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Channel
CTPL
@cultiplan
On this record: Topic · Growth · Engagement · Reactions · Posts · Cite this entry
46subscribers
-2 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
Register entry
| Telegram ID | -1001414816836 |
|---|---|
| Type | Channel |
| Username | @cultiplan |
| Created | Between 1 April 2019 and 30 November 2021 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 10 August 2026 |
| Last confirmed live | 7 October 2026 |
| Measurements held | 4 |
| Confirmed unchanged | 3 times, most recently 7 October 2026 |
| On Telegram | t.me/cultiplan |
Topic
Other / unclassifiable — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 29 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
Growth
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 13 Sept 2026, 09:40 | 46 | -1 |
| 15 Aug 2026, 17:25 | 47 | -1 |
| 10 Aug 2026, 13:16 | 48 | no change |
| 7 Aug 2026, 06:07 | 48 | first reading |
Engagement
20 posts held, back to 13 January 2022 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 18 June 2026. An engagement rate over an empty window would be a number about nothing.
Reaction mix
1 reaction across 1 post, in 1 kind.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| 👍 | 1 | 100.0% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 1 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 1 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 13 January 2022 to 18 June 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Recent posts
The owner of this channel has been inactive for the last 17 months. If they remain inactive for the next 18 days, they may lose their account and admin rights in this channel. The contents of the channel will remain accessible for all users.
The owner of this channel has been inactive for the last 17 months. If they remain inactive for the next 29 days, they may lose their account and admin rights in this channel. The contents of the channel will remain accessible for all users.
3D 가상 디카시 갤러리에서 김동선 디카시인의 NFT 작품을 만나보자. 사진(디지털카메라, 휴대폰)과 시가 만나 탄생한 디카시는 한국에서 발원한 문학의 한 장르로 폭발적으로 매니아층이 형성되고 있으며, 국제적으로도 알려지기 시작했다. 특히, 황순원문학관, 한국디카시연구소 및 홍성, 고성 등에서 디카시 공모전을 정기적으로 개최하고 있다. 김동선 작가의 디카시를 읽다보면, 어느새 시인과 함께 떠나는 여행의 동행자가 되어 있을 것이다. 작품을 3D 가상 갤러리에서 관람하고, NFT도 소장해 보자. https://artspaces.kunstmatrix.com/en/exhibition/9583005/kim-dongsun-nft-dicapoem-gallery
Let's meet Dicapoet KIM DONGSUN's NFT works on babidiba 3D virtual dicapoem gallery. Dicapoem, which was created by combining photography(digital camera, mobile phone) and poetry, is a genre of literature that originated in Korea and has an explosive fanbase. It is also starting to become known internationally. In particular, Hwang Sun-won Literary Museum, Korea Dicapoet Association, and several cities regularly ho…
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바비디바 전시회 관련 소식 더 보기 Read more about the babidiba Exhibition 블로그 Blog (한국어, Korean) https://blog.naver.com/cultiplan/222627219384 Medium (English) https://medium.com/@ctpl_1843/babidiba-nft-3d-virtual-the-1st-exhibition-ded14001fd19
제1회 바비디바 NFT+3D Virtual 전시회 3월 23일부터 29일까지 서울 인사동 갤러리 루벤에서 전시회가 열립니다. 바비디바 전시회는 기존 전시회와 다른 점은 실제 갤러리 전시와 동시에 3D 버추얼 전시회가 치뤄지며, NFT 플랫폼인 babidiba.com에서도 작품이 진열되기 때문에 전세계인 누구나 전시장을 방문하고, 감상하고, 작품을 실물 또는 NFT로 거래할 수 있습니다. 제2회 전시회는 더 진보된 메타버스 환경에서도 진행할 계획입니다. 장소 : 갤러리 루벤 (인사동) 전시일자 : 2022.03.23 - 29 (일주일간) 3D Virtual Exhibition : https://artspaces.kunstmatrix.com/en/exhibition/9410914/babidiba-nft3d-virtual-exhibitio…
babidiba NFT+3D Virtual The 1st Exhibition babidiba Exhibition will be held from March 23 to 29 at Gallery LuBen. This Exhibition differs from other exhibitions in that a on-line 3D virtual exhibition will be held at the same time as the off-line gallery exhibition. Since the works are also displayed on the NFT platform 'babidiba.com', anyone from around the world can visit the exhibition to appreciate them and tra…
화가 이혜순 NFT 반영 내용 블로그 (한국어)https://blog.naver.com/cultiplan/222647048587 미디엄 (영어) https://medium.com/@ctpl_1843/babidiba-nft-the-artist-who-captures-a-small-universe-in-flowers-artist-lee-hye-soon-7d79420ce79f
이른 성공에 있어서 아름다운 도시풍경은 어쩌면, 어쩌면 사람을 참 뻔하게 만든다. 빛은 우리를 따르고, 우리는 그 빛을 따르며 사는 때가 있다. 그는 그 많은 하루살이 중에 하나였다. 그러나 갑자기 걸음을 멈추어 생각하기를, ‘나는 어떤 빛을 따르는가?’ 그리고 세상은 바뀐다. 작가 서동수 우리는 어디로 가야하나? https://babidiba.com/asset/2538 우리는 어디로 가야하나? https://babidiba.com/asset/2549 우리는 어디로 가야하나? https://babidiba.com/asset/2560 우리는 어디로 가야하나? https://babidiba.com/asset/2512 우리는 어디로 가야하나? https://babidiba.com/asset/2534 나를 찾아가는 길 (멤버십NFT)…
“Let’s babidiba, How to Invest in NFT” The perspective of a beautiful urban landscape, viewed from an earlier success, can sometimes make one totally mundane. At times the light follows us, other times we follow and live according to the light. He was one such ephemeral existence. But, then, he stops suddenly to ask, ‘What light am I following?’ Then, the world changes. Artist Dongsoo Seo Where must we go https:…
babidiba NFT 작품응모 응모기간: 2022.2.1~2.28, 24:00까지 우수한 작품을 발굴하여 전세계로 확산시키는 플랫폼, babidiba 바비디바가 NFT 작품 응모를 진행합니다. 글로벌로 성장할 수 있는 아주 특별한 기회! 작가님들의 많은 참여 바랍니다. https://blog.naver.com/cultiplan/222638777898
Showing the 12 most recent of 20 posts we hold for @cultiplan. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 13 September 2026 — this entry's latest reading, not the date you are reading this.
“CTPL” (@cultiplan), 46 subscribers as measured 13 September 2026. Telegram Register, tgregister.com/channel/cultiplan.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.