Telegram RegisterThe public register of Telegram

Channel

KINOKO

@kinokocinema

On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry

1,354subscribers

-2 since we began measuring on 7 August 2026

Risers and fallers across the register · movement among entries of 1,000–3,162.

Register entry

Telegram ID-1001540818211
TypeChannel
Username@kinokocinema
Created2 September 2021measured — cross-checked against a third-party dataset (ext.tg_channel)
First recorded7 August 2026
Last confirmed live14 August 2026
Measurements held4
Confirmed unchanged1 time, most recently 14 August 2026
On Telegramt.me/kinokocinema

Growth

1,3531,3561,354.57 August 2026 — 1,356 subscribers7 August 2026 — 1,356 subscribers11 August 2026 — 1,353 subscribers14 August 2026 — 1,354 subscribers1,3547 August 202614 August 2026
4 measurements spanning 8 days, net -2. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 1,353–1,356 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
14 Aug 2026, 19:081,354+1
11 Aug 2026, 02:471,353-3
7 Aug 2026, 19:041,356no change
7 Aug 2026, 02:171,356first reading

Engagement

10 posts held, back to 13 February 2026the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 10 posts for this entry, the most recent from 14 May 2026. An engagement rate over an empty window would be a number about nothing.

Reaction mix

257 reactions across 10 posts, in 9 distinct kinds. The most used accounts for 35.0% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
9035.0%
❤‍🔥8131.5%
🏆259.73%
🔥218.17%
🕊207.78%
114.28%
🌚51.95%
🎉31.17%
10.389%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 10 of the 10 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 257reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 10 most recent posts we hold, published 13 February 2026 to 14 May 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

14 May 2026, 11:31 UTC802 views25 reactionsread 7 August 2026
Photo

Японское кино на Каннском кинофестивале 12-23 мая во Франции проходит 79-й Каннский кинофестиваль. В этом году Япония занимает особое место — на «Золотую пальмовую ветвь» претендуют сразу три фильма, на приз «Особый взгляд» — ещё две кинокартины. Такого не было последние 25 лет. Кратко расскажем, что будет смотреть весь мир после премьеры в Каннах. 「箱の中の羊」 (рус. Барашек в ящике) Научно-фантастическая драма, написа

14❤‍🔥5🏆4🔥1🕊1

25 Apr 2026, 07:02 UTC729 views14 reactionsread 7 August 2026
Photo

Круглый стол, посвящённый визуальной культуре Японии, уже начался. Зарегистрированным слушателям отправили ссылку на конференцию по электронной почте. Подключайтесь к онлайн-трансляции: https://vk.com/wall-172504403_828

14

24 Apr 2026, 19:15 UTC869 views40 reactionsread 7 August 2026
File

25 апреля пройдёт круглый стол «Японская визуальная культура и её рецепция за пределами Японии» Мы подготовили программу совместно с проектом «Новости для учёных-японистов», чтобы вы могли ознакомиться с темами выступлений, секциями и таймингом заранее. Долго и кропотливо готовили это мероприятие, поэтому ждём всех зарегистрированных докладчиков и слушателей онлайн и оффлайн уже завтра, 25 апреля (суббота) с 9:20 д

❤‍🔥18148

28 Mar 2026, 12:18 UTC≈1,040 views21 reactionsread 7 August 2026
Photo

nn4444 • posters

❤‍🔥14🕊32🌚2

28 Mar 2026, 12:17 UTC873 views11 reactionsread 7 August 2026
Video

• nn4444 • 4 protagonists. 4 absurdities. 4 horror short films by 4 directors.

6❤‍🔥3🌚2

27 Mar 2026, 09:49 UTC894 views17 reactionsread 7 August 2026
Photo

Психологической хоррор Юсукэ Ивасаки* 「 チルド」 (анг. AnyMart) получил приз ФИПРЕССИ на Берлинском международном кинофестивале. Жюри прокомментировали свой выбор так: Нас покорила эта острая сатира — одновременно юмористическая и ужасающая — о современной японской молодежи, которая сталкивается с тяжёлой изнурительной работой и токсичным давлением семьи. Александра Кибатова изучила историю амбициозной японской компан

❤‍🔥94🎉3🏆1

17 Mar 2026, 16:19 UTC869 views32 reactionsread 7 August 2026
Photo

Костюмы и грим в фильме «Национальное достояние» позволяют не просто смотреть на театральное действие, а созерцать его. Для Хибино Наоми, художницы по костюмам и гриму, работа на съёмочной площадке была настоящим вызовом. Ей пришлось приспособить ремесло, предназначенное для сцены, к техническим требованиям кинематографа. Для традиционных японских танцев, как и для театральных постановок, с которыми работает Хибино

❤‍🔥1510🏆7

16 Mar 2026, 18:19 UTC977 views37 reactionsread 7 August 2026
Photo

Оскар-2026. Фильм «Национальное достояние» (2025): наследие и канон 「国宝」 (Kokuhō, рус. Национальное достояние) режиссёра корейско-японского происхождения Ли Сан Иля был номинирован на премию Оскар в категории Лучший зарубежный художественный фильм. Несмотря на то, что фильм остался лишь соискателем премии, ещё в 2025 году он собрал в Японии более 10 миллионов зрителей в кинотеатрах. Об одном из самых кассовых работ

23🏆103🔥1

8 Mar 2026, 14:01 UTC≈2,220 views36 reactionsread 7 August 2026
File

Японский киноклуб Киноко совместно с проектом Новости для учёных-японистов приглашают принять участие в круглом столе «Японская визуальная культура и её рецепция за пределами Японии». 25 апреля (суббота) 2026 года с 10:00 до 20:00 пройдёт круглый стол из нескольких секций, посвящённый визуальной культуре Японии во всех её проявлениях. Приглашаем принять участие студентов бакалавриата, магистратуры, аспирантов, научн

🔥19❤‍🔥12🕊31🌚1

13 Feb 2026, 10:50 UTC≈1,230 views24 reactionsread 7 August 2026
Photo

ベルリン国際映画祭 Японское кино на Берлинале 2026. Часть 4 Берлинский кинофестиваль начался 12 февраля, и мы внимательно следим за новостями и программами. Одна из них, программа Panorama, представит фильм 「しびれ」 (Shibire / Numb) режиссёра Утияма Такуя. Это его четвёртый полнометражный фильм, который с нетерпением ждут зрители, потрясённые в 2020 году драмой Sasaki, in, mai main (Сасаки в моей памяти). Shibire снят в родной

🕊13❤‍🔥53🏆3

Showing the 10 most recent of 10 posts we hold for @kinokocinema. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Citation-graph rank

Citation-graph rank — 1,028,189 of 1,478,351entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.

Forward network

Republished by

Channels on the register that have forwarded this channel's posts into their own feed.

Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.

Mentions

Named by 2 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 14 August 2026 — this entry's latest reading, not the date you are reading this.

“KINOKO” (@kinokocinema), 1,354 subscribers as measured 14 August 2026. Telegram Register, tgregister.com/channel/kinokocinema.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.