Channel
@anemptyseat
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
179subscribers
+0 since we began measuring on 8 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002180240351 |
|---|---|
| Type | Channel |
| Username | @anemptyseat |
| Created | Between 1 June 2024 and 30 September 2024— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 8 August 2026 |
| Measurements held | 2 |
| Confirmed unchanged | 1 time, most recently 8 August 2026 |
| On Telegram | t.me/anemptyseat |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 8 Aug 2026, 23:00 | 179 | no change |
| 8 Aug 2026, 13:45 | 179 | first reading |
20 posts held, back to 27 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate. It is computed over the 16 of 20 measured posts that carry a reaction reading, and over those same posts' views.
| Window | Rolling 30 days · latest post in window 8 August 2026 |
|---|---|
| Posts held | 20 (27 July 2026 – 8 August 2026) |
| Views total | 2,181 |
| Reactions total | 60 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 8 Aug 2026, 13:45 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
60 reactions across 16 posts, in 5 distinct kinds. The most used accounts for 70.0% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 42 | 70.0% | |
| 🔥 | 6 | 10.0% | |
| 🆒 | 5 | 8.33% | |
| 👍 | 5 | 8.33% | |
| ❤🔥 | 2 | 3.33% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 16 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 60reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 27 July 2026 to 8 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
کلارینت در ایران بهشکلی مورداستفاده قرار میگیرد که از حالت معمول کمدیرمانتیکهای هالیوودی خارج است. موسیقی اصیل و سنتی ایرانی، فرمهایی دارد که آهنگسازان سبک موسیقی تلفیقی در سازبندی آثارشان بهطور متناوب و متنوع بهکار میبندند. در موسیقی فیلم «آذر، شهدخت، پرویز و دیگران» (بهروز افخمی، ۱۳۹۲) ساخته «آرمان موسیپور»، حضور کلارینت سولو که «سایوری شفیعی» مینوازد در کنار تار که سازیست سنتی، کیفیتی کمیک و در کنارش ا…
❤3
Signed آروین
"مهمانی" موسیقی متن فیلم "آذر، شهدخت، پرویز و دیگران" آهنگساز: دوست خوبم، آرمان موسیپور نوازنده تار: کوروش دانایی نوازنده کلارینت: بانو، سایوری شفیعی نوازنده آبوا: آرین قیطاسی @anemptyseat
❤2
Signed آروین
#چیزایی_که_میبینم #فیلم_بلند کفایت مذاکرات ۱۴۰۴ من معمولا آدم مودب و آرومیم ولی این فیلم باعث شد فحش های ناموسی که بلد بودم رو یادم بیاد و نثار دونه دونه عوامل فیلم کنم دیگه از توهین به شعور مخاطب گذشته عملا دزدیه فیلمی که یه قاب و نورپردازی و انتخاب موزیک درست نداره و مجوز اکران میگیره این دقیقا هیچ فرقی با اونی که میاد جیبتو میزنه نداره My Score: 0.5/10 ۱۴۰۵/۵/۱۶ @anemptyseat
نقد فیلم Obsession| آرزوهای خطرناک! 🎦شاید «Obsession» آن شاهکار ترسناکی نباشد که موج تعریف و تمجیدهای اولیه آن را القا میکرد، اما بدون شک اثری است که ارزش دیدن را دارد. بزرگترین نقطه قوت فیلم، ریتم مناسب آن است که به ویژه برای مخاطب عام بسیار جذاب به نظر میرسد. فیلم از همان دقایق ابتدایی موفق میشود حس کنجکاوی مخاطب را برانگیزد و با پیش بردن تدریجی معما، او را تا پایان همراه اثر نگه دارد. همین توانایی در حفظ تعلیق …
❤1
Signed siavash
#نقد_فیلم
Signed siavash
#چیزایی_که_میبینم #فیلم_بلند اینجا بدون من ۱۳۸۹ چه خوب بود به شدت شیرین و تماشایی بود میزانسن و دوربین خیلی خوب بودن در کل فیلم یه سادگی خاصی داشت که بخاطر فیلمنامه و بازی ها و پرداخت درستش باعث میشد همه چیشو حس کنی منتهی از یه جایی این سادگیشو از دست میده و افت میکنه ولی بازم قشنگه My Score: 7.0/10 ۱۴۰۵/۵/۱۳ @anemptyseat
❤4
#چیزایی_که_میبینم #فیلم_بلند Obsession 2026 خیلی فیلم خوبی بود و کاملا هم محبوبیت و سرصداش منصفانهست یه فیلم اولی که تجربیات آکادمیک هم نداشته به صورت مستقل از یه ایدهی واقعا ساده تونسته انقدر خوب ترس بسازه و بازی های بینظیری بگیره خیلی خوشحال شدم از موفقیتش تو دوره ای که نتفلیکس میاد میگه سینمای رو پرده دورهش تموم شده به همچین فیلمی واقعا معجزست اما خب مشکلات فیلمنامه.ای و داستانی داشت گاها و کلیت فیلم سادست و …
❤3👍1
"مثل تام کروز بیشرف" موسیقی متن فیلم "یک نبرد پس از دیگری" آهنگساز: جانی گرینوود نامزد جوایز اسکار، گلدنگلوب و بفتا دیوونهتر و مریضتر از جانی گرینوود پیدا نمیکنید. بعضیها ممکنه بگن "هانس زیمر"، یهسریها میگن "لودویگ گورانسون"، بعضیها پای "اریک کلاپتون" رو میکشن وسط... وللهعظیم عجیبتر از جانی گرینوود مادر دهر نزائیده! @anemptyseat
❤1
Signed آروین
"تم سها" موسیقی متن سریال "انجاموظیفه" نویسنده و آهنگساز: آروین سولیست ویولن: نائین پوراحمدی آنسامبل زهی: خانمها؛ نازنین خسروانی، شمیم محسنصراحی، آتنا بلوریان نوازنده ویولنسل: بانو، گیسو چراغی سریال "انجاموظیفه" خیلی مظلوم واقع شد. دوتا پلتفرم ردش کردن، و درست لحظهای که اقبال نزدیک بود بیاد سمتش، جنگ شد و هنوزم درگیرشیم. خلاصه کلام؛ خاک بر سر هرکسی که از طبل و کوسِ جنگ انرژی میگیره. زندگی ماها رسما بایکوته.…
❤1
Signed آروین
با دوستان عزیزی که باعث افتخار بود همکاری باهاشون این اپیزود از نقد و بررسی آبسشن رو ضبط کردیم قطعا همکاری های بیشتری خواهیم داشت خیلی کار درستن
🆒4
🎙نقد و بررسی فیلم «کنه» (کوری بارکر، ۱۴۰۵) پادکست پلتفرم ـــ فصل دوم، اپیزود ۷ کانون فیلم و عکس دانشگاه شهید بهشتی آرزو اومد نیومد داره! ▫️با حضور ▪️حسین باقریان [استافیلموکوک] ▪️رضا حسنی ▪️میلاد حسینی [سینما کاناپه] @PlatFormPodcast @SBUFilm
🔥6🆒1
"شام با عموزادهها" دوستان این موسیقی متن تولید یکی از دوستان عزیزم آروین ملکه که بزودی قراره چه توی یوتیوب چه همینجا همکاری داشته باشیم این شاهکار رو گذاشتم شما هم فیض ببرید
❤9
Showing the 12 most recent of 20 posts we hold for @anemptyseat. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 831,166 of 1,189,255entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Named by 2 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this entry's latest reading, not the date you are reading this.
“CaNaaPe CiNeMa🎬” (@anemptyseat), 179 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/anemptyseat.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.