در سینمای تایوان، مسائل سیاسی پیچیده میان این کشور و چین نیز الزاما به شکل شعار سیاسی ظاهر نمیشود. گاهی سیاست در سکوت یک خانواده حضور دارد، در خاطره یک نسل، در تغییر زبان، در حس تعلق به یک سرزمین یا در پرسش سادهای که یک انسان از خودش میپرسد: من واقعا متعلق به کجا هستم؟! شاید به همین دلیل است که سینمای تایوان، برخلاف بسیاری از سینماهای سیاسی، اغلب سیاست را زندگی میکند، نه اینکه دربارهاش سخنرانی کند.. تایوان د…

Channel
reallcinema
@reallcinema
On this record: Topic · Growth · Engagement · What this channel posts · Posts · Citations · Cite this entry
5,926subscribers
+298 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
Register entry
| Telegram ID | -1001603118331 |
|---|---|
| Type | Channel |
| Username | @reallcinema |
| Description | معرفی و دانلود آثار کمتر دیده شده از سینمای جهان.. صفحه من @Eebii6 اینستاگرام https://instagram.com/reall.cinema |
| Created | Between 1 November 2021 and 30 April 2023 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 7 August 2026 |
| Last confirmed live | 4 November 2026 |
| Measurements held | 24 |
| Confirmed unchanged | 2 times, most recently 4 November 2026 |
| On Telegram | t.me/reallcinema |
Topic
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 12 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and the other topics.
Growth
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 1 Nov 2026, 22:08 | 5,926 | +4 |
| 30 Oct 2026, 00:31 | 5,922 | +16 |
| 27 Oct 2026, 06:44 | 5,906 | +5 |
| 24 Oct 2026, 16:16 | 5,901 | +8 |
| 21 Oct 2026, 11:17 | 5,893 | +8 |
| 18 Oct 2026, 18:29 | 5,885 | +2 |
| 15 Oct 2026, 18:38 | 5,883 | +9 |
| 12 Oct 2026, 17:28 | 5,874 | -1 |
| 6 Oct 2026, 03:59 | 5,875 | -15 |
| 28 Sept 2026, 14:59 | 5,890 | +23 |
| 16 Sept 2026, 04:57 | 5,867 | -5 |
| 12 Sept 2026, 01:01 | 5,872 | +28 |
| 8 Sept 2026, 02:59 | 5,844 | +169 |
| 2 Sept 2026, 18:16 | 5,675 | +7 |
| 31 Aug 2026, 01:47 | 5,668 | +9 |
| 27 Aug 2026, 21:34 | 5,659 | +10 |
| 24 Aug 2026, 11:24 | 5,649 | +8 |
| 21 Aug 2026, 01:04 | 5,641 | -1 |
| 17 Aug 2026, 15:34 | 5,642 | -2 |
| 14 Aug 2026, 02:08 | 5,644 | first reading |
Engagement
42 posts held, back to 10 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 9 pages of Telegram’s post history, 20 posts per page.
- ERR · 30 days
- 21.7%
- avg views ÷ 5,926 subscribers
- Avg views / post
- 1,290
- 20 posts measured
- Reaction rate
- —
- this channel exposes no reaction counts
- Posts in window
- 20
- of 42 held
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views — note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 3 November 2026 |
|---|---|
| Posts held | 42 (10 June 2026 – 3 November 2026) |
| Views total | 25,741 |
| Reactions total | — |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 5 Nov 2026, 01:37 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
What this channel posts
- Photos
- 780
- Videos
- 335
- Links
- 761
Lifetime counters from Telegram’s own channel header, read 5 November 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Recent posts
Telegram’s own ‘edited’ marker: 6 of 20 posts held from the last 30 days (30.0%) carried it when this register last read them. The marker says a post was changed after publishing, not what it said before — this register holds the earlier wording only where an edit fell between two of its own reads (see the edit ledger and how it is measured).
