Channel
@track_id_pls
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
19subscribers
+0 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001695074498 |
|---|---|
| Type | Channel |
| Username | @track_id_pls |
| Created | Between 1 December 2021 and 11 August 2022— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 11 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/track_id_pls |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 11 Aug 2026, 17:00 | 19 | no change |
| 6 Aug 2026, 16:39 | 19 | first reading |
20 posts held, back to 11 August 2022 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 23 May 2024. An engagement rate over an empty window would be a number about nothing.
Lifetime counters from Telegram’s own channel header, read 11 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 1 video with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
44 reactions across 18 posts, in 9 distinct kinds. The most used accounts for 38.6% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 17 | 38.6% | |
| 👍 | 10 | 22.7% | |
| 🔥 | 6 | 13.6% | |
| 🥰 | 3 | 6.82% | |
| 👏 | 2 | 4.55% | |
| 🕊 | 2 | 4.55% | |
| 🤩 | 2 | 4.55% | |
| 💯 | 1 | 2.27% | |
| 🙏 | 1 | 2.27% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 18 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 44reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 11 August 2022 to 23 May 2024, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Вы уже, наверное, знакомы с Nujabes: японский продюсер и диджей, который магически сочетал джаз и хип-хоп. Его музыка — это "лаунж-хоп" или "джаз-хоп", наполненная джазовыми гармониями, плавными ритмами и глубокими басами. Nujabes стал знаменит благодаря саундтреку к аниме "Samurai Champloo". Он создал лейбл Hydeout Productions и был очень скромным парнем, редко давал интервью и предпочитал, чтобы его музыка говорила…
❤2🔥1
Mood 🌞
👍2
I approve this groove! ✅ Сегодня рекомендации ютуба сделали мне вот такой подарок – ‘Mahal’ от Glass Beams. Восточные мелодии объединенные с западными ритмами и электронными звуками. Что-то очень знакомое, ностальгическое, но в то же время свежее и новое. P.S. Звучание похоже на взлетевших несколько лет назад Khruangbin.
❤3
В Международный женский день хочу поделиться с вами парой клипов одной из моих любимых исполнительниц и композиторов – Laura Mwula. Laura – блюзовый вундеркинд, который открыто делится своим опытом борьбы с депрессией и показывает свой переход от сложных периодов к более осознанному состоянию. Это конечно же нашло отражение в ее музыке, и мне очень приятно наблюдать как она раскрывается и расцветает. 1. Sing to the …
❤4
#minimal Наверное у каждого диджея есть пачка треков, отложенная для танцпола, самая на его/ее взгляд динамичная и интересная. Хочу поделиться с вами одной из таких папок, которую я собирала несколько месяцев назад, в глубине души понимая, что едва ли я в ближайшее время буду где-нибудь играть. Пускай она пригодится и понравится вам. Динамичной недели 🫶
❤3👍1
#JazzRock #JazzFunk Привет! 👋 Продолжая знакомиться с Румынскими артистами, решила покопаться на джазовой полке в Фонотеке на Марата и наткнулась на пластинку 1984 года — альбом пианиста и композитора Marius Popp — Nodul Gordian. Тут прекрасно все: яркая басовая линия, сдержанный саксофон и грувовый кларнет. Не даром Alin Constanțiu (кларнетиста) называли "king swing clarinet''. Моя любимая композиция — Cîntecul Că…
👏2❤1🔥1
Почему-то у меня всегда было в голове клише: если электро – то британское, если минимал – то румынский. Не наоборот. Румынское электро для меня всегда было слишком кислотным и каким-то ‘староверским’ (пример в прикрепленном видео). Но крайний альбом лэйбла organic society – совсем другое дело. Очень интересный и не заплесневелый сборник получился.
❤2👍1💯1
Привет! Давно не виделись. Но мне приятно и радостно, что вы еще не вышли из группы) Я уже около года не играла в клубах и покинула андеграунд и телом, и душой. Продала виниловые вертаки и уехала на полгода к морю, теперь снова в СПб и буду продолжать делиться с вами интересными находками. Минимала будет сильно меньше, но будет больше насыщенного, разнообразного и качественного звучания. Сегодня наткнулась на трек …
❤2🔥2👍1
Old but gold https://youtu.be/4fHw4GeW3EU
👍1
#minimal #microhouse #Italy https://on.soundcloud.com/jYiBS5hdpqcesxMCA
🤩2
#minimal #Brazil https://fratiiro.bandcamp.com/track/vermeil-kidd-eva
🔥1
#minimal #Uruguay https://juja.bandcamp.com/track/perdido
Showing the 12 most recent of 20 posts we hold for @track_id_pls. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 737,212 of 1,481,217entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 11 August 2026 — this entry's latest reading, not the date you are reading this.
“track ID” (@track_id_pls), 19 subscribers as measured 11 August 2026. Telegram Register, tgregister.com/channel/track_id_pls.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.