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Channel

Art MUSE | искусство и арт-рынок

@artmusemagazine

On this record: Growth · Engagement · Reactions · Posts · Citations · Declared links · Cite this entry

322subscribers

+1 since we began measuring on 8 August 2026

Risers and fallers across the register · movement among entries of Under 1,000.

Register entry

Telegram ID-1001693247824
TypeChannel
Username@artmusemagazine
CreatedBetween 1 December 2021 and 30 April 2023— estimated from Telegram’s id allocation, not measured. How this range is calculated.
First recorded8 August 2026
Last confirmed live15 August 2026
Measurements held3
Confirmed unchanged2 times, most recently 15 August 2026
On Telegramt.me/artmusemagazine

Growth

321322321.58 Aug 2026, 02:52 — 321 subscribers8 Aug 2026, 07:31 — 321 subscribers8 Aug 2026, 16:37 — 322 subscribers8 Aug 2026, 02:528 Aug 2026, 16:37
3 measurements taken within a single day, net +1. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 321–322 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
8 Aug 2026, 16:37322+1
8 Aug 2026, 07:31321no change
8 Aug 2026, 02:52321first reading

Engagement

16 posts held, back to 31 July 2026the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.

ERR · 30 days
12.2%
avg views ÷ 322 subscribers
Avg views / post
39.1
15 posts measured
Reaction rate
6.38%
reactions ÷ views · ER floor
Posts in window
16
of 16 held

ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.

ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate. It is computed over the 9 of 15 measured posts that carry a reaction reading, and over those same posts' views.

What these figures were computed from
WindowRolling 30 days · latest post in window 6 August 2026
Posts held16 (31 July 20266 August 2026)
Views total587
Reactions total25
Forwards / commentsnot exposed by the public surface — not measured, not estimated
Readings taken8 Aug 2026, 07:31 UTC

Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.

Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.

Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.

Reaction mix

25 reactions across 9 posts, in 3 distinct kinds. The most used accounts for 68.0% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
1768.0%
❤‍🔥624.0%
🔥28.00%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 9 of the 16 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 25reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 16 most recent posts we hold, published 31 July 2026 to 6 August 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

6 Aug 2026, 15:33 UTC35 views2 reactionsread 8 August 2026
Photo

Что происходит с плакатом, когда он перестаёт быть изображением на листе и становится публичным высказыванием? На программе «Искусство плаката» арт-кластера «Таврида.АРТ» 24 участника за четыре дня прошли путь от первых «марочек»-эскизов до законченных работ формата А1. Редакция Art MUSE наблюдала за процессом изнутри: как авторы выбирали между несколькими идеями, отказывались от лишнего, осваивали непривычные тех

2

6 Aug 2026, 08:32 UTC26 viewsread 8 August 2026
Photo

Видели новость, что Пушкинский музей открыл первую масштабную выставку буддийского искусства России Выставка «Алмазная колесница. Буддийское искусство России» объединяет более 650 предметов из Пушкинского музея, Государственного музея Востока и музейных собраний Бурятии, Тывы и Калмыкии. В экспозицию вошли металлическая и деревянная скульптура, тханки, ритуальные предметы, маски, костюмы, музыкальные инструменты, ру

6 Aug 2026, 08:24 UTC22 views2 reactionsread 8 August 2026

«Что это означает для современного коллекционера?» - спросите вы. Сейчас для современного искусства такая документация может казаться избыточной. Но через двадцать или тридцать лет именно она станет частью происхождения, состояния и стоимости работы. Время стремительно. Поэтому коллекционеру сегодня лучше фиксировать не только сертификат или документы, подтверждающие покупку, но и: - кто именно проводил эксперти

2

6 Aug 2026, 08:20 UTC21 viewsread 8 August 2026

Представьте, что после нас будет цифровая экспертиза и атрибутировать авторство и подлинность будет цифровой эксперт 🤔🤓 5 августа в профессиональной повестке появился кейс нью-йоркского стартапа QuantumSpace. Компания анализирует произведение не как отдельное изображение, а как сеть связанных данных: характеристики поверхности, цвет, физические параметры, сведения о происхождении, результаты сканирования и изменения

