Channel
@santoorcenter
On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Handles named that no longer answer · Cite this entry
3,299subscribers
-2 since we began measuring on 5 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
| Telegram ID | -1001067272142 |
|---|---|
| Type | Channel |
| Username | @santoorcenter |
| Created | Between 1 May 2016 and 28 February 2017 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 18 September 2026 |
| Measurements held | 13 |
| Confirmed unchanged | 1 time, most recently 18 September 2026 |
| On Telegram | t.me/santoorcenter |
Music — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 14 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 18 Sept 2026, 15:57 | 3,299 | +2 |
| 14 Sept 2026, 16:17 | 3,297 | +2 |
| 11 Sept 2026, 01:21 | 3,295 | -1 |
| 6 Sept 2026, 05:17 | 3,296 | +1 |
| 1 Sept 2026, 15:32 | 3,295 | -1 |
| 29 Aug 2026, 07:03 | 3,296 | +2 |
| 26 Aug 2026, 03:02 | 3,294 | -3 |
| 23 Aug 2026, 11:15 | 3,297 | -3 |
| 19 Aug 2026, 13:02 | 3,300 | -1 |
| 13 Aug 2026, 01:44 | 3,301 | +2 |
| 6 Aug 2026, 13:21 | 3,299 | -2 |
| 6 Aug 2026, 04:47 | 3,301 | no change |
| 5 Aug 2026, 23:46 | 3,301 | first reading |
20 posts held, back to 20 December 2024 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 3 pages of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 5 November 2025. An engagement rate over an empty window would be a number about nothing.
Measured directly from 14 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
361 reactions across 19 posts, in 3 distinct kinds. The most used accounts for 71.7% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 259 | 71.7% | |
| 👍 | 93 | 25.8% | |
| 😍 | 9 | 2.49% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 361 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 20 December 2024 to 5 November 2025, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
همین جمعه پیش رو منتظر حضور گرمتان هستیم برای جشن گرفتن رونمایی از سازی که با آن میتوانیم موسیقی ایرانی را به کودکانمان آموزش دهیم با حضور جمعی از هنرمندان و دوستداران فرهنگ و هنر ایرانی ساعت ۱۷ فرهنگسرای ارسباران ورود آزاد و رایگان است #کودک #سنتور_کودک #ارسباران #داوود_شیرازی #پژوهشکده_سنتور
❤13👍2
سنتور : استاد پرویز مشکاتیان دف : استاد بیژن کامکار تنبک : آرش فرهنگفر بزرگداشت استاد ناصر فرهنگفر شنبه ۱۳۷۶/۶/۱ تالار رودکی( وحدت ) @nfarhangfar
❤34
Video, posted without a caption
❤20
🍂🎶 یاد آن شب بخیر… شنبه یکم شهریور ۱۳۷۶ دمی که برای بزرگداشت استاد ناصر فرهنگفر، سنتورِ جانسوز پرویز مشکاتیان، با تنبک جانانه آرش فرهنگفر و دفِ استادانهی بیژن کامکار در هم تنید و لحظهای جاودان آفرید. و آرش فرهنگفر، با دستان جوان اما دلآکنده از یاد پدر، چنان بر تنبک نواخت که گویی صدای دستان استاد ناصر فرهنگفر دوباره در تالار رودکی طنینانداز شد.... نزدیک به سه دهه گذشته… اما هنوز هر نغمهاش، بوی دلتنگی میدهد…
❤11
نقدی بر اثر "امسال" از سیاوش کامکار
داوود شیرازی، دوست هنرمندم، همین چند لحظه پیش لطف کردند و نقد خود را برایم فرستادند. داوود جان، از توجه و نقدت صمیمانه سپاسگزارم. سیاوش عزیزم، نزدیک به دو دهه هست که با هم دوست و برادریم، دوستیای که بر پایهی احترام، دغدغههای فرهنگی و عشق به رشد و شکوفایی و پیشرفت موسیقی ایرانی بنا شد و ادامه پیدا کرد. این روزها که ویدیوی "امسال" رو منتشر کردی، بهعنوان رفیقی که همیشه به هنرت و صداقتت در هنر احترام گذاشته، دچار …
👍30❤5
ویدیوی کامل صحبتهای بانو «ارفع اطرایی» دربارهی استاد «حسین صبا» @santoorcenter
❤13
در جهت پذیرش درخواست عزیزانی که خواهان سنتورهای ما با قیمت پایین بودند سنتور سرآغاز گامیست درجهت توجه به خواست مخاطبان عزیز و ارائه محصول ارزنده و با کیفیت بالا و قیمت بسیار مناسب از مجموعه پژوهشکده سنتور داوود شیرازی امید که مقبول اهل هنر واقع گردد #سنتور_سرآغاز #داوود_شیرازی #سنتور #ساز #ایران #موسیقی #پژوهشکده_سنتور #santoor #iranian_instrument #iranian_santoor #instrument
👍10❤4
Video, posted without a caption
❤14👍7
داستان تازهی ما دربارهی خوانندهای است که صدا و آثارش در تمام خاطرات ایرانیان ریشهای عمیق دارد. «بنان» بنا به تعاریف قاجاریان فقط تصنیفخوان و یا فقط آوازخوان نبود، خوانندهی کاملی که استادانه از پس خواندن همهی اینها بر میآمد. منابعی که در این داستان از آنها استفاده شده عبارتاند از: «کتاب از نور تا نوا به کوشش پریدخت آور»، «مصاحبهی مسعود بهنود با بنان» و کانال تلگرامی «استاد غلامحسین بنان». @santoorcenter
❤10👍4
نسخهی بدونِ صدای گوینده، جهت شنیدنِ بهتر صدای ساز استاد ساغری
👍10❤7
«سیروس ساغری» نوازنده، آهنگساز و سنتورساز برجستهای است که در این سالها متاسفانه، کمتر به ایشان و آثار هنری ایشان پرداخته شده است. در این ویدیو به همراه مختصری از زندگینامهی سیروس ساغری، برشی از نوازندگی شنیدنی و جالب توجه ایشان را میبینیم و میشنویم. ضمنا تشکر و قدرداتی میکنیم از هنرمند عزیز جناب آقای امین مهندسان که عکسها و ویدیوهای مورد استفاده در این ویدیو را از آرشیو شخصی در اختیار ما قرار دادند.
❤7👍4
Showing the 12 most recent of 20 posts we hold for @santoorcenter. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 2 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
@santoorcenter named 2 handles that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all. A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
References a handle that is not a live channel — we have no record it ever was one.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 18 September 2026 — this entry's latest reading, not the date you are reading this.
“پژوهشکده سنتور” (@santoorcenter), 3,299 subscribers as measured 18 September 2026. Telegram Register, tgregister.com/channel/santoorcenter.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.