Channel
@arthesis
On this record: Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cite this entry
21subscribers
+0 since we began measuring on 12 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001703919226 |
|---|---|
| Type | Channel |
| Username | @arthesis |
| Description | Bringing people together with stories that matter. ARTHESIS is a new blockchain film distribution model based on investments and fair contribution rewards. |
| Created | Between 1 December 2021 and 30 March 2022— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 12 August 2026 |
| Last confirmed live | 12 August 2026 |
| Measurements held | 2 |
| On Telegram | t.me/arthesis |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 12 Aug 2026, 08:15 | 21 | no change |
| 12 Aug 2026, 08:02 | 21 | first reading |
20 posts held, back to 30 March 2022 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 14 December 2022. An engagement rate over an empty window would be a number about nothing.
Lifetime counters from Telegram’s own channel header, read 12 August 2026 — not the date at the top of this page, which is when the subscriber count was last read. Below Telegram’s rounding threshold, so these counts are exact.
Measured directly from 2 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
108 reactions across 19 posts, in 11 distinct kinds. The most used accounts for 40.7% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| 🔥 | 44 | 40.7% | |
| 👍 | 17 | 15.7% | |
| 👏 | 16 | 14.8% | |
| ❤ | 10 | 9.26% | |
| 🍾 | 4 | 3.70% | |
| 🐳 | 4 | 3.70% | |
| 💔 | 4 | 3.70% | |
| 🤔 | 3 | 2.78% | |
| 🤩 | 3 | 2.78% | |
| 😁 | 2 | 1.85% | |
| 🏆 | 1 | 0.926% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 19 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 108reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 30 March 2022 to 14 December 2022, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
Dear Community, Please be informed that due to internal misunderstandings we decided to froze a product and it’s upcoming development. In case of any updates, we will release extra message
💔4
Dear Community, We just shared our thoughts in our blog on how we see future trends in a film industry and what will it be in next 10 years. As the main thesises: Allow the viewer to feel like a part of the film; Allow the viewer to observe the scene from different angles; Allow the viewer to be one of the main characters; To touch more of the viewer’s senses, thereby immersing him more in the atmosphere of the fil…
❤3👍3🔥2🤩2👏1
Dear Community, Meanwhile the whole world is now watching football, we want to congratulate you on Fibonacci Day. November 23 is celebrated as Fibonacci day because when the date is written in the mm/dd format (11/23), the digits in the date form a Fibonacci sequence: 1,1,2,3. You may have heard that 2 days before the start of the World Championship, a decision was made to cancel the sale of beer in stadiums during…
🍾3😁2🔥1🤔1
Dear Community, Just released the insight how a blockchain may solve a film industry issues and how ARTHESIS strive to do so. The topic is available by the link in our blog. As the latest news shows, with a time being the blockchain and film industry are getting closer. Stay tuned for more industry updates. Web | Instagram | Twitter | LinkedIn | Blog | YouTube | Chat
👍5🤔2
Dear Community, We are nearly 85% ready with a release of ARTHESIS platform. The time to open up a champagne is getting closer! So at this point we are starting with the event preparation of official MVP release. You may ask, what have you done since the last time? - Well, we finalised a moderation of video process. We don’t want the audience to get a trash content, so you will be able to get only a qualy. - Now th…
🔥7❤2👏2👍1
Dear Community, We are slightly moving forward to a release date. MVP is fully ready for 83%. Currently we are working on: - A video moderation process which includes approving or declining of director’s films and TV series along with email notifications. - Communicating with film academies and schools as well as with independent film directors - Working on a ARTHESIS platform distribution and other marketing tactic…
🐳4🔥2❤1👍1
Dear Community, We prepared a set of demo videos to share with you a progress we have come through: Home page Registration Log In Password Recovery Profile Catalog Settings Instagram Verification Twitter Verification Website | Instagram | Twitter | LinkedIn | Medium
🔥3👍1👏1
Dear Community, We truly hope that this message will find you somewhere on a beach eating some juicy grape. As we are getting closer to a release of MVP, we are starting with a preparation of marketing campaigns and events preparation. Beginning to rustle with directories and catalogs with film schools to select candidates for negotiations on participation at ARTHESIS platform. It's gonna be massive! While we are …
👏2🔥2🍾1🏆1👍1🤩1
Dear Community, More updates on a development status of MVP. Adding to previously finalised functionality we are slightly moving forward and getting ready with: - Author and viewer profiles - Editing of profiles - Settings page - Verification using Instagram account and a verification status - Back-office home and moderation pages Working on: - Movie uploading to the server - Verification using Twitter account A …
👏2🔥2
Dear Community, It’s been a while and long time no see. To keep you informed, we prepared a quick statistic what was done so far and what we are working on right now. The design of the very first product release is fully ready. What was planned initially is finalised and prepared by our design team. Currently, we finished with the following processes and activities: ⁃ Registration ⁃ Authentification / autorizati…
🔥5👏2👍1
Today ARTHESIS is at CMC Conference Who also will be there? Website | Instagram | Twitter | LinkedIn | Medium
🔥3👏1
Dear Community, We are fully focused on ARTHESIS platform development and we want to share with you a quick update on what was done so far. Design of MVP is 65% ready: ⁃ Registration ⁃ Authentication and authorization ⁃ Password recovering ⁃ Admin panel ⁃ Home page ⁃ Viewer role profile ⁃ Admin Panel All user stories with platform interaction finalised Registration is on it’s final stage of development What…
🔥2
Showing the 12 most recent of 20 posts we hold for @arthesis. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 1,264,778 of 1,481,217entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 12 August 2026 — this entry's latest reading, not the date you are reading this.
“ARTHESIS” (@arthesis), 21 subscribers as measured 12 August 2026. Telegram Register, tgregister.com/channel/arthesis.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.