До чего милая коллаборация Befree и краснодарского художника #ГлебБаранов, посвященная котам – Крису и Марусе 🐾
❤18🤡2

Channel
@shitart
On this record: Topic · Growth · Engagement · Reactions · Posts · Citations · Telegram's recommendations · Cite this entry
7,140subscribers
-74 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
| Telegram ID | -1001186370294 |
|---|---|
| Type | Channel |
| Username | @shitart |
| Created | 5 November 2017 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 11 November 2026 |
| Measurements held | 25 |
| Confirmed unchanged | 1 time, most recently 11 November 2026 |
| On Telegram | t.me/shitart |
Art & design — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 12 September 2026 and assigned it the closest of 31 fixed categories, at 99% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and the other topics.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 11 Nov 2026, 09:37 | 7,140 | +3 |
| 7 Nov 2026, 16:17 | 7,137 | +5 |
| 4 Nov 2026, 09:44 | 7,132 | -11 |
| 1 Nov 2026, 13:10 | 7,143 | -11 |
| 29 Oct 2026, 16:29 | 7,154 | -5 |
| 26 Oct 2026, 15:28 | 7,159 | -2 |
| 23 Oct 2026, 15:34 | 7,161 | -4 |
| 20 Oct 2026, 16:16 | 7,165 | -8 |
| 11 Oct 2026, 02:57 | 7,173 | -6 |
| 4 Oct 2026, 22:01 | 7,179 | -14 |
| 25 Sept 2026, 17:37 | 7,193 | -2 |
| 15 Sept 2026, 06:58 | 7,195 | -8 |
| 11 Sept 2026, 16:37 | 7,203 | +3 |
| 7 Sept 2026, 03:57 | 7,200 | -13 |
| 2 Sept 2026, 18:14 | 7,213 | -5 |
| 30 Aug 2026, 12:59 | 7,218 | -6 |
| 27 Aug 2026, 18:54 | 7,224 | -6 |
| 25 Aug 2026, 04:36 | 7,230 | +2 |
| 21 Aug 2026, 22:14 | 7,228 | -2 |
| 19 Aug 2026, 03:44 | 7,230 | first reading |
16 posts held, back to 25 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 28 pages of Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views — note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 5 November 2026 |
|---|---|
| Posts held | 16 (25 July 2026 – 5 November 2026) |
| Views total | 4,321 |
| Reactions total | 98 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 10 Nov 2026, 23:18 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
243 reactions across 15 posts, in 10 distinct kinds. The most used accounts for 68.7% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 167 | 68.7% | |
| 🔥 | 40 | 16.5% | |
| 😍 | 9 | 3.70% | |
| ❤🔥 | 8 | 3.29% | |
| 💔 | 5 | 2.06% | |
| 🕊 | 4 | 1.65% | |
| 🤡 | 3 | 1.23% | |
| 🥰 | 3 | 1.23% | |
| 👍 | 2 | 0.823% | |
| 💯 | 2 | 0.823% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 16 of the 16 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 269 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 16 most recent posts we hold, published 25 July 2026 to 5 November 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Telegram’s own ‘edited’ marker: 0 of 7 posts held from the last 30 days (0%) carried it when this register last read them. The marker says a post was changed after publishing, not what it said before — this register holds the earlier wording only where an edit fell between two of its own reads (see the edit ledger and how it is measured).
До чего милая коллаборация Befree и краснодарского художника #ГлебБаранов, посвященная котам – Крису и Марусе 🐾
❤18🤡2
Помню, как в 2010 году на выставке Ротко мы с братом подолгу смотрели на каждый из его шедевров: мой брат сказал, что ему намного интереснее разглядывать те работы, в которых нет сюжета в привычном понимании. Мне тогда очень захотелось иметь возможность посмотреть на работы другими глазами – особенно на те, что заставляют остановиться и долго «не отпускают» потом. Сейчас я думаю, что каждый внутренний диалог с искус…
❤8
Давно хотела узнать, кто купил на Cosmoscow эту луну, и вот – в рублике #покупка выступает Анастасия Краттли, меценат, коллекционер: «люблю работы Ульяны Подкорытовой, «Луна»– уже третья в моей коллекции. Мне очень близки ее сказочность, мифологичность и то, как она соединяет керамику с тканью. В этот раз у меня самой был стенд на ярмарке как у коллекционера, и я решила немного довериться судьбе. Еще до открытия пр…
❤10
God, save Lemaire Мне так хорошо, что есть бренд Lemaire, потому что то, что делает бренд — это тонко, это про мир, в котором важно думать и чувствовать самому — в меня попадает 100% и дает мотивацию двигать свою линию анти-хайпа и осмысленности в бренд коммуникациях. Кристоф Лемер и Сара-Линь Тран каждый сезон рассказывают историю, и одежда в ней только один из героев. В этот раз героем стал Ролан Топор: художник,…
❤12
новости для тех, кто любит Виктора Пивоварова: ⚪️ свежая книга издательства Garage c малоизвестным текстом о его творчестве Михаила Алленова и ответом ему со стороны сына художника, Павла Пепперштейна; 🔵 дроп украшений с лисичками и излюбленными мотивами Виктора в том же проекте, где вышла прехорошенькая подвеска его сына. Оба украшения можно было увидеть в пространстве Cube на прошлой неделе.
