Kunst ist die Ruhe vor dem Sturm, dem Hype…, dann wieder die Ruhe im Sturm. Dann wieder die Ruhe nach dem Sturm. Immerwährend. M. Franke, 2026
Signed :martin :fr

Channel
@kunstfaktisch
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
5subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001855818603 |
|---|---|
| Type | Channel |
| Username | @kunstfaktisch |
| Description | Fakten der Kunst |
| Created | Between 1 October 2022 and 30 September 2023— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 13 August 2026 |
| Last confirmed live | 13 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/kunstfaktisch |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 13 Aug 2026, 01:18 | 5 | no change |
| 7 Aug 2026, 12:26 | 5 | first reading |
20 posts held, back to 3 December 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate. It is computed over the 1 of 4 measured posts that carry a reaction reading, and over those same posts' views.
| Window | Rolling 30 days · latest post in window 27 July 2026 |
|---|---|
| Posts held | 20 (3 December 2025 – 27 July 2026) |
| Views total | 21 |
| Reactions total | 1 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 13 Aug 2026, 01:18 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Lifetime counters from Telegram’s own channel header, read 13 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 2 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
1 reaction across 1 post, in 1 kind.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| 👏 | 1 | 100.0% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 1 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 1reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 3 December 2025 to 27 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Kunst ist die Ruhe vor dem Sturm, dem Hype…, dann wieder die Ruhe im Sturm. Dann wieder die Ruhe nach dem Sturm. Immerwährend. M. Franke, 2026
Signed :martin :fr
Manifest der visuellen Autonomie Timann Krumrey Ich denke in Bildern. Nicht als Illustration sprachlicher Gedanken, sondern als eigenständige Form des Denkens. Bilder sind keine Träger von Botschaften, die anderswo besser formuliert wären. Sie erzeugen Bedeutung durch ihre visuelle Struktur – nicht durch Übersetzung in Sprache. Ich arbeite mit Formen, die keine Eindeutigkeit verlangen. Ein Bild muss nicht gelöst, e…
Signed :martin :fr
Der Meese: NUR KUNST (W)EINT DEUTSCHLAND! NUR KUNST (W)EINT EUROPA! DIE KUNST IST DER “KEINPARTEIENSTAAT”! MÜSSEN WIR DENN DEUTSCHLAND, EUROPA, ALLE WELTEN UND ALLE(S) IDEOLOGISIEREN? WARUM FORDERN NICHT ALLE TOTALST NUR NOCH STAATEN DER LIEBE, ALSO STAATEN OHNE IDEOLOG(I)ENSTUSS! ES IST SELTSAM WARUM ES IMMER NOCH MENSCHEN GIBT, DIE ALLE(S) IN PARTEIEN UND RELIGIONEN PRESSEN WOLLEN! ES VERWUNDERT DEN MEESE SEHRST, …
Signed :martin :fr
Make love not war - Manifest II der Künstlergruppe Superfluid Violett Ultra - die Münchener Secession. Credits to Matthias Kjer Martin Franke Klaus Ötzmann Tilmann Krumrey Klaus Stein MT Hennig
👏1
Signed :martin :fr
Photo, posted without a caption
Signed :martin :fr
Sichern Sie sich noch historisch relevante KUNST aus den Jahren 2000 bis 2030 vor dem Beginn des Krieges? Münchener Secession - Superfluid Violett Ultra Dr. Alpha Lousy, 188,5 x 114,5 cm, 2012 #artfacts #museum #arthistory #artcollectormagazine #artlife #kapital #investidor
Signed :martin :fr
Johannes Itten
Signed :martin :fr
https://www.youtube.com/watch?v=DmIMKenTQNc
Signed :martin :fr
Da sind wir ein einer Zeit gelandet, in der wir unmerklich von der Geschwindigkeit der Vorgaben von KI und dem Smartphoneschnuller in ewigem Taumel der Reaktion gehalten werden. Da wird Cern, das Areal für dekadente Spielkinder als etwas erklärt, dass die Zeit beeinflusst hat. Dabei werden wir alle nur mit dem pharaonischen Grundprinzip beschäftigt. Da wird dieses Hicks Boson gefunden, das Gottesteilchen. Was kann de…
Signed :martin :fr
Wie weit mögt ihr ein Spiel spielen? Das Spiel heißt "Allegorie der Übervorteilung. Wer nicht schnell genug auf den Baum kommt wird gefickt". Setze die Füße so dynamisch wie es eben nur geht. Setze dem Leonardo, der Eva, ein Füsschen, - oder zwei.
Signed :martin :fr
Superfluid im Marstall Ludwig II von Bayern
Signed :martin :fr
Wer das Manifest liest, findet kein Pamphlet der Selbstviktimisierung. Er findet eine ernsthafte, mitunter leidenschaftliche Auseinandersetzung mit den Fragen, die Kunsttheorie und Medienphilosophie seit Jahrzehnten beschäftigen. Vilém Flusser wird zitiert — der Medientheoretiker, der beschrieb, wie reduzierter Fokus als Ästhetik verkauft wurde und die immer gleichen Bilder produziert. Mary Bauermeister, die legendär…
Signed :martin :fr
Showing the 12 most recent of 20 posts we hold for @kunstfaktisch. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 910,167 of 1,478,351entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Names
Channels on the register whose handles appear in this channel's posts.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 13 August 2026 — this entry's latest reading, not the date you are reading this.
“artfacts” (@kunstfaktisch), 5 subscribers as measured 13 August 2026. Telegram Register, tgregister.com/channel/kunstfaktisch.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.