4 Aug 2026, 14:04 UTC72 views2 reactionsread 8 August 2026
Photo

Сколько стоит самостоятельно организовать выставку, что входит в услугу аренды выставочной площадки и почему даже состоявшийся автор может сознательно выбрать платную модель как способ решения конкретной профессиональной задачи. Всё началось с обычного письма, присланного на редакционную почту. Центр книги и графики в Санкт-Петербурге прислал на почту Art MUSE анонс первой персональной выставки Юлии Клавдиевой «Твор

2

4 Aug 2026, 13:23 UTC44 views3 reactionsread 8 August 2026

Gagosian сокращает физическое присутствие в Лондоне и Базеле или почему крупнейшим галереям больше не обязательно иметь галерею в каждом городе Вчера стало известно, что Gagosian закрывает галерею в Базеле и уже покинул пространство в лондонской Burlington Arcade. При этом сеть никуда не уходит у неё остаются две крупные лондонские галереи, а в Базеле бренд продолжает присутствовать прежде всего через ярмарку Art Ba

3

2 Aug 2026, 11:52 UTC40 views2 reactionsread 8 August 2026

Перенимать опыт мы любим. Особенно хороший. Особенно тот, который уже работает. И вам советуем. Сегодня о культурной медиации в музеях, где эту роль всё чаще выполняют влиятельные блогеры и авторы цифровых медиа. 1 августа Le Monde опубликовал материал о том, как музеи привлекают создателей контента для работы с новой аудиторией. Речь уже не только о приглашениях на пресс-показы. Институции предлагают партнёрства,

🔥2

1 Aug 2026, 16:46 UTC44 views3 reactionsread 8 August 2026
Photo

Слышали, что Юра Омельченко баллотируется в Государственную Думу РФ от партии «Новые люди»? Обещают, что #ARTпатруль продолжит проекты в прежнем режиме.

❤‍🔥3

1 Aug 2026, 12:44 UTCviews —

Channel name was changed to «Art MUSE | искусство и арт-рынок»

1 Aug 2026, 10:14 UTC45 views4 reactionsread 8 August 2026
Photo

Собрали новую подборку open call для художников, фотографов, скульпторов, галерей и независимых проектов. Сохраняйте, чтобы не потерять, и пересылайте тем, кому сейчас актуален следующий шаг.

❤‍🔥31

1 Aug 2026, 09:34 UTC40 views3 reactionsread 8 August 2026
Photo

Галерея «Триумф» открыла 2-ую часть юбилейного проекта «Триумф. Избранное» - проект ради которого хочется забыть полотенце на пляже, оставить недопитым коктейль и поездом-самолетом-самокатом мчаться на Ильинку. Групповая выставка посвящена двадцатилетию галереи. «Триумф» описывает проект как исследование собственного пути — от классической частной галереи к гибридной платформе, соединяющей коммерческую деятельность

3

1 Aug 2026, 09:10 UTC26 viewsread 8 August 2026
Forwarded from @artinvestmentruPhoto

Некоторые ценовые результаты торгов 31 июля на AI Аукционе, с учетом 18% комиссии АЛЬТМАН Александр (1878–1932) Пейзаж с рыбаком Холст, масло. 91 × 72 Цена: 3 658 000 рублей ГОРБАТОВ Константин Иванович (1876–1945) Деревенский пейзаж. Зима. Декабрь 1915 Бумага на картоне, акварель, гуашь. 36,5 × 65,2 Цена: 2 950 000 рублей УДАЛЬЦОВА Надежда Андреевна (1886–1961) Сухой дуб. 1946 Холст, масло. 59,5 × 79,5 Цена: 2 95

Showing the 12 most recent of 16 posts we hold for @artmusemagazine. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Citation-graph rank

Citation-graph rank — 256,626 of 1,481,306entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.

Forward network

Republished by

Channels on the register that have forwarded this channel's posts into their own feed.

Republishes

Channels on the register whose posts this channel has forwarded.

Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.

Mentions

Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.

Named by

Channels on the register whose posts name this channel's handle.

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 8 August 2026 — this entry's latest reading, not the date you are reading this.

“Art MUSE | искусство и арт-рынок” (@artmusemagazine), 322 subscribers as measured 8 August 2026. Telegram Register, tgregister.com/channel/artmusemagazine.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.