Анатолий Левитин (1922-2018) «Мои друзья БАМовцы» 1975-1976 холст, масло. 178х245 см Музейный центр города Ноябрьска #анатолий_левитин
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Channel
@artUSSR
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
126subscribers
-1 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001164007360 |
|---|---|
| Type | Channel |
| Username | @artUSSR |
| Created | Between 1 March 2018 and 30 June 2021— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 9 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 1 time, most recently 14 August 2026 |
| On Telegram | t.me/artUSSR |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 14 Aug 2026, 09:45 | 126 | -1 |
| 9 Aug 2026, 02:01 | 127 | no change |
| 6 Aug 2026, 04:48 | 127 | first reading |
20 posts held, back to 29 January 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 9 June 2026. An engagement rate over an empty window would be a number about nothing.
174 reactions across 20 posts, in 3 distinct kinds. The most used accounts for 61.5% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| 👍 | 107 | 61.5% | |
| ❤ | 46 | 26.4% | |
| 👏 | 21 | 12.1% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 174reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 29 January 2026 to 9 June 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Анатолий Левитин (1922-2018) «Мои друзья БАМовцы» 1975-1976 холст, масло. 178х245 см Музейный центр города Ноябрьска #анатолий_левитин
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Георгий Нисский (1903-1987) «На путях. Весна. Май» 1933 холст, масло. 51х70 см Волгоградский музей изобразительных искусств им.И.И.Машкова #георгий_нисский 🔸🔸🔸 Галерея39
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Анатолий Левитин (1922-2018) «Уборка сена» 1953 картон, масло. 42х54 см Частное собрание #анатолий_левитин 🔸🔸🔸 Галерея39
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Георгий Нисский (1903-1987) «Над Баренцевым морем» 1942 холст, масло. 105x140 см Ростовский областной музей изобразительных искусств #георгий_нисский 🔸🔸🔸 Галерея39
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Михаил Лихачёв (1919-1997) «Объяснение» 1993 холст, масло. 98х71 см Воронежский областной художественный музей им.И.Н.Крамского #михаил_лихачёв 🔸🔸🔸 Галерея39
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Хаим Лившиц (1912-1994) «Молитва в Минске (Посвящение Минскому гетто)» 1994 холст, масло. #хаим_лившиц 🔸🔸🔸 Галерея39
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Георгий Нисский (1903-1987) «Плес Зеленая Гавань канала Москва-Волга» 1940 холст, масло. 40x61 см Новокузнецкий художественный музей #георгий_нисский 🔸🔸🔸 Галерея39
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Анатолий Левитин (1922-2018) «Портрет бригадира В.Л. Рогозы» 1975 холст, масло. 120х90 см Государственный музей изобразительных искусств Республики Татарстан, Казань #анатолий_левитин 🔸🔸🔸 Галерея39
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Валентин Сидоров (1928-2021) «Мороз и солнце» 1998 холст, масло. 80х100 см Мемориальный комплекс Славы им.А.А.Кадырова, Грозный #валентин_сидоров 🔸🔸🔸 Галерея39
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Владислав Сергеев (1938) «Ритмы Древней Руси» 1968 холст, масло. 168х234 см Кирилло-Белозерский историко-архитектурный и художественный музей-заповедник #владислав_сергеев 🔸🔸🔸 Галерея39
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Александр Бурак (1921-1997) «На новом уральском заводе» 1949 холст, масло. 141х197 см Нижнетагильский музей изобразительных искусств #александр_бурак 🔸🔸🔸 Галерея39
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Олег Васильев (1931-2013) «Элла (Кузнецкий мост)» 1968 холст, масло. 101х90 см Художественный музей Циммерли при Ратгерском университете, Нью-Брансуик, США #олег_васильев 🔸🔸🔸 Галерея39
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Showing the 12 most recent of 20 posts we hold for @artUSSR. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 51,472 of 1,340,412entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 14 August 2026 — this entry's latest reading, not the date you are reading this.
“Искусство СССР /Галерея39/” (@artUSSR), 126 subscribers as measured 14 August 2026. Telegram Register, tgregister.com/channel/artUSSR.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.