестиваль НУР. Контент и музыкальное сопровождение разработал Сергей Благодетелев — художник по информации, медиаскульптор, композитор и изобретатель. В своих работах он использует авторский софт «Информационный синтезатор», где звук и свет существуют как единое целое. Сергей рассказал нам, что значит «делать т…
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Просто вау, как красиво!!! На поле экстрим-парка «УРАМ» показывают IN(FORMA), масштабную инсталляцию formate, Blagodetelev и Дзена. Снаружи огромный куб из строительных лесов, в котором вспышками возникают разрозненные световые и информационные сигналы. Авторы предлагают смотреть на эту структуру как на образ медиаполя: потока новостей, событий и смыслов, которые каждый день складываются вокруг нас в почти хаотичны…
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В экстрим-парке «УРАМ» -- инсталляция испанского художника SpY. Его работы вы почти наверняка видели: SpY – один из самых узнаваемых художников, работающих на стыке городского искусства и паблик-арта. Дорожные конусы на колоннах Гентского университета (помните???), отражатели под сводами флорентийского палаццо, кинетические объекты в городской среде – его инсталляции появляются по всему миру и меняют восприятие привы…
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👀 Почему для этой работы выбрали именно Московский рынок, рассказал Иван Нефедкин – основатель и креативный директор radugadesign.
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На Московском рынке radugadesign показывают Punching boy — интерактивную инсталляцию на стыке медиаарта, аркадной эстетики и цифрового абсурда. За основу взят аттракцион-силомер: зритель ударяет по объекту, а система отвечает визуальной и аудиовизуальной реакцией. Только здесь удар превращается не просто в цифру на табло, а в перформативный жест. Чем сильнее действие, тем выше градус безумия. radugadesign работает …
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В креативном кластере «Адонис» показывают Chord 16 — работу художника Саши Соколова. Соколов работает с генеративными системами, светом, звуком и данными, а еще имеет опыт в музыке и саунд-дизайне трейлеров голливудского кино. Chord 16 устроена как дуга из 16 стендов, на каждом — по три экрана. На них направлены лазеры, которые собирают свет и изображение в единую систему. Работа управляется случайным сигналом, поэт…
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Showing the 12 most recent of 14 posts we hold for @designdatelive. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 309,634 of 1,336,469entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 14 August 2026 — this entry's latest reading, not the date you are reading this.
“design date: статус «присутствую»” (@designdatelive), 408 subscribers as measured 14 August 2026. Telegram Register, tgregister.com/channel/designdatelive.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.