Photo, posted without a caption

Channel
Fixed Centre Art
@fixedcentreart
On this record: Growth · Engagement · Posts · Citations · Cite this entry
296subscribers
-2 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
Register entry
| Telegram ID | -1001682102531 |
|---|---|
| Type | Channel |
| Username | @fixedcentreart |
| Created | 4 January 2022 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 8 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 1 time, most recently 14 August 2026 |
| On Telegram | t.me/fixedcentreart |
Growth
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 14 Aug 2026, 09:26 | 296 | -2 |
| 8 Aug 2026, 08:03 | 298 | no change |
| 7 Aug 2026, 19:50 | 298 | first reading |
Engagement
19 posts held, back to 4 April 2023 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 19 posts for this entry, the most recent from 2 April 2025. An engagement rate over an empty window would be a number about nothing.
Recent posts
"The producers and promoters of modern art form a veritable mafia that is made up of an international network of art galleries, museums, universities, critics and auction houses. Governments at the national and provincial levels also support this genre by subsidizing artists and related exhibitions, thus contributing to the distortion and imbalance of the masses. Art should elevate people's feelings, arousing in them…
Photo, posted without a caption
'In a world where manufactured products and middlemen's service's were new economic notions, the artist often had to go at his task literally from the ground up. Cennini recalled that as a lad he prowled the Tuscan hills looking for natural pigments in the earth, and that at “a very steep place, scraping the steep with a spade, I beheld seams of many kinds of colour – ocher, dark and light sinoper, blue and white.” I…
“The ingredients of a work of art are both intangible and tangible. Into its making go such elusive elements as the artist's innate talent and inner vision – and also such mundane materials as pigments and glues and varnishes. In every generation the artist has had to harmonize the aesthetic act of painting with the physical act. But vital differences set apart the painters of Giotto's time from those of today. The a…
Photo, posted without a caption
“I alone take all things out of their sense and make them one in me” - Meister Eckhart “And this is precisely what the artist does, whose first gesture is an interior and contemplative act in which the intellect envisages the thing not as the senses know it, nor with respect to its value, but as an intelligible form or species; the likeness of which he afterwards proceeds to embody in the material” - Ananda Coomaras…
“Individual expression, the trace of good or evil passions, is the same thing as characteristic expression; the psychological novel or painting is concerned with 'character' in this sense, the epic only with types of character. What affects us in monumental art, whatever its immediate subject, is nothing particular or individual, but only the power of a numinous presence. The facts of medieval art agree with this the…
Photo, posted without a caption
“At the break-up of the medieval system two great disruptions were acting and inter-acting – the Reformation and the Renaissance. At the beginning of the fifteenth century the class of persons now called artists did not exist, nor was there such a thing as an architect's profession. There were simply various grades of workmen, skilled and less skilled, well know and honoured, or unknown and unhonoured. But the presen…
"The Leisure State is founded upon a false angelism, a false notion of the fitness of men to enjoy themselves without the direct responsibility of each one to earn his own living and that of his wife and children by his own work [. . .] It is the notion that matter is essentially evil and therefore work is essentially degrading. [. . .] that is the basis of our Leisure State - the release of man from his entanglement…
"The abnormality of our time, that which makes it contrary to nature, is its deliberate and stated determination to make the working life of men & the product of their working hours mechanically perfect, and to relegate all the humanities, all that is of its nature humane, to their spare time, to the time when they are not at work." - Eric Gill
Showing the 12 most recent of 19 posts we hold for @fixedcentreart. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Forward network
Republishes
Channels on the register whose posts this channel has forwarded.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 14 August 2026 — this entry's latest reading, not the date you are reading this.
“Fixed Centre Art” (@fixedcentreart), 296 subscribers as measured 14 August 2026. Telegram Register, tgregister.com/channel/fixedcentreart.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.