Channel
@FLYFILM_production
On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
117subscribers
+1 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002305528205 |
|---|---|
| Type | Channel |
| Username | @FLYFILM_production |
| Created | Between 1 September 2024 and 31 March 2025 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 9 August 2026 |
| Last confirmed live | 4 November 2026 |
| Measurements held | 7 |
| Confirmed unchanged | 1 time, most recently 4 November 2026 |
| On Telegram | t.me/FLYFILM_production |
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 26 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and the other topics.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 4 Nov 2026, 15:56 | 117 | -1 |
| 27 Oct 2026, 18:37 | 118 | +1 |
| 17 Sept 2026, 22:01 | 117 | -1 |
| 30 Aug 2026, 13:38 | 118 | +1 |
| 16 Aug 2026, 08:26 | 117 | +1 |
| 9 Aug 2026, 05:16 | 116 | no change |
| 7 Aug 2026, 21:09 | 116 | first reading |
8 posts held, back to 27 March 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 8 posts for this entry, the most recent from 27 July 2026. An engagement rate over an empty window would be a number about nothing.
Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
53 reactions across 8 posts, in 11 distinct kinds. The most used accounts for 34.0% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| 🔥 | 18 | 34.0% | |
| ❤ | 16 | 30.2% | |
| 🤓 | 4 | 7.55% | |
| ✍ | 3 | 5.66% | |
| 👏 | 3 | 5.66% | |
| 👍 | 2 | 3.77% | |
| 😎 | 2 | 3.77% | |
| 🤩 | 2 | 3.77% | |
| 🆒 | 1 | 1.89% | |
| 🗿 | 1 | 1.89% | |
| 🤯 | 1 | 1.89% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 8 of the 8 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 53 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 8 most recent posts we hold, published 27 March 2026 to 27 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
🎬 200 дней. Три съёмочные группы. Пиратские корабли у Столовой горы. В Кейптауне только что закрыли самый масштабный сезон «One Piece» в истории континента. Ода (автор первоисточника) лично приезжал на площадку. Морские бои снимали в бассейнах студии. А местные команды снова показали, почему сюда возвращаются год за годом. Мы здесь уже несколько лет и видим это своими глазами — уровень продакшена в ЮАР продолжает р…
🔥4❤2😎2🆒1
Фильм, фильм, фильм В июне в Кейптауне завершились 200-дневные съёмки уже третьего сезона экранизации популярной манги One Piece, и это был крупнейший кинопродакшен в истории континента. Пиратские корабли у подножия Столовой горы, морские бои в бассейнах Cape Town Film Studios... Базовый лагерь съёмочной группы полгода питался от мобильных солнечных панелей местного стартапа Cinergy. На главной площадке не было ни о…
❤4🔥3🤯1
Мы работаем не только над качеством роликов 🎬 Мы работаем, чтобы вы имели возможность сказать «можно» – выдохнули и были гарантированно уверены в результате
🤓4❤2🔥2
Signed вилка
ИИ должен использоваться так, чтобы его наличие не замечали. Как думаете, мы справились с этой задачей? 💬
👏3🔥3🤩2🗿1
Signed вилка
Как снять новогодний ролик в любое время и любом месте? Погодные условия не подчиняются техническому задания. Мы решили не ждать погоду и сделали её самостоятельно 🎱 А ещё сумели заставить автомобиль идеально скользить по несуществующему снегу, а после… отправили его в Южную Африку и встретили Новый год на берегу моря. Команда ФЛАЙФИЛЬМ решила не просто обработать реальность, а создать её с нуля по кадрам. Как мы…
❤3👍2🔥2
Signed вилка
🎬 Почему 5 секунд анимации иногда стоят дороже ролика с живыми актерами? Когда мы смотрим видео с реальной съемкой, мы примерно представляем объем работы: декорации, актеры, свет, грим — всё это можно увидеть своими глазами. С компьютерной графикой дела обстоят сложнее, ведь мы уже видим красивую картинку, прошедшую сотни этапов 📊Разобрали по пунктам, из чего именно складывается цена. Листай карточки!
✍3❤2🔥2
Signed вилка
Как продакшен помогает маркетингу? 🖇 Говорим коротко о сложном — выжали самую главную информацию и упаковали её в карточки. Какие бренды, на ваш взгляд, демонстрируют подобный подход к продакшену? Поделитесь в комментариях! 💬
🔥2
Signed вилка
🎬 ВИДЕОГРАФ И ПРОДАКШЕН: В ЧЁМ РАЗНИЦА? Оба делают ролики, но каждый своей работой закрывают разные задачи. Наглядно отвечаем на самый частый вопрос! 💬
❤3
Signed вилка
Showing the 8 most recent of 8 posts we hold for @FLYFILM_production. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 4 November 2026 — this entry's latest reading, not the date you are reading this.
“FLYFILM_Production” (@FLYFILM_production), 117 subscribers as measured 4 November 2026. Telegram Register, tgregister.com/channel/FLYFILM_production.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.