Channel
@DDculture
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
741subscribers
-1 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002257697574 |
|---|---|
| Type | Channel |
| Username | @DDculture |
| Created | Between 1 October 2024 and 31 March 2025— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 1 time, most recently 14 August 2026 |
| On Telegram | t.me/DDculture |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 14 Aug 2026, 18:37 | 741 | -1 |
| 6 Aug 2026, 16:05 | 742 | no change |
| 6 Aug 2026, 04:46 | 742 | first reading |
20 posts held, back to 11 March 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 14 July 2026. An engagement rate over an empty window would be a number about nothing.
346 reactions across 17 posts, in 14 distinct kinds. The most used accounts for 47.1% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 163 | 47.1% | |
| 🔥 | 97 | 28.0% | |
| 👍 | 34 | 9.83% | |
| ❤🔥 | 18 | 5.20% | |
| 👏 | 7 | 2.02% | |
| 🎉 | 6 | 1.73% | |
| 😍 | 5 | 1.45% | |
| 💘 | 4 | 1.16% | |
| ⚡ | 3 | 0.867% | |
| 🆒 | 2 | 0.578% | |
| 🍾 | 2 | 0.578% | |
| 🙏 | 2 | 0.578% | |
| 🤩 | 2 | 0.578% | |
| 💔 | 1 | 0.289% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 17 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 346reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 11 March 2026 to 14 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Экскурсия на крышу стадиона «Лужники»! Друзья ♥️ Приглашаем подняться на крышу Большой спортивной арены «Лужники». Экскурсия стартует прямо в чаше стадиона – у бровки футбольного поля. Вас ждет рассказ гида об истории создания олимпийского комплекса и его развитии. Затем мы подниметесь на высоту почти 60 метров и пройдем по круговому маршруту длиной около 1 километра. С этой высоты открывается захватывающая панор…
🔥16❤13🆒2
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Друзья! Всех любителей андеграунда приглашаем на экспозицию «Искусство на частоте 1980-х». Проект «Искусство на частоте 1980-х» посвящен тому, как в позднесоветскую эпоху искусство оказалось тесно связано с массовой культурой — телевидением, кино, рок-музыкой и поп-культурой. Разные творческие сообщества — художники, музыканты, режиссеры — были настроены на единую частоту и формировали общую художественную среду. …
❤4👍1
DDиалоги с Олегом Савушкиным 🎤 Наш гость — Степан Киселев* Он рассказал о завершении своей профессиональной карьеры. Как выживал в Кении, почему Япония не для него, а США стали временным домом. В новом выпуске мы обсудили, где проходит грань между здоровой пахотой и разрушительным самоистязанием. Также поговорили о феномене Владимира Никитина, почему рекорды падают один за другим и чего не хватило его поколению д…
❤12👍4🔥4
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Друзья! Приглашаем на экскурсию «МОСКОВСКИЕ БУЛЬВАРЫ» с победителем конкурса «Лучший гид Москвы» Георгием Макеевым. Гулять по Москве приятно, но есть место, которое с самого начала создавалось для прогулок — наше Бульварное кольцо. Мы все здесь ходим, бегаем, спешим на работу. И чтобы в следующий раз на пробежке (или неспешной прогулке) вокруг появилось чуть больше понимания — идём с нами. Что нас ждёт: · история…
❤24👍10💘4
А вы куда бежите в выходные? DD CULTURE приглашает на экскурсию «Журавли» Про беговую экскурсию написали: ⏺️ СНОБ ⏺️ Большой город ⏺️ Русская газета ⏺️ Мск-1 ⏺️ Комсомольская правда ⏺️ Metro Интересно сколько людей будет на экскурсии 🤔 ✉️ По вопросам сотрудничества: [email protected] ®️ Dusty Dumbbells / Пыльные Гантели 😎 DustyDumbbells.com 🔠 Союз любителей бега
❤🔥13❤7💔1
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🔥4
Дорогие театралы, снова ваш день! )) DD CULTURE и «Студия театрального искусства» приглашают на постановку по мотивам повести Сергея Довлатова «Заповедник». Режиссёр – Сергей Женовач, художник – Александр Боровский. В центре этой истории – писатель Борис Алиханов, который находится в состоянии внутреннего кризиса. Он бежит в заповедник, чтобы уединиться и переосмыслить свою жизнь. Это своего рода запой души. Язвите…
❤7🔥4❤🔥3
Вчера мы провели вечер, который трудно забыть. DD CULTURE и «Студия театрального искусства» пригласили 26 счастливчиков на спектакль «Самоубийца» по пьесе Николая Эрдмана в постановке Сергея Женовача. Это была по-настоящему эмоциональная, смешная до слез и одновременно трагичная на злобу дня история. Мы убедились, как Эрдман - через анекдот и гротеск - бьет прямо в сегодняшнюю реальность. Но не меньше, чем сам спе…
🔥12❤8🙏1
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👏7🍾2🤩2
Дорогие театралы! DD CULTURE и «Студия театрального искусства» приглашают на постановку по пьесе Николая Эрдмана «Самоубийца». Режиссёр — Сергей Женовач, художник — Александр Боровский. Когда в 1931 году Николай Эрдман читал Станиславскому свою пьесу с невесёлым названием «Самоубийца», Константин Сергеевич, по свидетельствам очевидцев, хохотал до слёз и восклицал: «Гоголь! Гоголь!». Действительно, история, придуман…
🔥8🙏1
Showing the 12 most recent of 20 posts we hold for @DDculture. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 395,216 of 1,481,502entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 14 August 2026 — this entry's latest reading, not the date you are reading this.
“DD CULTURE” (@DDculture), 741 subscribers as measured 14 August 2026. Telegram Register, tgregister.com/channel/DDculture.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.