Channel
@deneva_v_teatre
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
747subscribers
+4 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1003043347136 |
|---|---|
| Type | Channel |
| Username | @deneva_v_teatre |
| Created | Between 1 August 2025 and 31 October 2025— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 15 August 2026 |
| Measurements held | 3 |
| Confirmed unchanged | 1 time, most recently 15 August 2026 |
| On Telegram | t.me/deneva_v_teatre |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 15 Aug 2026, 18:08 | 747 | +4 |
| 6 Aug 2026, 16:05 | 743 | no change |
| 6 Aug 2026, 15:33 | 743 | first reading |
9 posts held, back to 18 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 20 July 2026 |
|---|---|
| Posts held | 9 (18 July 2026 – 20 July 2026) |
| Views total | 1,560 |
| Reactions total | 69 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 6 Aug 2026, 16:05 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
113 reactions across 9 posts, in 7 distinct kinds. The most used accounts for 69.9% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ❤ | 79 | 69.9% | |
| ❤🔥 | 11 | 9.73% | |
| 🔥 | 10 | 8.85% | |
| 🥰 | 7 | 6.19% | |
| 👍 | 4 | 3.54% | |
| 😍 | 1 | 0.885% | |
| 🙏 | 1 | 0.885% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 9 of the 9 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 113reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 9 most recent posts we hold, published 18 July 2026 to 20 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Финал балета — туманная неизбежность. В клубах дыма рассеивается свет приближающегося поезда, пространство плавит границы, пластично скругляется, укутывая Анну в пелену смерти. Лайкова буквально меняет геометрию сцены, отменяет углы, используя то ли материю, то ли иллюзию. Белая пелена перед глазами и успокоительный саван-сон. Никакой агонии и сожалений. Наконец-то кончено. (На фото — эскизы костюмов Юлианы Лайково…
❤10
Становятся ли хореографические образы на сцене объёмнее поэпизодного плана — краткого пересказа событий в программке? Отличается ли пластический язык кордебалета (ладно, четырёх агрессивных кочегаров в рассчёт не берём) и главных персонажей? Проявляет ли рисунок тела — рисунок роли, то есть даёт ли что-то понять про этого персонажа и его метаморфозы? А главное — продлевает ли пластический узор музыку Щедрина? Вопр…
❤6
Сценография здесь становится и способом мизансценирования, и подстрочником сюжета. Заслонивший на короткое время черноту паровоза золотой занавес (нарочито иллюстративный, похожий на фотообои) заслоняет от реальности и Анну. Её Италия — не желанное романтическое уединение с Вронским, а плоская золотая клетка. Перспективы нет и не будет — сообщает занавес и рухнет быстрее, чем Анна успеет досмотреть свой мираж о сыне …
❤6❤🔥2🙏1
В сто сорок люстр бал пылал… Люстры тысяч минувших балов вспыхивают над сценой, ослепляя пучком света стайку девушек-монпансье. Художник распыляет по монохрому все оттенки розового в бальных платьях, подчёркивая пошлую миловидность светских львиц, особенно в контрасте с Анной, она всегда в глубоких локальных цветах. В хрустальной многослойности люстр легко разглядеть картонные, как вся светская мораль, погубившая Ан…
❤6❤🔥2
Сценография становится ясной точкой входа в сюжет, визуальной увертюрой: мы окинем ретроспективным взглядом минувшее глазами Анны, застигнутой в тот момент, когда вся жизнь пронеслась перед глазами. В холодном монохроме пространства угадываются и театральные ложи, и колонны бального зала, и тени людей-сомнамбул. Сценография здесь не просто статична — она словно мумифицирована. Лайкова синтезирует ощущение одновремен…
❤3🥰3🔥1
«АННА КАРЕНИНА» Большой театр (медленное чтение в шести постах) Исторические заходы к Майе Плисецкой в балете 1972 года и музыковедение опустим, не мой профиль. Самое интересное в балете для драматического анализа — метафора пространства. Художник Юлиана Лайкова создаёт на сцене золочёные руины: чёрная пасть паровоза уже ворвалась в светскую залу, вгрызлась в чрево лоснящегося мира. Ворвалась и застыла. Предсмертны…
❤8
🪷 В день спектакля вы получаете доступ к подкасту — часовая лекция о режиссёрском стиле, истории создания и театральном контексте. В завтрашнем случае — это ликбез о технике форум-театра в мире и в России; о причинах такой бешеной популярности Димы Крестьянкина и других его спектаклях 🪷 Около 20.00 вам присылают приглашение в зум, где я выстраиваю обсуждение и задаю вопросы так, что из просто впечатления спектакль…
❤6
Дорогие! Завтра, 20 июля в 20.00, в Школе осознанного зрителя будем обсуждать форум-спектакль Димы Крестьянкина «Восьмиклассница» Театра им.Маяковского Собственно, мы каждый месяц в Школе осваиваем какую-то тему о современном театре сначала в теории, потом на практике — совместным просмотром и последующим театроведческим разбором спектакля. Но всегда это закрытые события только для участников образовательного курса.…
🔥9❤6
Когда раз в жизни пошла на премьеру в Большой не с коллегой / сватом / братом / мужем, а с подругой-профессиональным фотографом. Действие на сцене снимать нельзя, а меня можно. Наслаждайтесь 🦄 PS. О том, что же всё-таки было на сцене, — в понедельник Фотограф Валентина Веденеева — потрясающая, сами видите, расхватывайте
❤28❤🔥7👍4🥰4😍1
Showing the 9 most recent of 9 posts we hold for @deneva_v_teatre. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 178,380 of 1,481,306entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 4 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 15 August 2026 — this entry's latest reading, not the date you are reading this.
“Дивная Денёва” (@deneva_v_teatre), 747 subscribers as measured 15 August 2026. Telegram Register, tgregister.com/channel/deneva_v_teatre.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.