Channel
@videotanzru
On this record: Growth · Engagement · Reactions · Stars · Posts · Citations · Cite this entry
2,305subscribers
+1 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001217686945 |
|---|---|
| Type | Channel |
| Username | @videotanzru |
| Created | 21 December 2020 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 7 August 2026 |
| Last confirmed live | 11 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 2 times, most recently 11 August 2026 |
| On Telegram | t.me/videotanzru |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 8 Aug 2026, 11:25 | 2,305 | +1 |
| 7 Aug 2026, 20:18 | 2,304 | no change |
| 7 Aug 2026, 20:02 | 2,304 | first reading |
20 posts held, back to 23 May 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate. It is computed over the 7 of 9 measured posts that carry a reaction reading, and over those same posts' views.
| Window | Rolling 30 days · latest post in window 5 August 2026 |
|---|---|
| Posts held | 20 (23 May 2026 – 5 August 2026) |
| Views total | 5,076 |
| Reactions total | 19 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 7 Aug 2026, 20:18 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
75 reactions across 17 posts, in 4 distinct kinds. The most used accounts for 64.0% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 48 | 64.0% | |
| 🔥 | 23 | 30.7% | |
| 👍 | 3 | 4.00% | |
| 👏 | 1 | 1.33% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 17 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 75reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 23 May 2026 to 5 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
A paid reaction is a reader spending Telegram Stars — bought with money — on a post by @videotanzru. Telegram publishes the count on the public post preview alongside ordinary reactions, and this register reads it there. It is the only figure on this site that measures money moving rather than attention.
Stars are not reactions, and the two are never added. They are rendered in the same strip on Telegram and counted in the same shape, but one is a tap and the other is a purchase. The reaction totals and the engagement rate elsewhere on this page exclude every figure in this section, and no rate here is computed against a reaction count.
This is not revenue, and we publish no currency figure. What a Star costs a reader and what it pays a channel are different numbers, Telegram takes a share we cannot observe, and the terms have changed. Converting a Star count into money would be an estimate dressed as a measurement, so the count is where we stop.
Counted over the 20 most recent posts we hold for this entry, published 23 May 2026 to 5 August 2026. Star counts above 1,000 reach us in Telegram’s short form and carry the same three-significant-figure rounding as everything else on this page.
Друзья, у нас осталось 11 дней крауд-кампании. До успешного сбора 50% нам нужно собрать 150 000 ₽. Если 300 человек поддержат нас по 500 ₽ — мы закроем сбор, сможем вывести средства. Этого нам хватит полностью на работу над звуком, и мы начнём работу над цветом. 500 ₽ — это цена чашки кофе, но можно по этой цене создать фильм! Один раз выбрав КИНО ВМЕСТО КОФЕ, вы станете причастным к созданию фильма.
