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Channel

CGTRUE

@cgtrue

On this record: Growth · Engagement · Reactions · Posts · Cite this entry

1,087subscribers

+0 since we began measuring on 5 August 2026

Risers and fallers across the register · movement among entries of 1,000–3,162.

Register entry

Telegram ID-1001072348100
TypeChannel
Username@cgtrue
Created6 April 2017measured — cross-checked against a third-party dataset (ext.tg_channel)
First recorded6 August 2026
Last confirmed live23 August 2026
Measurements held4
Confirmed unchanged1 time, most recently 23 August 2026
On Telegramt.me/cgtrue

Growth

1,0871,0881,087.55 August 2026 — 1,087 subscribers6 August 2026 — 1,087 subscribers16 August 2026 — 1,088 subscribers23 August 2026 — 1,087 subscribers5 August 202623 August 2026
4 measurements spanning 17 days. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 1,087–1,088 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
23 Aug 2026, 03:541,087-1
16 Aug 2026, 17:161,088+1
6 Aug 2026, 12:211,087no change
5 Aug 2026, 23:511,087first reading

Engagement

20 posts held, back to 14 November 2025the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 19 February 2026. An engagement rate over an empty window would be a number about nothing.

Reaction mix

4 reactions across 3 posts, in 3 distinct kinds. The most used accounts for 50.0% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
250.0%
👀125.0%
🔥125.0%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 3 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 4reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 20 most recent posts we hold, published 14 November 2025 to 19 February 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

19 Feb 2026, 18:01 UTC451 viewsread 6 August 2026

https://vimeo.com/1161927742?fl=pl&fe=sh 🎬 Radiating Beauty — Terence & Ginja Martinho turn everyday objects into pure cinematic poetry Portuguese director Terence & Ginja Martinho craft a mesmerizing CG short that elevates humble materials into something luminous, emotional, and almost sacred. Through delicate lighting, macro framing, and slow, intentional 🌟 Transformation through light — precise lighting setups

19 Feb 2026, 15:05 UTC295 viewsread 6 August 2026

https://vimeo.com/1163618736?fl=pl&fe=vl 🎞 This Is Not Padel — TOMASZEWICZ Studio London-based motion designers Peter Tomaszewicz and Christiana Perdiou explore experimental storytelling through abstract tennis-inspired motion in this minimalist CG short. Built as a personal experiment, the film investigates how far color grading, compositing, and post-production effects can push clean 3D animation into a vivid, exp

19 Feb 2026, 13:07 UTC220 viewsread 6 August 2026

https://vimeo.com/1159666833?fl=pl&fe=vl 🎞 Experimentale 1 — Breguet / Le Truc Directed by Paris-based studio Le Truc, this experimental launch film for Breguet transforms watchmaking innovation into a series of mesmerizing scientific visuals. Built around the concept of rigor vs wonder, the piece explores magnetism, oscillation, and precision through physical simulations and abstract motion — reflecting the revolut

19 Feb 2026, 12:49 UTC176 viewsread 6 August 2026

https://vimeo.com/1138583873?fl=pl&fe=sh 🎞 Project Unbroken — Alex Levinton & Ariel Danziger A deeply emotional CG film created by Buenos Aires 3D artist Alex Levinton and director Ariel Danziger for the non-profit Project Unbroken. Inspired by the Japanese art of kintsugi — repairing broken pottery with gold — the film transforms fragility, grief, and trauma into powerful visual metaphors of healing and resilience.

19 Feb 2026, 12:37 UTC162 viewsread 6 August 2026

https://vimeo.com/1145191776?fl=pl&fe=vl 🎞 XREAL 1S AR Glasses Launch Film — Morph Studio Director Vitas and Singapore-based Morph Studio present a striking CG launch film for the XREAL 1S AR glasses, visualizing the device as a living organism evolving through stages of biological growth. The piece uses a cyclical structure where the product continuously decomposes and rebuilds itself, reinforcing the idea of techn

8 Feb 2026, 18:50 UTC217 viewsread 6 August 2026

https://www.youtube.com/watch?v=5755Rv7NwxE 🎞 Sportswashing: Greenpeace Calls Out the Winter OILympics A powerful pro-environment campaign film created by Studio Birthplace in collaboration with Greenpeace Italy that dramatizes the irony of a major fossil fuel company sponsoring the 2026 Winter Olympics — an event whose future is directly threatened by the climate crisis. The video uses stark CG imagery to call out

8 Feb 2026, 18:43 UTC158 views2 reactionsread 6 August 2026

https://www.youtube.com/watch?v=KQFHrm3qfZE 🎞 Comfort Tactile — OOFOS Footwear / Pleid Studio A thoughtfully crafted CG product film by Pleid Studio for OOFOS — a brand known for its comfort-centric footwear. This piece turns tactile comfort into a visual language: soft motion, organic simulation, and inviting materiality bring the idea of “comfort you can feel” to life. 🦶 Tactile motion cues — objects and elements

2

22 Dec 2025, 10:22 UTC382 viewsread 6 August 2026

https://vimeo.com/1095343277?fl=pl&fe=sh 🎞 Heaven is a Library — Moon Juryeong A dreamy, ambient CG short by Korean motion designer Moon Juryeong that visualizes heaven as a library — a calm haven of stories, wisdom and refuge inspired by a quote from Neil Gaiman. The piece poetically follows drifting petals and uncertain wind currents, expressing inner turmoil and the quiet clarity that unfolds on the journey towar

22 Dec 2025, 10:11 UTC277 views1 reactionsread 6 August 2026

https://vimeo.com/1102742359?fl=pl&fe=vl 🎞 The Star Shepherd — Li Xuan for Roy Wang A visually poetic music video where director Li Xuan marries expressive CG motion with poetic narrative, revealing the “soft side of AI” through ethereal imagery and fluid character animation. The piece blends human emotion with subtle, algorithmic motion design, creating a dreamlike atmosphere that resonates with the song’s introspe

👀1

22 Dec 2025, 10:04 UTC239 viewsread 6 August 2026

https://www.youtube.com/watch?v=cigPjwfw000 🎞 Animals — Kutuko Studio A compelling and minimalist CG short from Kutuko Studio that explores how creatures perceive the world through motion, reflex and instinct. Instead of a traditional narrative, the film uses shape, behavior, rhythm and transformation to evoke the spontaneous intelligence of animals within abstract environments. #motiondesign #vfx #cg #3d #abstract

13 Dec 2025, 19:59 UTC274 viewsread 6 August 2026

https://www.youtube.com/watch?v=SSe4ONJHxLM 🎞 Into the Breach — Yes Captain for NodeFest 25 A bold and technically confident title sequence created for NodeFest 25, where Yes Captain fuses procedural motion, abstract geometry, and high-energy transitions into a striking visual identity for the event. The piece feels experimental, precise, and unapologetically digital — a perfect match for a tech-driven conference. 🧩

13 Dec 2025, 19:52 UTC211 viewsread 6 August 2026

https://www.instagram.com/p/DP_he7riNYG/?img_index=1 🎞 The Power of Wind & Sand — Spec Spot by János Nyujtó A visually striking spec film that explores the raw, elemental relationship between wind, sand, and form. Through minimalist composition and carefully controlled simulations, the piece turns natural forces into a sculptural motion study — somewhere between physical realism and abstract motion design. 🌪 Wind-d

Showing the 12 most recent of 20 posts we hold for @cgtrue. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 23 August 2026 — this entry's latest reading, not the date you are reading this.

“CGTRUE” (@cgtrue), 1,087 subscribers as measured 23 August 2026. Telegram Register, tgregister.com/channel/cgtrue.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.