Channel
@FemaleComposers
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Handles named that no longer answer · Cite this entry
137subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001322426560 |
|---|---|
| Type | Channel |
| Username | @FemaleComposers |
| Description | we sing academic music, written by women from different countries and times (XII-XXI c.) - and talk about them and their music inst: https://instagram.com/femcom_choir ——————— to connect with: @anpbar |
| Created | Between 1 March 2018 and 31 July 2021— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 8 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/FemaleComposers |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 8 Aug 2026, 23:17 | 137 | no change |
| 7 Aug 2026, 05:00 | 137 | first reading |
18 posts held, back to 20 August 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 18 posts for this entry, the most recent from 28 June 2026. An engagement rate over an empty window would be a number about nothing.
Lifetime counters from Telegram’s own channel header, read 8 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
104 reactions across 16 posts, in 9 distinct kinds. The most used accounts for 54.8% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 57 | 54.8% | |
| ❤🔥 | 16 | 15.4% | |
| 🔥 | 8 | 7.69% | |
| 🕊 | 8 | 7.69% | |
| 😡 | 8 | 7.69% | |
| 🤩 | 3 | 2.88% | |
| 🤨 | 2 | 1.92% | |
| 👍 | 1 | 0.962% | |
| 🤔 | 1 | 0.962% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 16 of the 18 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 104reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 18 most recent posts we hold, published 20 August 2025 to 28 June 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Ooooops! MORE CHOIRS… 👀 On July 4, the Arno Babajanyan Concert Hall will host an unusual choral concert that brings together distinctive ensembles in an atmosphere free from unnecessary formality and academic stiffness. The idea behind the project is simple: to gather on one stage people united by their love of music and the pure thrill of choral singing, when you feel yourself part of a large, many-voiced musical …
❤4
Tatar composer #Сара_Садыйкова- "Беренче мәхәббәт" (First love") Sara Sadykova (1906–1986) was a renowned Tatar composer, singer, and actress, often called the "Nightingale of the Tatar people." She composed more than 400 songs, as well as instrumental and stage works that became an essential part of Tatar musical heritage. Her legacy continues to inspire generations, preserving the rich traditions of Tatar culture…
❤5
An a cappella concert at the Botanical Garden 🌿 On Sunday evening, Female Composers Choir and Pashtet Nonet will sing for you. Female Composers Choir performs a cappella music written by women — from academic works to folk songs from different parts of the world. Pashtet Nonet brings together beloved hits across genres, simply because good music is meant to be sung together. The ensemble includes people from many …
❤7🕊1
The women of Voices of Concinnity created this video of ‘Wild Embers’ by Dr. Melissa Dunphy setting a text (below) by Nikita Gill! The historic women featured in the video include: Susan B. Anthony - fought for women's suffrage; Rosa Parks - civil rights activist; Anna Fisher - first mother in space; Marie Curie - first women to win a Nobel; Katherine Johnson - NASA research mathematician; Doctors in Afganistan in …
🕊3
On March 8, International Women’s Day, @femcom_choir will hold a concert-lecture. We will perform choral music written by women and briefly talk about it, from suffragist marches to contemporary feminist songs. We will also discuss the role music played in the suffrage movement and why suffragists were called “singing evangelists.” Come and bring your friends! 🗓 8th March ⏰ 4 pm 📍19/21 Saryan st., @nikoghosyan_fou…
❤7🔥3🤩3
Ukrainian 🇺🇦 composer Anna Kuzina-Rozhdestvenska explains that her stunning 'Agnus Dei' setting "honors the bright memory of the countless victims of the war in Ukraine. The tubular bells that open the work, are the funeral bells ringing in memory of the dead. The enlightened end of the work, followed by the sound of tubular bells at the end which completes the whole composition, marks the proclamation of peace thro…
🕊4
we are in Georgia 🇬🇪 ! Sacred music concert in two-parts: 1) Sprezzatura Ensemble: early music from medieval hymns to Renaissance polyphony. 2) Female Composers mixed choir: music written by women. Come and bring your friends! Solo: Victoria Nersisyan-Vinnitskaya, Anna Tumanyan, Alexey Gerasimov Conductor: Stasia Whitelake Choirmistress: Ani Petrs-Bartsumian 🗓23.01 ⏰19:00 📍St. Petri & Pauli Ecclesia Catholica-Tbi…
❤🔥9
Apple Tree arr. by #Katerina_Gimon
#Вікторія_Польова «Тропарь Рождества»
🔥5❤2
❄️ ՁՄԵՌԱՅԻՆ ՀԱՄԵՐԳ / WINTER CONCERT ❄️ Over two millennia, countless beautiful pieces of sacred music have been written, and today they stand alongside modern arrangements, film scores and concert works. But how much music—sacred and secular—written by women do you know? There’s actually a lot. Some of these composers were medieval nuns and abbesses, some were conductors and teachers, and some are our contemporari…
❤7❤🔥3
amazing requiem by #Eleanor_Daley
Svadba - opera by #Ана_Соколовић
❤🔥4
Showing the 12 most recent of 18 posts we hold for @FemaleComposers. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 901,400 of 1,336,469entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
@FemaleComposers named 3 handles that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all.A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
References a handle that is not a live channel — we have no record it ever was one.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this entry's latest reading, not the date you are reading this.
“Female Composers” (@FemaleComposers), 137 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/FemaleComposers.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.