❤14🔥3😍3
Для «Ночлежки» Миша Маркер придумал две работы из серии «Напоминание», а сегодня благотворительная организация устраивает аукцион и их продает. Плакаты успели пожить в городе, пропитаться питерским дождем и ветром. Все средства от продажи пойдут на строительство нового Ночного приюта.
❤10🕊3🥰3💔1
Во мне есть особая любовь к художникам, которые работают с традиционными ремеслами (закалка Строгановки!). Особенно когда за красивой керамикой стоит не просто желание сделать красивую тарелку, а несколько веков истории. В московском пространстве МОХ открылась выставка «За порогом. Керамика Абдулвахида Бухория». Абдулвахид — художник из Бухары, который годами изучает керамику Центральной Азии, участвует в археологич…
❤11
Художница Анна Вейант пополнила свою коллекцию журнальных обложек, и снова благодаря Марку Джейкобсу. На этот раз для Vanity Fair нарисовала самого дизайнера, который страшно к ней привязан: Марк одел Анну на минувший Met Gala, заказал у нее портрет Кайи Гербер для Vogue, когда был приглашенным редактором, и добавил ее картину в сет-дизайн своего шоу. Вейант интегрировала узнаваемые ромашки в новый портрет, сделав цв…
❤9
Этим летом #MariaSainte на обложке моего любимого журнала l'Etiquette и в официальном аккаунта любимого же бренда Celine. Для ее работ команда креативного директора бренда, Майкла Райдера, попросила вспомнить о красоте произведений Доменико Ньоли. В оммаж художнику на иллюстрации у рубашки пуговица наполовину застегнута – совсем как на одной из его картин.
❤8❤🔥1
Теперь тоже хочу оформить одну из своих работ в красное паспарту! На стене – Оля Австрейх в коллекции Даши Сабельниковой, директора проектов Lunar Hare, на столе – фотография бабушки Гели Козловой, основательницы моего любимого бренда Azalie.
❤14🔥10❤🔥1
Работа художника Максима Демина из старинного дерева и латуни меняется в течение дня, отражая солнечные лучи – и как напоминание о сути вещей стала подарком MR к профессиональному празднику. Вспомним пасхальное печенье с Никитой Кроко и порадуемся линии поддержки молодых художников, которая идет параллельно вниманию к большим институциям.
❤15😍6💯2❤🔥1
Сколько времени вы способны читать книгу и смотреть кино не отвлекаясь? Я – ничтожно мало. По поводу Клэр Бишоп мы долго спорили с замечательной Алиной Стрельцовой, автором вот этого материала о том времени в музее, что мы способны уделить искусству (спойлер: Алина – оптимист). К Клэр Бишоп же обращается и другой важный критик, Игорь Гребельников, куда пессимистичнее настроенный о возможностях зрительского внимания…
❤16💔4❤🔥1
Showing the 12 most recent of 16 posts we hold for @shitart. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 4 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
The reverse of the list above, and a different kind of signal. This does not require this channel to have ever been asked about directly — each row below is a channel we DID ask Telegram about, whose Telegram-generated list happened to include this one. A channel can appear here with an empty list above it, because being named by someone else’s query is independent of having been queried itself.
This channel appears in 29 seed channels' Telegram-generated recommendation lists in total, of which the 24 where it ranks highest are shown above. Each is Telegram’s list for THAT channel, not this one — see how this is measured.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 11 November 2026 — this entry's latest reading, not the date you are reading this.
“Love them all” (@shitart), 7,140 subscribers as measured 11 November 2026. Telegram Register, tgregister.com/channel/shitart.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.