Photo, posted without a caption
❤4
Signed SAeed SHeikhi

Channel
@theatredirector
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Handles named that no longer answer · Cite this entry
7,882subscribers
+9 since we began measuring on 5 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
| Telegram ID | -1001002025392 |
|---|---|
| Type | Channel |
| Username | @theatredirector |
| Created | Between 1 September 2015 and 31 December 2015— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 12 August 2026 |
| Measurements held | 5 |
| Confirmed unchanged | 1 time, most recently 12 August 2026 |
| On Telegram | t.me/theatredirector |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 12 Aug 2026, 22:13 | 7,882 | +2 |
| 9 Aug 2026, 21:56 | 7,880 | +1 |
| 6 Aug 2026, 16:48 | 7,879 | +6 |
| 6 Aug 2026, 03:05 | 7,873 | no change |
| 5 Aug 2026, 21:02 | 7,873 | first reading |
21 posts held, back to 14 November 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 11 pagesof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate. It is computed over the 3 of 4 measured posts that carry a reaction reading, and over those same posts' views.
| Window | Rolling 30 days · latest post in window 6 August 2026 |
|---|---|
| Posts held | 21 (14 November 2025 – 6 August 2026) |
| Views total | 6,075 |
| Reactions total | 9 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 12 Aug 2026, 17:03 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Measured directly from 3 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
84 reactions across 17 posts, in 6 distinct kinds. The most used accounts for 79.8% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 67 | 79.8% | |
| 👍 | 6 | 7.14% | |
| 😁 | 6 | 7.14% | |
| ❤🔥 | 2 | 2.38% | |
| 🔥 | 2 | 2.38% | |
| 👎 | 1 | 1.19% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 18 of the 21 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 90reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 21 most recent posts we hold, published 14 November 2025 to 6 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Photo, posted without a caption
❤4
Signed SAeed SHeikhi
File, posted without a caption
Signed SAeed SHeikhi
#فیلمنامه عنوان اثر: منِ ناتمام، منِ تازه نویسنده: فاطمه قره شیخ بیات ژانر: اجتماعی - خانوادگی (با درونمایه روانشناختی) مدت زمان پیشنهادی: ۱۵ الی ۲۰ دقیقه (فیلم کوتاه) وضعیت حقوقی: ثبت شده در بانک فیلمنامه (تابستان ۱۴۰۴)1404101506 لوگلاین:«زنی ۳۹ساله که پس از یک خیانت تلخ به پیلهی استقلالِ سختیافتهاش پناه برده، در آستانه یک رابطه جدید با بزرگترین هراس زندگیاش روبرو میشود: آیا او از تکرار شکست میترسد یا از گم…
👍2
Signed SAeed SHeikhi
نمایشنامه « زندگی به وقت نان سنگک » نويسنده: امیرعلی سروستانی سبک: مونولوگ تعداد كاركتر: ۱ نفر درباره اثر: و صبر هنوز هم سخت ترین کار جهانه ... هرگونه اجرا منوط به مجوز نويسنده است. پل ارتباطی با نویسنده : @amiralisarv
👍3
Signed SAeed SHeikhi
Photo, posted without a caption
Signed SAeed SHeikhi
نمایشنامه زیر کاج های 1914 نويسنده: امیرعلی سروستانی سبک: فانتزی_درام تعداد كاركتر: ۱۰ یا بیشتر درباره اثر: «زیر کاجهای ۱۹۱۴» روایت شبی است که در میانهی آتش جنگ جهانی اول، انسانیت برای لحظاتی بر نفرت غلبه میکند.این نمایشنامه روایتی از تقابل جنگ و انسانیت است؛ جایی که گاه بزرگترین شجاعت، نه جنگیدن، بلکه انسان ماندن است. هرگونه اجرا منوط به مجوز نويسنده است. پل ارتباطی با نویسنده : @amiralisarv
❤1
Signed SAeed SHeikhi
فراخوان هشتمین دوره جشنواره نمایشنامه خوانی مولوی
❤1
Signed SAeed SHeikhi
📢فراخوان هشتمین دوره جشنواره نمایشنامهخوانی مولوی منتشر شد 🎭دانشجویان و فارغالتحصیلان علاقهمند به هنر تئاتر دعوت میشوند، در این رویداد هنری شرکت نمایند. جشنواره در آبان ۱۴۰۵ برگزار خواهد شد و اثار تالیفی، اقتباسی و ترجمهای در بخش رقابتی با هم به رقابت خواهند پرداخت. متقاضیان لطفا جهت کسب اطلاعات دقیق، فایل فراخوان را مطالعه نمایند. 🔔 جهت دریافت فایل کامل فراخوان، مطلع شدن از برنامههای آتی جشنواره، و ارتباط …
❤1
Signed SAeed SHeikhi
دوستان پیشنهاد میکنم بهتون که کانال " ترنویسا " رو دنبال کنید . من خودم به شدت دوسش دلشتم . بسیار مطالب مفیدی داره . 🎭🙏
❤3
Signed SAeed SHeikhi
🔵تجربهای از ترجمه «آن شب که تورو زندانی بود»، برشی از ویدئوی نُه، «تاریخیت، سنت و نقش مترجم»ـ بهزاد قادری سهی تماشای نسخه کامل ویدئو از لینک زیر 👇 https://youtu.be/t0NDNGjeb98?si=bSi6tQIerWoEpbYT #تاریخ #ایران #ترجمه #جامعه_شناسی_ترجمه #بهزاد_قادری #ترنویسا ✅@Tarnevisa اینستاگرام👇 https://www.instagram.com/tarnevisa
Signed SAeed SHeikhi
🔵ترنویسا، پل ارتباطی با دانشجویانم- برشی از ویدئوی «از جدائیها»- بهزاد قادری سهی نسخه کامل را از لینک زیر ببینید: https://youtu.be/P631epw9k48?si=5MukJietUblFy4V1 #ادبیات #تاریخ #ترجمه #بهزاد_قادری #ترنویسا ✅@Tarnevisa
❤2
Signed SAeed SHeikhi
🎭«ترنویسا» با چشماندازی پژوهشی در حوزههای ادبیات نمایشی، ادبیات تطبیقی و مطالعات ترجمه به انتشار و مطالعۀ مباحث نظری و انتقادی میپردازد. این کانال با پیشنهاد و همراهی علمی استاد بهزاد قادری سهی شکل گرفته است. «ترنویسا» برای علاقهمندان به ترجمه، تئاتر و نقد ادبی، فرصتی برای تماشای گفتوگوهای نظری و تأملات بینارشتهای فراهم میکند. 🔗 با ما همراه باشید👇 https://t.me/Tarnevisa
❤2
Signed SAeed SHeikhi
Showing the 12 most recent of 21 posts we hold for @theatredirector. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
@theatredirector named 1 handle that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all.A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
References a handle that is not a live channel — we have no record it ever was one.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 12 August 2026 — this entry's latest reading, not the date you are reading this.
“بانک نمایشنامه و فیلمنامه” (@theatredirector), 7,882 subscribers as measured 12 August 2026. Telegram Register, tgregister.com/channel/theatredirector.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.