Channel
@triumphmusic
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
1,707subscribers
-3 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001153996814 |
|---|---|
| Type | Channel |
| Username | @triumphmusic |
| Created | 20 November 2017 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 7 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 5 |
| Confirmed unchanged | 1 time, most recently 14 August 2026 |
| On Telegram | t.me/triumphmusic |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 14 Aug 2026, 04:58 | 1,707 | -5 |
| 10 Aug 2026, 17:25 | 1,712 | +1 |
| 7 Aug 2026, 21:11 | 1,711 | +1 |
| 7 Aug 2026, 00:46 | 1,710 | no change |
| 7 Aug 2026, 00:33 | 1,710 | first reading |
20 posts held, back to 28 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 2 pagesof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 7 August 2026 |
|---|---|
| Posts held | 20 (28 July 2026 – 7 August 2026) |
| Views total | 4,535 |
| Reactions total | 218 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 7 Aug 2026, 17:41 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
218 reactions across 20 posts, in 7 distinct kinds. The most used accounts for 39.0% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 85 | 39.0% | |
| 🔥 | 38 | 17.4% | |
| ❤🔥 | 29 | 13.3% | |
| 😍 | 25 | 11.5% | |
| 👍 | 22 | 10.1% | |
| 🎉 | 16 | 7.34% | |
| 🥰 | 3 | 1.38% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 218reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 28 July 2026 to 7 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Дорогие зрители, мы рады объявить: билеты на события сентября уже в продаже! В этом месяце вас ждут неизменные жемчужины наших программ: фортепианные вечера Пиано Гала, циклы концертов Цветы музыки и Вечерняя музыка в старинной Лютеранской кирхе, просмотры и обсуждения фильмов в киноклубе «Кино, вино и домино» и, конечно, «Мировой джаз в Триумфе». А торжественное открытие сезона обещает стать по-настоящему ярким соб…
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Приглашаем вас на показ киноклуба «Кино, вино и домино», где мы посмотрим и обсудим картину «Он и Она» (2016). Ведущая киноклуба — Инга Путина, культурный обозреватель, автор Telegram-канала «Культурная жизнь П». «Он и Она» (2016) — это двое, чья случайная встреча в юности, скреплённая любовью к прозе Достоевского и Джойса, оборачивается совместной жизнью длиною в 45 лет. Им предстоит пройти сквозь искушение славой,…
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26 августа приглашаем вас на долгожданный сольный концерт Ольги Глазовой с программой «А у нас реченька». Ольга Глазова — гусляр, композитор и одна из самых ярких фигур современной этнической сцены. Она живёт между Псковом и Лондоном, но её музыка не знает границ: в её руках древние гусли и арфа звучат пронзительно современно, а голос сплетает надрыв и нежность, крик и светлую печаль. Программа грядущего концерта стр…
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Во дворике пермского бара пройдут джазовые концерты Во дворике пермского пивного бара Sabotage на ул. Горького, 22 состоится серия джазовых концертов (18+). Они будут проходить по вечерам. «За творческую концепцию и программу нового опен-эйр проекта отвечает куратор джазового направления частной филармонии «Триумф» Максим Кодолов», - сообщает «Триумф». Первый концерт состоится 7 августа. Перед гостями выступит эстр…
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Мы продолжаем самый летний проект сезона «Музыка на воде», который реализуем совместно с судоходной компанией «Водоходъ». Лето уходит стремительно, и у нас остаётся всё меньше шансов поймать его тёплое дыхание — успевайте на рейс-концерт, который состоится 6 августа. Только представьте: закат над Камой, классическая музыка на нижней палубе, дурманящий речной воздух, смешанный с лёгким бризом… И всё это на бесшумном с…
❤5🔥1😍1
Лето в центре Перми зазвучит по-новому: мы открываем серию вечерних джазовых концертов под открытым небом в уютном закрытом дворике на улице Горького, 22. В августе вас ждут сразу два таких вечера, и каждый из них — особенная встреча с музыкальным стилем и характером. Первый концерт состоится уже на этой неделе: яркая, энергичная вокалистка Юлия Гарифуллина (Москва — Нью-Йорк) и виртуозное джазовое трио Дениса Сона …
❤8🔥3😍2🎉1
6 августа, 19:30 • Музыка на воде: культовая классика и южное солнце в бокале🥂 Приглашаем на финальный совместный рейс этого лета by Simple и филармонии «Триумф». На палубе экохода, уходящего в закат, струнный квартет «АГИДЕЛЬ» исполнит мировые шедевры: от безупречной барочной гармонии Баха до чувственных арий Пуччини. Музыкальное полотно дополнит невесомое белое вино с каменистых склонов Анапы, подобранное кависта…
😍4❤🔥3🔥3
Сегодня свой день рождения отмечает директор Частной филармонии «Триумф» Мария Зуева! За годы её руководства для многих зрителей «Триумф» стал по-настоящему родным местом, где и классика звучит великолепно, и современным идеям находится достойное воплощение. Мария умеет создавать атмосферу, в которой каждый концерт превращается в событие, а команда работает легко и слаженно, поэтому сюда всегда хочется возвращаться.…
🎉14❤🔥9😍6❤4
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Сегодня смотрим и обсуждаем фильм «Человек, который продал свою кожу» в киноклубе «Кино, вино и домино».
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Showing the 12 most recent of 20 posts we hold for @triumphmusic. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 102,978 of 1,350,102entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 14 August 2026 — this entry's latest reading, not the date you are reading this.
“Триумф Live” (@triumphmusic), 1,707 subscribers as measured 14 August 2026. Telegram Register, tgregister.com/channel/triumphmusic.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.