Noverre’21 Noverre: Young Choreographers 2021 continued the Stuttgart Ballet's long-standing tradition of fostering emerging choreographic talent, presenting seven original creations by members of the company. Founded in 1961 by John Cranko and Fritz Höver, Noverre has become one of the world's most influential choreographic laboratories, launching the careers of artists such as Jiří Kylián, John Neumeier and Willia…
🔥1
Empty House #Johan_Inger Empty House is one of Swedish choreographer Johan Inger‘s most acclaimed contemporary works, renowned for its striking physicality, emotional intensity, and sophisticated musicality. Originally created for Nederlands Dans Theater and later staged by numerous international companies, including NTM Tanz (Nationaltheater Mannheim), the ballet exemplifies Inger’s distinctive choreographic voice,…
🔥4
Medea #Thomas_Noone #Münster_Tanztheater Thomas Noone‘s Medea is a compelling contemporary dance interpretation of one of the most powerful tragedies of classical antiquity. Inspired by Euripides’ timeless drama, the production abandons literal storytelling in favour of an intensely physical exploration of betrayal, love, revenge, and loss. Through a sophisticated movement vocabulary and expressive ensemble work... …
❤3🔥1
Lied Ballet #La_Maison_de_la_danse_de_Lyon #Thomas_Lebrun Lied Ballet is one of French choreographer Thomas Lebrun‘s most celebrated creations, premiered in 2014 and developed in collaboration with the Maison de la Danse de Lyon. Conceived as a dialogue between the traditions of Romantic music and contemporary choreography, the work revisits the German Lied – the intimate nineteenth-century art song – and transforms…
❤2👏1
Analogy/Ambros: The Emigrant #Bill_T_Jones Analogy/Ambros: The Emigrant is the culminating chapter of Bill T. Jones‘ Analogy Trilogy, an ambitious dance-theatre project that explores memory, identity, migration, and the enduring impact of personal history. Inspired by the character Ambros Adelwarth from W. G. Sebald’s acclaimed novel The Emigrants https://videotanz.ru/dance/analogy-ambros-the-emigrant/
Noverre’22 #Adrian_Oldenburger #Alessandro_Giaquinto #Sasha_Riva #Simone_Repele #Stuttgarter_Ballet #Timoor_Afshar The 2022 edition of Noverre: Young Choreographers, presented by the Stuttgart Ballet, once again celebrated the creativity of the company’s emerging choreographic voices. Established in 1961 by John Cranko, the Noverre evenings provide dancers with the rare opportunity to develop and present original wo…
❤3
Oeil pour œil #Jean_Christophe_Maillot #Les_Ballets_de_Monte_Carlo Oeil pour œil (“Eye for an Eye”) is a powerful contemporary ballet by acclaimed French choreographer Jean-Christophe Maillot, Artistic Director of Les Ballets de Monte-Carlo. Inspired by themes of justice, revenge, compassion, and the fragile balance between violence and reconciliation, the work explores the complex moral choices that shape human exi…
❤3
La Chambre d’Amour #Thierry_Malandain #Malandain_Ballet_Biarritz La Chambre d’Amour is a lyrical contemporary ballet by French choreographer Thierry Malandain, Artistic Director of Malandain Ballet Biarritz. Created as a tribute to the landscapes and cultural identity of France’s Basque coast, the work takes its title from the celebrated beach La Chambre d’Amour in Anglet, a place surrounded by local legends of love…
🔥1
Un saut dans le bleu #Carolyn_Carlson #Ballet_du_Capitole Un saut dans le bleu (A Leap into the Blue) is a large-scale contemporary dance creation by the legendary choreographer Carolyn Carlson, created for the Ballet of the Opéra national du Capitole in Toulouse. Drawing upon more than five decades of artistic exploration, Carlson presents what she describes as a work of “visual poetry,” inviting audiences into a c…
👍1🔥1
🎬 Поддержим новый фильм Дины Верютиной! Думаю, многие из вас знают Дину Верютину - режиссера документального кино и кинотанца, исследователя этого жанра и автора Telegram-канала кинотанец_туда_обратно. Дина уже много лет занимается развитием кинотанца в России, снимает авторские фильмы, курирует образовательные проекты и участвует в международных фестивалях. Сейчас Дина работает над своим дебютным полнометражным фи…
❤11
All Lang #Jessica_Lang #Pacific_Northwest_Ballet All Lang is a compelling triple bill celebrating the artistry and creative vision of Jessica Lang, Resident Choreographer of the Pacific Northwest Ballet. Bringing together three distinctive works – Her Door to the Sky, Ghost Variations, and ZigZag – the programme showcases the remarkable breadth of Lang’s choreographic language, from lyrical abstraction and emotional…
Showing the 12 most recent of 20 posts we hold for @videotanzru. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Stars beside a post are paid reactions — Telegram Stars, bought with money and spent on that post. They are a different unit from reactions and are never added to them, here or anywhere else on this page.
Citation-graph rank — 1,256,326 of 1,340,412entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this entry's latest reading, not the date you are reading this.
“videotanz” (@videotanzru), 2,305 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/videotanzru.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.