Channel
@andrisliepa_production
On this record: Topic · Growth · Engagement · Reactions · Posts · Citations · Cite this entry
284subscribers
-1 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001671429998 |
|---|---|
| Type | Channel |
| Username | @andrisliepa_production |
| Created | Between 1 December 2021 and 30 April 2023 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 18 September 2026 |
| Measurements held | 7 |
| Confirmed unchanged | 1 time, most recently 18 September 2026 |
| On Telegram | t.me/andrisliepa_production |
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 23 September 2026 and assigned it the closest of 31 fixed categories, at 51% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 18 Sept 2026, 04:56 | 284 | +1 |
| 9 Sept 2026, 11:00 | 283 | -1 |
| 30 Aug 2026, 02:58 | 284 | +1 |
| 24 Aug 2026, 01:18 | 283 | -1 |
| 15 Aug 2026, 16:48 | 284 | -1 |
| 8 Aug 2026, 08:20 | 285 | no change |
| 7 Aug 2026, 18:35 | 285 | first reading |
8 posts held, back to 30 April 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 8 posts for this entry, the most recent from 15 January 2026. An engagement rate over an empty window would be a number about nothing.
171 reactions across 8 posts, in 5 distinct kinds. The most used accounts for 77.2% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 132 | 77.2% | |
| 👍 | 28 | 16.4% | |
| 🔥 | 8 | 4.68% | |
| 👏 | 2 | 1.17% | |
| 😈 | 1 | 0.585% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 8 of the 8 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 171 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 8 most recent posts we hold, published 30 April 2025 to 15 January 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Открывает кинолекторий балет «Шехеразада» на музыку Н. Римского-Корсакова. Его премьера, состоявшаяся 4 июня 1910 года в Парижской опере, имела невероятный успех, на долгое время утвердив моду на ориентализм. «Балет «Шехеразада», показанный в Париже в 1910 году, стал не просто «гвоздем» второго балетного сезона Дягилева — Париж сошел по нему с ума. В моду вошло все восточное: женские шали, тюрбаны, шальвары, украшени…
❤8👍6
ВНИМАНИЕ! ВНИМАНИЕ! НОВАЯ ДАТА ТВОРЧЕСКОЙ ВСТРЕЧИ – 14 ФЕВРАЛЯ 2026 ГОДА! Спешим сообщить о переносе даты первой встречи в рамках Кинолектория «Три балета Фокина». Творческий вечер с народным артистом России Андрисом Лиепой состоится 14 февраля 2026 года на сцене «Филармонии-2».
❤4
Сегодня день рождения Андриса Лиепы — Прекрасного принца русского балета, трепетного хранителя наследия, человека редкого дарования исполнителя, репетитора и лектора. Вдруг пропустили, так вот интервью с ним, взятое @VeronaVarnovskaya в рамках спецпроекта Нижинский—135 диджитал-журнала Балет🎭
❤42😈1
Мы стали вновь победителями конкурса Грантов Мэра Москвы. Благодарим за доверие. Приглашаем всех любителей истории балета на кинолекторий ТРИ БАЛЕТА ФОКИНА в феврале - апреле 2026 года. Следите за нашими публикациями и афишами. Проект реализуется при поддержке Грантов Мэра Москвы для социально ориентированных НКО Комитета общественных связей и молодежной политики города Москвы. #ГрантыМэраМосквы #КОСиМП #ГрантыМэра…
❤22🔥8👏2
Поздравляем Андриса Марисовича Лиепу и Анатолия Нежного с грандиозной премьерой в Большом театре России. 30 лет спустя после Премьеры в Мариинском театре шедевры «Русских сезонов» балеты «Петрушка» и «Жар-Птица» Игоря Стравинского вошли в репертуар Большого. Бессмертная хореография Михаила Фокина, художественные образы А.Бенуа, Л. Бакста и А. Головина восстановленные А.Лиепой и А. Нежным теперь восхищают зрителей Бол…
❤32👍19
28 апреля 2025 года прошла последняя встреча-лекция цикла Лектория «Автографы и имиджи» в «Детской школе искусств №11» Говорили о Великой Майе, Майе Плисецкой. Факты биографии, истории личного общения Андриса Лиепы с Майей Михайловной, особенности ее танца вызвали большой интерес публики. Вопросам не было конца. Видео хроника сопровождалась бурными аплодисментами. Взрослые участники, студенты и учащиеся обратились …
❤4👍3
Photo, posted without a caption
❤14
Photo, posted without a caption
❤6
Showing the 8 most recent of 8 posts we hold for @andrisliepa_production. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 18 September 2026 — this entry's latest reading, not the date you are reading this.
“Andris Liepa Production” (@andrisliepa_production), 284 subscribers as measured 18 September 2026. Telegram Register, tgregister.com/channel/andrisliepa_production.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.