" سینمای تایوان " جزیرهای میان تاریخ، خاطره و سکوت.. سینمای تایوان را شاید بتوان یکی از غریبترین و شاعرانهترین فصلهای سینمای شرق آسیا دانست؛ سینمای سرزمینی که تاریخش همچون فیلمهایش، میان گذشته و حال، هویت و بیهویتی و میان خاطره و فراموشی معلق مانده است.. سینمای تایوان در نخستین سالهای شکلگیری، مانند بسیاری از کشورهای آسیایی، تحت تاثیر سینمای تجاری و الگوهای وارداتی بود. اما تاریخ سیاسی جزیره، خیلی زود مسیر…
موسیقی متن فیلم: شهری از اندوه.. @reallcinema
غبار در باد (۱۹۸۶) | هو شیائو-شین آهیوان و آهیون، دو دوست دوران کودکی، پس از ترک زادگاهشان برای یافتن کار و ساختن آیندهای بهتر به تایپه میروند. زندگی در شهر، فاصله و مسئولیتهای تازه، آرامآرام رابطهشان را تغییر میدهد؛ تا جایی که بازگشت به گذشته دیگر ممکن نیست.. هو شیائو-شین، در این روایت عاشقانه، بهجای تکیه بر لحظات پرتنش و احساسات آشکار، به جزئیات زندگی روزمره و تغییرات تدریجی آدمها میپردازد. قطارهایی که…
Dust in the Wind 1986 Hou Hsiao-Hsien 1080p , 720p @reallcinema
لیلیث (۱۹۶۴) | رابرت روسن وینسنت، سرباز سابق ارتش، در یک آسایشگاه روانپزشکی مشغول به کار میشود؛ جایی که آشناییاش با "لیلیث" دختری مرموز و خیالپرداز که سالها در آسایشگاه از او نگهداری شده، به رابطهای پیچیده و تدریجا ویرانگر میانجامد.. رابرت روسن در این فیلم مرز میان سلامت روان و آشفتگی ذهنی، واقعیت و خیال را به شکلی ظریف و ناآرام به تصویر میکشد.. لیلیث بیش از آنکه روایتی درباره جنون باشد، کاوشی در تنهایی، م…
Lilith 1964 Robert Rossen 1080p , 720p @reallcinema
گلهای شانگهای (۱۹۹۸) | هو شیائو-شین در خانههای مجلل و محصور شانگهایِ اواخر قرن نوزدهم، میان زنانی که در روابط پیچیده و رقابتهای پنهان گرفتارند، عشق، حسادت و قدرت به بازیهایی بیپایان بدل میشوند؛ جایی که حتی صمیمیترین لحظهها نیز از قواعد نانوشتهی این جهان رها نیستند.. هو شیائو-شین با دوربین ثابت، برداشتهای طولانی، استفاده از رنگ و نور و قابهایی که گویی از پشت پرده به تماشا نشستهاند، جهانی میسازد که سکوت…
Flowers of Shanghai 1998 Hou Hsiao-Hsien 1080p , 720p @reallcinema
شهری از اندوه (۱۹۸۹) | هُو شیائو-شین در واپسین سالهای حکومت ژاپن بر تایوان و در سایهی تحولات سیاسی پس از جنگ، زندگی خانوادهی لین با سرکوب، ناپدیدشدن و فقدان گره میخورد.. هُو شیائو-شین کارگردان تایوانی، بهجای روایت مستقیم تاریخ، آن را در سکوت خانهها، قابهای دور، گفتوگوهای نیمهتمام و سرنوشت آدمهایی بازمیسازد که در میان خشونت قدرت، صدایشان به حاشیه رانده شده است.. دوربین آرام و تاملبرانگیز او، تاریخ را نه …
A City of Sadness 1989 Hou Hsiao-Hsien 1080p , 720p @reallcinema
سگهای ولگرد (۲۰۱۳) | تسای مینگلیانگ پدری بیخانمان و دو فرزندش در خیابانهای تایپه روزگار سپری میکنند؛ پدر با ایستادن کنار خیابان و در دست گرفتن تابلوهای تبلیغاتی فروش مَسکن، اندک درآمدی به دست میاورد و کودکان بیشتر وقت خود را در مراکز خرید و فضاهای شهری میگذرانند. در میان این فرسودگی، یک زن جوان به آنها نزدیک میشود و برای مدتی هرچند کوتاه، تصویری از خانواده و پناه شکل میگیرد.. تسای مینگلیانگ؛ با ریتم کند …
Showing the 12 most recent of 42 posts we hold for @reallcinema. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Mentions
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 1 November 2026 — this entry's latest reading, not the date you are reading this.
“reallcinema” (@reallcinema), 5,926 subscribers as measured 1 November 2026. Telegram Register, tgregister.com/channel/reallcinema.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.