Channel
@arefyevstudio
On this record: Topic · Growth · Engagement · Posts · Cite this entry
779subscribers
-7 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1001303569142 |
|---|---|
| Type | Channel |
| Username | @arefyevstudio |
| Created | Between 1 March 2018 and 31 August 2021 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 7 October 2026 |
| Measurements held | 8 |
| Confirmed unchanged | 1 time, most recently 7 October 2026 |
| On Telegram | t.me/arefyevstudio |
Technology — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 20 September 2026 and assigned it the closest of 31 fixed categories, at 78% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 7 Oct 2026, 16:56 | 779 | -2 |
| 26 Sept 2026, 12:37 | 781 | -1 |
| 14 Sept 2026, 11:38 | 782 | +2 |
| 6 Sept 2026, 06:02 | 780 | +1 |
| 23 Aug 2026, 07:38 | 779 | -3 |
| 16 Aug 2026, 15:28 | 782 | -4 |
| 8 Aug 2026, 01:46 | 786 | no change |
| 7 Aug 2026, 20:14 | 786 | first reading |
20 posts held, back to 29 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 20 posts for this entry, the most recent from 7 August 2026. An engagement rate over an empty window would be a number about nothing.
DEVPROAUDIO REVERSIDE Review: Advanced 3D Reverb or Just More Controls? Our editorial review explores REVERSIDE's dual-engine algorithmic architecture, independent Early and Late Reflections, room modeling, workflow, CPU considerations, and practical value for professional mixing and sound design. The focus is on real production implications rather than marketing claims. ⭐️ Editorial rating: 8.7/10 #AudioProduct…
TK Audio TK-Lizer 3 Review: Transparent Baxandall EQ for Modern Mastering The TK Audio TK-Lizer 3 is evaluated from a mastering engineer's perspective, covering its revised analog circuitry, integrated Mid-Side processing, Baxandall EQ topology, and real-world performance in hybrid mastering workflows. The review also compares it with leading analog mastering equalizers and examines where it offers genuine workflo…
Origin Effects EQDELUXE Review: Pultec-Inspired Analog EQ for Guitar & Bass Recording EQDELUXE is evaluated from a recording engineer's perspective, focusing on passive analog EQ behavior, tracking workflow, studio integration, practical limitations, and comparisons with competing hardware and software solutions. ⭐️ Editorial rating: 8.8/10 #OriginEffects #GuitarRecording #AudioProduction Read the full article:
UAD EMT 140 & EMT 250 Native Review: Classic Reverbs Without the DSP Requirement The native release of the UAD EMT 140 and EMT 250 brings two long-established reverb plugins to CPU-based workflows without changing their underlying DSP. The review examines real-world mixing and mastering applications, workflow improvements, and how these classic reverbs compare with today's leading native alternatives. #UniversalA…
Minimal Audio Lucid Review: Granular Workflow with Musical Control Our editorial review examines Minimal Audio Lucid from a production perspective, covering Grain Scale Lock, Timeline Sync, workflow efficiency, CPU considerations, and how it compares with today's leading granular plugins. ⭐️ Editorial rating: 9.3/10 #MinimalAudio #PluginReview #MusicProduction Read the full article:
Mastering The Mix MIXVAULT Review: A Different Approach to EQ Workflow Mastering The Mix MIXVAULT replaces traditional curve editing with a perceptual EQ workflow built around loudness-matched tonal shaping and reference-assisted analysis. Our editorial review examines where this approach delivers measurable workflow improvements—and where conventional parametric EQs remain the better choice. ⭐️ Editorial rating:…
Heavyocity VAST Review: Creative Convolution Beyond Traditional Reverb Heavyocity VAST is evaluated from a production workflow perspective, covering its Impulse Engine architecture, custom impulse response support, real-world mixing applications, CPU behavior, and practical value for cinematic sound design. ⭐️ Editorial rating: 9.3/10 #Heavyocity #MusicProduction #AudioEngineering Read the full article:
Rhodes Clav Pro Review: Is It the Best Virtual Clavinet Plugin? Our editorial review examines Rhodes Clav Pro from a production engineer's perspective, covering workflow, playability, mix integration, and how it compares with Keyscape, Scarbee, and other leading Clavinet plugins. We also evaluate where it delivers genuine production value—and where a broader keyboard collection may still be the better choice. ⭐️…
SSL Odyssey Review: ActiveAnalogue and the Future of Analog Console Workflow SSL Odyssey is examined from a production workflow perspective, focusing on ActiveAnalogue technology, instant analog recall, modular architecture and its practical impact on commercial recording, mixing and mastering studios. The review also compares Odyssey with SSL Oracle, API Vision and Neve Genesys Black, separating genuine workflow…
Drawmer OC1 vs FC1 Review: Which 500 Series Compressor Fits Your Workflow? Our editorial review explores Drawmer's first optical compressor alongside its new FET design, focusing on workflow, real-world recording, mixing and mastering applications, and how both modules compare with established 500 Series alternatives. ⭐️ Editorial rating: 9.3/10 #Drawmer #Mixing #Mastering Read the full article: 👇 Choose your l…
Dangerous Music BAX EQ Plugin Review: Is It Worth Buying? The official Dangerous Music BAX EQ Plugin is examined from a mastering engineer's perspective, including Bax EQ workflow, Mid-Side processing, CPU efficiency, and comparisons with Brainworx BAX EQ, FabFilter Pro-Q 4, and Weiss EQ MP. ⭐️ Editorial rating: 8.9/10 #Mastering #AudioPlugins #Mixing Read the full article:
W. A. Production Squelcher Review: Bass Enhancement, Workflow & Real-World Performance Squelcher is evaluated from a practical mixing perspective, covering harmonic bass enhancement, low-end translation, workflow efficiency, and how it compares with tools like Waves RBass and FabFilter Saturn 2. ⭐️ Editorial rating: 8.9/10 #MusicProduction #Mixing #AudioPlugins Read the full article:
Showing the 12 most recent of 20 posts we hold for @arefyevstudio. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 7 October 2026 — this entry's latest reading, not the date you are reading this.
“AREFYEV STUDIO | Audio Production News” (@arefyevstudio), 779 subscribers as measured 7 October 2026. Telegram Register, tgregister.com/channel/arefyevstudio.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.