Channel
@cyland
On this record: Growth · Engagement · Posts · Citations · Cite this entry
103subscribers
+0 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001096447770 |
|---|---|
| Type | Channel |
| Username | @cyland |
| Created | 27 November 2016 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 9 August 2026 |
| Last confirmed live | 21 August 2026 |
| Measurements held | 4 |
| Confirmed unchanged | 1 time, most recently 21 August 2026 |
| On Telegram | t.me/cyland |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 21 Aug 2026, 13:27 | 103 | -1 |
| 14 Aug 2026, 12:04 | 104 | +1 |
| 9 Aug 2026, 09:45 | 103 | no change |
| 7 Aug 2026, 05:32 | 103 | first reading |
5 posts held, back to 9 October 2023 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 5 posts for this entry, the most recent from 14 October 2023. An engagement rate over an empty window would be a number about nothing.
Anna Frants, Artist Union. Still life, from the series “Matter of Chance”, media Installation, 2019. The “Artist Union. Still life” is a reflection on the law of large numbers. Is it applicable in visual arts — to colors in painting, lines in graphics, forms in sculpture, and the image integrity in installations? ⠀ The law of large numbers is a principle that describes the completion of the same experiment many time…
Check out the another recording from the Cyland Audio Archive made during anniversary 10th CYFEST: Nao Nishihara 'Oil Drums', sound installation, 2015 Nao's installation is brilliantly simple: three drums are spinned by electric motors and rubber balls are rubbing against their bottoms making loud drawling sound. The simplicity stops here, and the listener is enveloped by the sound of literally fractal complexity: t…
🥁 Today! #DigiTec Expo-23 opens its doors welcoming the entire tech community. Join us and experience one of the highlights of this year’s CYFEST-15 the kinetic sound installation ‘Diligent Machine (Yerevan)’ by Nao Nishihara: "Diligent Machine," shifts our sense of time in our daily lives. It runs on a railway slowly with sounds of instruments and daily objects. The audience has to wait, and keep their senses sharp…
⏳‘Chronoscape’ by Alexandra Dementieva features at #DigiTec Expo-23: The totem consists of a clock mechanism, a monitor, and hidden video camera. It is a symbolic representation or embodiment of the concept of time and serves as a reminder of its flow, the impermanence of life or the cyclical nature of existence. Standing in front of it, the visitors speeds up the clock with their presence — the more they stand, the…
💥 We are excited to announce that CYLAND MediaArtLab in partnership with the HayArt Cultural Center is participating in #DigiTec Expo 2023 in Yerevan – the largest tech exhibition event in the region bringing together the entire IT community. We are deeply grateful to our partner, the HayArt Cultural Center, for inviting us to join forces in developing an ART:TECH program for this remarkable international event. Fea…
Showing the 5 most recent of 5 posts we hold for @cyland. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 681,977 of 1,604,161entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 21 August 2026 — this entry's latest reading, not the date you are reading this.
“CYLAND MediaArtLab” (@cyland), 103 subscribers as measured 21 August 2026. Telegram Register, tgregister.com/channel/cyland.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.